“For the serious listeners who swear neither at nor by Schoenberg”

2015 ◽  
Vol 32 (2) ◽  
pp. 279-322
Author(s):  
Walter B. Bailey
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
York City ◽  
Great War ◽  
Modern Music ◽  
Musical Traditions ◽  
The Rich ◽  
The Great War ◽  
Insight Into

The rich array of publications covering music in New York City during the second two decades of the twentieth century provides a compelling account of the reception of ultra-modern music. Newspapers, arts periodicals, and, especially, monthly and weekly music magazines offer tantalizing insight into how music lovers perceived new and challenging music. Before the Great War connections to German musical traditions were strong, and ultra-modern music was mostly imported. During the war ties to Germany were largely severed and ultra-modern music was silenced. After 1918 a more egalitarian and international attitude emerged. The reception of Schoenberg’s music in New York City between 1910 and 1923 illustrates the evolution of this new attitude.

The Great Orchestrator

2013 ◽  
Author(s):  
James M. Doering
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
York City ◽  
American Music ◽  
Valuable Insight ◽  
Arts Management ◽  
Radio Network ◽  
New York Philharmonic ◽  
Insight Into

This biography charts the career and legacy of the pioneering American music manager Arthur Judson (1881–1975), who rose to prominence in Philadelphia and New York at the beginning of the twentieth century. A violinist by training, Judson became manager of the Philadelphia Orchestra in 1915 under the iconic conductor Leopold Stokowski. Within a few years, Judson took on management of the New York Philharmonic as well as several individual artists and most of the important conductors working in America. In addition to his colorful career behind the scenes at two preeminent American orchestras, Judson founded a nationwide network of local managers and later became involved in the relatively unexplored medium of radio, working first with WEAF in New York City and then forming his own national radio network in 1927. Providing valuable insight into the workings of these orchestras and the formative years of arts management, this book is a portrait of one of the most powerful managers in American musical history.

“The Irish are for Freedom Everywhere”

2012 ◽  
Author(s):  
Bruce Nelson
Keyword(s):  
New York ◽  
New York City ◽  
York City ◽  
Critical Role ◽  
Black Nationalism ◽  
Great War ◽  
War For Independence ◽  
The Great War

This chapter is situated within the framework of the “Green Atlantic” and its relationship to socialism and black nationalism. New York City became a world capital of insurgent movements during and after the Great War. The experience of Irish nationalists in New York during this critical decade in Ireland's history—above all, the experience of the Irish Progressive League—further complicates the narrative of Ireland as “sacra insula” and of Irish emigrants as narrowly conservative. The Irish Progressive League, played a critical role in launching one of the most remarkable episodes of Ireland's war for independence—the Irish Patriotic Strike, which took place in New York Harbor for three weeks in August and September 1920. It was a rare moment—when Green and Black came together in a common struggle—but it was followed by Eamon de Valera's public lament that “Ireland is now the last white nation that is deprived of its liberty.”

scholarly journals Nueva York 1916. La ciudad sin límites | New York 1916. Unlimited city

ZARCH ◽  
2017 ◽  
pp. 90
Author(s):  
José Durán Fernández
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
Urban Planning ◽  
20Th Century ◽  
Urban Space ◽  
York City ◽  
Planning System ◽  
Siglo Xx ◽  
The City

La Ciudad de Nueva York fue pionera en la aplicación de un sistema de planificación de control urbano que pusiera orden y concierto a una ciudad que rebasa los 5 millones de habitantes a principios del siglo XX. Tal complejo organismo urbano, inédito hasta ese momento, fue objeto del más ambicioso plan urbano sobre una ciudad construida.Este artículo se destina al estudio de este originario plan urbano de 1916, el cual sentaría las bases, unas ciertamente visionarias otras excesivas, de la construcción de la Ciudad de Nueva York en todo el siglo XX. La Building Zone Resolution se creó con dos fines: resolver los problemas de congestión humana en un espacio reducido, la ciudad del presente, y proponer una visión del espacio urbano en las décadas venideras, la ciudad del futuro.El artículo es un compendio de diez textos cortos y un epílogo, que junto a sus respectivos diez documentos gráficos, construyen el corpus de la investigación. El lector pues se enfrenta a un ensayo gráfico formado por pequeños capítulos que le sumergirán en los orígenes de la primera ciudad vertical de la historia.PALABRAS CLAVE: Nueva York; Planeamiento; Visión urbana.The city of New York was a pioneer in the implementation of an urban control planning system that set in order a city that exceeds five million people in the early twentieth century. Such complex urban organism – invaluable until that moment – was the target for the most ambitious urban planning on a built city.This paper focuses on the study of this initial urban planning from 1916, which would set the basis, certainly some visionary yet others excessive, for the building of New York City throughout the 20th century. The Building Zone Resolution was created with two purposes: to solve the issues related to the human bundle in a limited space, the city of the present, and to aim a vision of the urban space in the forthcoming decades, the city of the future.The article is a compendium of ten short texts and one epilogue, which in combination with ten graphic documents, frame the corpus of this investigation. Thus, the reader will face a graphic essay composed by a series of brief chapters that highlight the beginning of the first vertical city in history.KEYWORDS: New York; Planning; Urban vision.

Trial by Jury: An Alternative Form of Theatrical Censorship in New York, 1921–1925

1985 ◽  
Vol 26 (1) ◽  
pp. 47-61 ◽  
Author(s):  
David K. Rod
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
York City ◽  
Alternative Form ◽  
American Theatre ◽  
Jury System ◽  
Legal Controls ◽  
Public Concerns

Between 1921 and 1925, an experimental form of nongovernmental censorship of the theatre was developed and practiced in New York City. Referred to variously as volunteer juries, citizens' juries, or the play-jury system, the experiment attempted to overcome the shortcomings of existing legal controls on the theatre and to relieve public concerns about the exploitation of sexually suggestive and obscene materials in stage plays. Although the play-jury system was short-lived, a review of its brief career reveals significant accomplishments and can provide a clearer picture of some of the issues confronting the American theatre in the first part of the twentieth century.

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