Comprehending the Past: Soviet Visions, Post-Soviet Revisions and Modern Concepts in "Ukrainian Historical Journal" (1957— 2017)

2020 ◽  
Keyword(s):  
World War Ii ◽  
Early Modern ◽  
Middle Ages ◽  
World History ◽  
World War ◽  
Early Modern History ◽  
The Past ◽  
History Of ◽  
Post War ◽  
Historical Journal

Th is book elucidates complex and long process of the "Ukrainian Historical Journal" transformation from the republican professional publication, founded in 1957 in the Ukrainian SSR, to a modern journal of Ukrainian historians. Esseys and materials connected with the journal's history are published consisting of two main segments: 1) materials covering the history of Ukraine in the Soviet and post-Soviet times; 2) esseys with analytical interpretation of journal's publications and its changes with regards to the defi nite problems, topics, periods and epochs of the history of Ukraine, in particular, history of the Middle Ages and early modern history, history of the XIXth — the early XXth centuries, the Ukrainian revolution of 1917-1921, inter-war and post-war history of Soviet Ukrsine, Ukrainian dimension of the history of World War II, and also studying the problems of the world history in the journal's publications, etc.

scholarly journals War and humanity in historical perspective: Bosniak experiences in Sandžak in 1941.

2021 ◽  
Vol 4 (6) ◽  
pp. 23-70
Author(s):  
Safet Bandžović ◽  
Keyword(s):  
World War Ii ◽  
Interdisciplinary Studies ◽  
Multiple Perspectives ◽  
World War ◽  
Social Phenomena ◽  
The Past ◽  
Historical Processes ◽  
History Of ◽  
The Subject ◽  
Post War

Complex socio-historical processes and turning epochs, as well as numerous segments that are an integral part of people's lives, are the subject of interdisciplinary studies. War is one of the most dramatic, most complex social phenomena. In addition to armed operations, there are a number of other dimensions related to war, starting from psychological, legal, sociological, social, economic, cultural to others. Critical and multiple perspectives contribute to the completion of images of politics, wars and their relations. The disintegrations of the ideological paradigm and the Socialist Federal Republic of Yugoslavia were accompanied by the (re)construction of new national identities, the outbreak and duration of „wars“ of different memories, the reshaping of consciousness and the re-examination of history, especially those related to World War II. The history of that war in Yugoslavia was undoubtedly the history of several wars which were stacked on top of each other. The main issue with Bosniaks in that war is a multiperspectival topic that requires a multidimensional and deideologized presentation of the position and the position of all involved actors. Numerous issues related to that war, the complex position of Bosniaks in Bosnia and Herzegovina and Sandžak, the emergence of civic responsibility, Bosniak protection of the vulnerable Serb Orthodox population, humanity and assistance, beyond post-war ideological premises and „official truths“ remained more or less marginalized, although they seek more objective and complete answers from multiple angles, for the sake of a more complete view of the past. What is called „local“ or „regional history“, as evidenced by diverse experiences, indicates the multidimensionality of the past, its features and specifics in a certain area. The Second World War in Sandžak could not be understood more objectively outside the broader Yugoslav context. This is also special for the history of Novi Pazar, the largest city in Sandžak which was the subject of many different political plans and conceptions. The history of this city has several sections. After the withdrawal of German forces from Novi Pazar, the Chetniks tried to conquer this city for three times in the fall of 1941. However, thanks to the dedicated defense and the help of Albanian armed groups from Kosovo, Bosniaks managed to defend themselves and Novi Pazar. Even in such a dramatic situation, numerous examples of humanity, solidarity and assistance of Bosniaks to the intimidated Serb urban population have been recorded. In the most difficult days of the war, when Novi Pazar was exposed to Chetnik attacks, a significant part of Bosniaks took actions to prevent anarchy, to save Serbs from terror and revenge. The task of science is to constantly discover forgotten and unknown parts of the past, to re-examine previous knowledge. Everything that happened has a whole range of perspectives. It is necessary to have a multidimensional understanding of the causes and course of events, circuits and time limits, to explain narrowed alternatives. Any reduction of historical totality to only one dimension is problematic. Every nation, every state, in a way, write their „histories“, remember different personalities, events, dates, emphasize various roles, perpetuates monuments, emphatize with different causes and consequences. Contemporary abuses of the interpretation of the war past, one-sided approaches, fierce prejucides and quasi-historical analyzes in the service of the politics damage interethic relations and lead to further growth of tensions and distancing between nations and states in their region.

scholarly journals A composer’s inner biography a sketch for the study of influences in Ljubica Maric’s oeuvre

Muzikologija ◽  
2004 ◽  
pp. 61-82
Author(s):  
Milin Melita
Keyword(s):  
World War Ii ◽  
Middle Ages ◽  
Arnold Schoenberg ◽  
World War ◽  
Music School ◽  
The Past ◽  
Chamber Ensembles ◽  
Creative Transformation ◽  
Romantic Music ◽  
Post War

Attempting to investigate works of music through frank examination of possible influences is a delicate thing, sometimes maybe dangerous - as has been suggested by Jonathan Cross in his book, The Stravinsky Legacy. While the originality of a composer may appear to be threatened with such types of critique, for musicologists it is important to draw upon a deeper appreciation for how a composer searched for his/her own creative voice. The music of Ljubica Maric (1909-2003), one of the most important Serbian composers of the 20th century, has been chosen to demonstrate how composers need different influences during different phases of their maturation and how they deeply integrate them in order to create an individual utterance. Ljubica Maric first studied composition with Josip Slavenski at the Belgrade Music School (1925-29), and continued her studies with Josef Suk at the Master School of the Prague Conservatory (1929-32) where she obtained her diploma. Finally, she took Alois H?ba?s course in quarter-tone music at the same institution from 1936 to 1937. The works she composed during the 1930?s were characterized by a radical will to break ties with traditional, mainly romantic music, so she chose to be influenced by the free atonal pre-dodecaphonic works of Arnold Schoenberg. Following World War II, she introduced some changes of expression that were more in keeping with links from the past. Her music became tonally stabilized, and thematic-motivational developments were rediscovered, resulting in an expression that became milder. But the changes need not necessarily be linked exclusively to the post-war climate of socialist realism. Rather, the previous style may have met up with some type of impasse - the sort that confounds or ultimately transforms an artist. For Ljubica Maric, however, it appears she was never truly satisfied with her first post-war works (1945-1950). What is certain is that she composed nothing during the several years that preceded her first masterpiece, the cantata The Songs of Space (1956). It is however worth examining whether or not they were really "dry years". It is certain that for Ljubica Maric, they were fresh discoveries of Serbian traditional singing, both folk and church, poetic and artistic treasures of the Middle Ages - but she also revived earlier experiences (from the pre-war decade) that she had rejected at the time, mainly the music of Stravinsky, Bart?k and Slavenski. Although those influences can be detected in the score of The Songs of Space, the work has a strong individual imprint, an identity of its own. In the works that followed, The Passacaglia for orchestra and in several compositions belonging to the cycle Musica octoicha (Octoicha 1, The Byzantine Concerto, Ostinato super thema octoicha, The Threshold of Dreams) original traits of Ljubica Maric?s poetics became even more pronounced. The last works that she produced (in the 1980?s and 1990?s) are all for instrumental soloists or chamber ensembles. They continue with, and refine the main characteristics of the earlier ones. Ljubica Maric?s evolvement thus presents a search for originality of expression that was reached only after a process of selective assimilation and creative transformation of tradition had been fulfilled - but not until any "anxiety of influences" had been abandoned. It has been shown that Ljubica Maric, like other artists needed to be ready to be influenced, in order to absorb such influences in a creative way.

Charles de Gaulle and European Community

2020 ◽  
Vol 2020 (10-3) ◽  
pp. 70-81
Author(s):  
David Ramiro Troitino ◽  
Tanel Kerikmae ◽  
Olga Shumilo
Keyword(s):  
World War Ii ◽  
European Community ◽  
World War ◽  
Charles De Gaulle ◽  
The United Kingdom ◽  
History Of ◽  
The Common ◽  
Post War ◽  
De Gaulle

This article highlights the role of Charles de Gaulle in the history of united post-war Europe, his approaches to the internal and foreign French policies, also vetoing the membership of the United Kingdom in the European Community. The authors describe the emergence of De Gaulle as a politician, his uneasy relationship with Roosevelt and Churchill during World War II, also the roots of developing a “nationalistic” approach to regional policy after the end of the war. The article also considers the emergence of the Common Agricultural Policy (hereinafter - CAP), one of Charles de Gaulle’s biggest achievements in foreign policy, and the reasons for the Fouchet Plan defeat.

scholarly journals Aristocratic libraries in Slovakia – status, research, history

2021 ◽  
Vol 15 (3) ◽  
pp. 427-441
Author(s):  
Michaela Sibylová
Keyword(s):  
World War Ii ◽  
Public Libraries ◽  
Adverse Impact ◽  
World War ◽  
The Past ◽  
Research History ◽  
The Enlightenment ◽  
The Status ◽  
History Of ◽  
The Times

The author has divided her article into two parts. The first part describes the status and research of aristocratic libraries in Slovakia. For a certain period of time, these libraries occupied an underappreciated place in the history of book culture in Slovakia. The socialist ideology of the ruling regime allowed their collections (with a few exceptions) to be merged with those of public libraries and archives. The author describes the events that affected these libraries during and particularly after the end of World War II and which had an adverse impact on the current disarrayed state and level of research. Over the past decades, there has been increased interest in the history of aristocratic libraries, as evidenced by multiple scientific conferences, exhibitions and publications. The second part of the article is devoted to a brief history of the best-known aristocratic libraries that were founded and operated in the territory of today’s Slovakia. From the times of humanism, there are the book collections of the Thurzó family and the Zay family, leading Austro-Hungarian noble families and the library of the bishop of Nitra, Zakariás Mossóczy. An example of a Baroque library is the Pálffy Library at Červený Kameň Castle. The Enlightenment period is represented by the Andrássy family libraries in the Betliar manor and the Apponyi family in Oponice. 

Igołomia i Wawrzeńczyce – dwa kościoły przy Wielkiej Drodze / Igołomia and Wawrzeńczyce – two churches by the Great Road

2020 ◽  
pp. 175-203
Author(s):  
Monika Kamińska
Keyword(s):  
World War Ii ◽  
World War I ◽  
Middle Ages ◽  
18Th Century ◽  
Virgin Mary ◽  
World War ◽  
Mary Magdalene ◽  
Parish Church ◽  
History Of ◽  
The Church

The parish churches in Igołomia and Wawrzeńczyce were founded in the Middle Ages. Their current appearance is the result of centuries of change. Wawrzeńczyce was an ecclesial property – first of Wrocław Premonstratens, and then, until the end of the 18th century, of Kraków bishops. The Church of St. Mary Magdalene was funded by the Bishop Iwo Odrowąż. In 1393 it was visited by the royal couple Jadwiga of Poland and Władysław Jagiełło. In the 17th century the temple suffered from the Swedish Invasion, and then a fire. The church was also damaged during World War I in 1914. The current furnishing of the church was created to a large extent after World War II. Igołomia was once partly owned by the Benedictines of Tyniec, and partly belonged to the Collegiate Church of St. Florian in Kleparz in Kraków. The first mention of the parish church of the Nativity of the Blessed Virgin Mary comes from the first quarter of the fourteenth century. In 1384, a brick church was erected in place of a wooden one. The history of the Igołomia church is known only from the second half of the 18th century, as it was renovated and enlarged in 1869. The destruction after World War I initiated interior renovation work, continuing until the 1920s.

BCLM: Forging Ahead: building a new urban history of the Black Country

Urban History ◽  
2020 ◽  
pp. 1-17
Author(s):  
Simon Briercliffe
Keyword(s):  
World War Ii ◽  
Public History ◽  
Large Scale ◽  
Historical Research ◽  
World War ◽  
Public Project ◽  
The Past ◽  
History Of ◽  
Historical Moment ◽  
Country Town

Abstract The recreation of urban historical space in museums is inevitably a complex, large-scale endeavour bridging the worlds of academic and public history. BCLM: Forging Ahead at the Black Country Living Museum is a £23m project recreating a typical Black Country town post-World War II. This article uses case-studies of three buildings – a Civic Restaurant, a record shop and a pub – to argue that urban-historical research methodology and community engagement can both create a vivid sense of the past, and challenge pervasive prejudices. It also argues that such a collaborative and public project reveals much about the urban and regional nature of industrial areas like the Black Country in this pivotal historical moment.

The Words that Predict the Outbreak of Wars

2003 ◽  
Vol 21 (1) ◽  
pp. 5-20 ◽  
Author(s):  
Robert Hogenraad
Keyword(s):  
World War Ii ◽  
Real Life ◽  
Cuban Missile Crisis ◽  
War And Peace ◽  
World War ◽  
Need For Affiliation ◽  
The Past ◽  
Need For Power ◽  
History Of ◽  
War And Conflict

McClelland has shown how passionate reformist zeal for social justice is often the link between an “imperial motivation pattern” (i.e., high need for power and low need for affiliation) and subsequent wars. If we could predict the outbreak of past conflicts from observing the gap between affiliation and power in stories and documents of the past, we could also analyze documents of the present and point at the gap as a signal of alert of future conflicts. With the help of the new computer-readable MOTIVE DICTIONARY, I content analyzed literary stories and real-life documents concerned with war and conflict. The dictionary rests on three axes, which are: the need for achievement, the need for affiliation, and the need for power. Examples of such narratives and documents are William Golding's Lord of the Flies, Thucydides' History of the Peloponnesian War, Tolstoy's War and Peace, a 373-page document produced in Washington in 1944 under the title of Events Leading Up to World War II. Chronological History Of Certain Major International Events Leading Up To and During World War II with the Ostensible Reasons Advanced For Their Occurrence. 1931-1944, and Robert F. Kennedy's Thirteen Days: A Memoir of the Cuban Missile Crisis. With close to impeccable precision, the gap between affiliation and power widens as the conflicts develop, with power higher than affiliation, and narrows if and when serenity resumes.

scholarly journals W kręgu badań nad dziejami emigracyjnego parlamentaryzmu Recenzja publikacji: Depozyt Niepodległości. Rada Narodowa Rzeczypospolitej Polskiej na uchodźstwie (1939–1991), red. Zbigniew Girzyński, Paweł Ziętara

2020 ◽  
Vol 5(160) ◽  
pp. 221-228
Author(s):  
Paweł Gotowiecki
Keyword(s):  
World War Ii ◽  
National Council ◽  
World War ◽  
National Minorities ◽  
Current State ◽  
History Of ◽  
The Republic ◽  
State Of Research ◽  
Post War

The reviewed publication contains post-conference materials, presented during the conference held in 2016 in Warsaw, entitled “The Deposit of Independence. National Council of the Republic of Poland in Exile (1939–1991)”. The volume consists of 18 articles, published in chronological and topical order, devoted to the selected issues of the history of the Polish parliamentarianism in exile during World War II and in the post-war period. The authors of the articles discussed various aspects of the activities of the National Council of the Republic of Poland in Exile, such as the participation of national minorities in the work of the quasi-parliament, biographies of the chosen parliamentarians, or the selected elements of “parliamentary practices”. This publication is not a synthesis but it supplements and develops the current state of research on the activities of the Polish quasi-parliamentary institutions in exile.

scholarly journals Kina na Dolnym Śląsku: rekonesans historyczny

2019 ◽  
Vol 26 (35) ◽  
pp. 129-145
Author(s):  
Andrzej Dębski Andrzej Dębski
Keyword(s):  
World War Ii ◽  
The Internet ◽  
World War ◽  
The Press ◽  
History Of ◽  
Historical Database ◽  
Post War ◽  
The 1960S ◽  
Mass Entertainment ◽  
Lower Silesia

The highest level of cinema attendance in Lower Silesia after World War II was recorded in 1957. It was higher than before the war and lower than during the war. In the years that followed it steadily declined, influenced by global processes, especially the popularity of television. This leads us to reflect on the continuity of historical and film processes, and to look at the period from the 1920s to the 1960s as the ‘classical’ period in the history of cinema, when it was the main branch of mass entertainment. The examples of three Lower Silesian cities of different size classes (Wroclaw, Jelenia Gora, Strzelin) show how before World War II the development from ‘the store cinema [or the kintopp] to the cinema palace’ proceeded. Attention is also drawn to the issue of the destruction of cinematic infrastructure and its post-war reconstruction. In 1958 the press commented that ‘if someone produced a map with the towns marked in which cinemas were located, the number would increase as one moved westwards’. This was due to Polish (post-war) and German (pre-war) cinema building. The discussion closes with a description of the Internet Historical Database of Cinemas in Lower Silesia, which collects data on cinemas that once operated or are now operating in the region.

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