Tristan und Isolde

Beyond Reason ◽  
2016 ◽  
Author(s):  
Karol Berger
Keyword(s):  
Social Rights ◽  
Erotic Love ◽  
Tristan Und Isolde ◽  
The Erotic

Tristan und Isolde (1857-59) put this revolutionary optimism of the Ring into question. Prompted in part by his disillusionment with the failed revolution and in part by his enthusiastic reading of Schopenhauer, Wagner now realized that the erotic love that was supposed to provide the foundations of the new post-revolutionary society was singularly unsuited for this role. Eros turned out to be a cruel deity inexorably driving its devotees to transcend the finite daily realm of customary social rights and obligations and ecstatically enter the infinite metaphysical night of nothingness.

LOVE, GRIEF, FEAR, AND SHAME: MEDEA'S INTERCONNECTING EMOTIONS IN BOOK 3 OF APOLLONIUS’ ARGONAUTICA

2021 ◽  
Vol 68 (1) ◽  
pp. 45-60
Author(s):  
Ed Sanders
Keyword(s):  
Erotic Love ◽  
The Real ◽  
Fast Pace ◽  
The Impact ◽  
The Erotic

In its justly celebrated Book 3, the fast pace of action elsewhere in Apollonius’ Argonautica slows dramatically, such that Medea's erotic infatuation with Jason, and the consequent effects of this infatuation, become the central episode of the entire epic. Indeed, the role that Medea's erôs (erotic love, desire) plays in Book 3 is so great that one scholar has opined that ‘It is not the heroic as such but rather the erotic that becomes the real theme.’ However, it is not just erôs that shapes this book, but also Medea's internal battle with a number of other emotions that erôs engenders: principally grief, fear, and shame. Assessing the impact of each and understanding their interplay is complicated, however, because the text frequently presents them as occurring multifariously, or in quick succession – for example switching from erôs to grief, back to erôs, to fear, back to grief, to pity, and to grief again, all within a few lines (443–71). Accordingly I propose to disaggregate her emotions, looking at each in turn wherever it occurs, before considering how Apollonius presents them as interconnecting, and what such interconnections add to his overall presentation of Medea – especially by contrast to that of Euripides, from an emotional perspective the most important precursor.

scholarly journals Autoeroticism: Rethinking Self-Love with Derrida and Irigaray

PhaenEx ◽  
2017 ◽  
Vol 12 (1) ◽  
pp. 53-70 ◽  
Author(s):  
ELLIE ANDERSON
Keyword(s):  
The Self ◽  
Fusion Model ◽  
Difference Model ◽  
Erotic Love ◽  
The Difference ◽  
The Erotic

Eros is often considered to be a desire or inclination for what is irreducibly other to the self. This view is particularly prominent among philosophers who reject a “fusion” model of erotic love in favor of one that foregrounds the difference between lovers. Drawing from this “difference” model, I argue in this essay that autoeroticism is a genuine form of Eros, even when Eros is understood to involve irreducible alterity. I claim that the autoerotic act is not adequately captured by traditional views of masturbation, where it is seen as distinct from the erotic encounter with another being. Instead, I employ Derrida and Irigaray to argue that the autoerotic act is auto-hetero-erotic, which depends on a view of the self as self-othering and heterogeneous. 

Schopenhauer’s Influence on Wagner

2020 ◽  
pp. 516-534
Author(s):  
Kevin C. Karnes ◽  
Andrew J. Mitchell
Keyword(s):  
Erotic Love ◽  
Artistic Creativity ◽  
Tristan Und Isolde ◽  
Religion And Art

This chapter traces the evolution of Wagner’s engagement with Schopenhauer’s philosophy from the 1850s through 1883. It considers Wagner’s three Schopenhauerian operas in relation to the composer’s contemporary writings, suggesting that both music and prose were vehicles through which he sought to extend and correct what he perceived as shortcomings in Schopenhauer’s work. In Tristan und Isolde and related correspondence, Wagner identified a pathway to redemption from suffering born of Schopenhauerian will, attainable through the experience of erotic love. In Die Meistersinger von Nürnberg and the essay “Beethoven,” Wagner elaborated Schopenhauer’s theory of dreams to account for the origins of artistic creativity. In Parsifal and a series of essays appended to “Religion and Art,” Wagner extended Schopenhauer’s notion of compassion to include all living beings, identifying vegetarianism as one of its principal tenets and the Eucharist as its cardinal expression in ritual.

scholarly journals NILAI CINTA DALAM LIRIK LAGU “BINTANG LIMA” KARYA AHMAD DHANI

2017 ◽  
Vol 15 (1) ◽  
pp. 1-8
Author(s):  
Nofia Angela
Keyword(s):  
Qualitative Research ◽  
Content Analysis ◽  
Structural Approach ◽  
Analysis Method ◽  
Erotic Love ◽  
Content Assessment ◽  
Content Analysis Method ◽  
Semiotic Approach ◽  
Love Of God ◽  
The Erotic

Penelitian ini bertujuan untuk memperoleh pemahaman mengenai nilai cinta yang terdapat dalam lirik lagu bintang lima karya Ahmad Dhani ditinjau dari pendekatan struktural-semiotik. Penelitian ini dilakukan dari 15 maret 2015 hingga januari 2016. Penelitian ini merupakan penelitian kualitatif  dengan metode analisis isi (content  analysis)  yang menguatamakan pengkajian isi, dengan menggunakan sumber data primer yaitu lirik lagu bintang lima. Penelitian ini mengungkapkan nilai cinta dalam setiap lirik lagu bintang lima karya Ahmad dhani ditinjau dari pendekatan struktural melalui dimensi tema leksikal, dimensi visual dan  dimensi  akustik  bunyi  kemudian dilanjutkan dengan memaknai nilai cinta ditinjau dari pendekatan semiotik melalui ikon,  indeks  dan  simbol.  Dengan hasil analisis 9 lirik lagu sebagai berikut: Roman picisan mengungkapkan dan memaknai nilai cinta kepada lawan jenis, Dua Sejoli mengungkapkan dan memaknai nilai cinta kepada lawan  jenis,  Risalah  Hati  mengungkapkan dan memaknai nilai cinta kepada lawan  jenis,  Separuh  Nafas  mengungkapkan  dan  memaknai nilai cinta kepada lawan jenis, Cemburu mengungkapkan dan memaknai nilai cinta kepada lawan jenis,  Hidup  Adalah Perjuangan mengungkapkan dan memaknai nilai cinta kepada persaudaraan dan nilai cinta  kepada  diri sendiri, Lagu Cinta mengungkapkan dan memaknai nilai cinta kepada lawan jenis, Cinta Adalah Misteri mengungkapkan dan memaknai nilai cinta kepada Tuhan, Sayap-Sayap Patah mengungkapkan dan memaknai nilai cinta kepada  orang tua, kepada  persaudaraan  dan kepada  lawan jenis.   This research aimed to obtain the love understanding fotind in Bintang Lima lyrics by Ahmnd Dhnni tised structural-semiotic approach. The study wns conducted from 15 Mnrch 2015 IO JHntlE  2016. This research was a qualitative research used content analysis method which concernecl to content assessment useJ primary Jcita soiirCHS. The primary datn sources in this research were Bintang Lima Iyrics by Ahmad Dhani. This research showed the love in Bintang Lima lyrics by Ahmad Dhani use‹l structural approach through lexical-thematic, visual and rhythmic-ncoustic. Then, the love was interpreteJ by semiotic approach through icons, indexes nncl syn1bols. The results of this research showed thnt roman picisan, dua sejoli, iisalah hati,separuh nafasond cemburu exspressed the erotic love. Hidup adalah perjuangan expressed the brotherly love an J Se/f love .Lagu cintn exspresseJ the erotic /oveCinta adalah misteri exspressetl the love of God and sayap-sayap patah expressed the love of parents for children, brotherly love, erotic love.

Was für eine Europäische Verfassung?

2005 ◽  
Vol 35 (139) ◽  
pp. 287-300 ◽  
Author(s):  
Étienne Balibar
Keyword(s):  
Central Bank ◽  
European Central Bank ◽  
Social Rights ◽  
European Constitution ◽  
Fundamental Level ◽  
European Central

The problem of a European Constitution is discussed at a fundamental level. In which way, can we speak about such a Constitution? Thearticle argues against the “postnational souveranism”, legitimating state against citizens. A new kind of citizenship is favoured based on extended social rights. The constitution now proposed contrarily makes the European Central Bank and its neoliberal policy to central and nearly unchangeable institution.

Soziale Disziplinierung im flexiblen Kapitalismus

2004 ◽  
Vol 34 (136) ◽  
pp. 339-356
Author(s):  
Tobias Wölfle ◽  
Oliver Schöller
Keyword(s):  
Social Welfare ◽  
Second Step ◽  
Social Rights ◽  
Federal Law ◽  
Capitalist Development ◽  
The Core ◽  
The Past ◽  
The Impact ◽  
Municipal Level

Under the term “Hilfe zur Arbeit” (aid for work) the federal law of social welfare subsumes all kinds of labour disciplining instruments. First, the paper shows the historical connection of welfare and labour disciplining mechanisms in the context of different periods within capitalist development. In a second step, against the background of historical experiences, we will analyse the trends of “Hilfe zur Arbeit” during the past two decades. It will be shown that by the rise of unemployment, the impact of labour disciplining aspects of “Hilfe zur Arbeit” has increased both on the federal and on the municipal level. For this reason the leverage of the liberal paradigm would take place even in the core of social rights.

The Comprehension of the Erotic Phenomenon

2018 ◽  
Vol 46 ◽  
pp. 73-90
Author(s):  
Young chang Son
Keyword(s):  
The Erotic
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