Fifth Century Chinese Nuns: An Exemplary Case

2010 ◽  
Vol 27 (1) ◽  
pp. 61-76
Author(s):  
Ann Heirman

According to tradition, the first Buddhist nun, Mah?praj?pat?, accepted eight fundamental rules as a condition for her ordination. One of these rules says that a full ordination ceremony, for a nun, must be carried out in both orders: first in the nuns’ order, and then in the monks’ order. Both orders need to be represented by a quorum of legal witnesses. It implies that in the absence of such a quorum, an ordination cannot be legally held, in vinaya terms. This was a major problem in fifth century China, when, as a result of a wave of vinaya translations, monastics became aware of many detailed legal issues, including the rule on a dual ordination for nuns. Since the first Buddhist nuns in China were ordained in the presence of monks only, doubt was raised on the validity of the Chinese nuns’ lineage. The discussion came to an end, however, when in ca. 433 a so-called ‘second ordination ceremony’ could be held, now in the presence of a sufficient number of Sinhalese nun witnesses. Today, a similar issue is raised again, since in two of the three active Buddhist ordination traditions, nuns arguably cannot be legally ordained due to the absence of a nuns’ order of that particular tradition to provide a legal quorum of witnesses. In the present-day debates on the possible (re-)introduction of a nuns’ lineage in both these traditions, the historic case of the fifth century Chinese nuns is often referred to. The present article examines firstly in which ways technical issues discussed fifteen centuries ago lingered on among the most prominent Chinese vinaya masters, and secondly how these same issues still fuel and influence present-day discussions.

2020 ◽  
Vol 70 (2) ◽  
pp. 499-517
Author(s):  
M.S. Silk

In 1998, I suggested a new text for a notably corrupt passage in Pindar's Isthmian 5. This article is in effect a sequel to that earlier discussion. In the 1998 article, I proposed, inter alia, that the modern vulgate text of I. 5.58, ἐλπίδων ἔκνισ’ ὄπιν, is indefensible and the product of scribal corruption in antiquity, and that chief among the indefensible products of corruption there is the supposed secular use of ὄπις, as if used to mean something like ‘zeal’. This (as I hope to have demonstrated) is a sense for which there is no good evidence in classical Greek, where ὄπις always has a delimited religious denotation, meaning either (a) ‘gods’ response’, ‘divine retribution’, or else (b) ‘religious awe’ or ‘reverence’ towards the gods, through fear of that response or that retribution. If we discount I. 5.58 itself (and likewise the focus of the present article, O. 2.6), all the pre-Hellenistic attestations can be straightforwardly listed under these headings: (a) Il. 16.388 θεῶν ὄπιν οὐκ ἀλέγοντες, Od. 14.88 ὄπιδος κρατερὸν δέος, Hes. Theog. 221–2 θεαὶ . . . | . . . ἀπὸ τῷ δώωσι κακὴν ὄπιν, Pind. P. 8.71–2 θεῶν δ’ ὄπιν | ἄφθονον αἰτέω, sim. Od. 20.215, 21.28, Hes. Op. 187, 251, 706, along with, seemingly, a fragmentary fifth-century Thessalian verse inscription, CEG 1.120.1 Hansen; (b) Hdt. 9.76.2 θεῶν ὄπιν ἔχοντας, 8.143.2. In addition, one other instance can be interpreted as either (a) or (b), or in effect both: Od. 14.82 (of the suitors) οὐκ ὄπιδα φρονέοντες . . . οὐδ’ ἐλεητύν. In all cases, though, ‘gods’ are specified, usually as a dependent genitive with ὄπις, or else separately but in the near context. Hellenistic and later occurrences of the word are few, and (as I argued in 1998) hints there of a secular reading can actually be taken to reflect misunderstandings based on, precisely, the early corruption in I. 5.


2014 ◽  
Vol 64 (1) ◽  
pp. 91-120 ◽  
Author(s):  
Simon Hornblower

The subject of this paper is a striking and unavoidable feature of theAlexandra: Lykophron's habit of referring to single gods not by their usual names, but by multiple lists of epithets piled up in asyndeton. This phenomenon first occurs early in the 1474-line poem, and this occurrence will serve as an illustration. At 152–3, Demeter has five descriptors in a row: Ἐνναία ποτὲ | Ἕρκυνν' Ἐρινὺς Θουρία Ξιφηφόρος, ‘Ennaian … Herkynna, Erinys, Thouria, Sword-bearing’. In the footnote I give the probable explanations of these epithets. Although in this sample the explanations to most of the epithets are not to be found in inscriptions, my main aim in what follows will be to emphasize the relevance of epigraphy to the unravelling of some of the famous obscurity of Lykophron. In this paper, I ask why the poet accumulates divine epithets in this special way. I also ask whether the information provided by the ancient scholiasts, about the local origin of the epithets, is of good quality and of value to the historian of religion. This will mean checking some of that information against the evidence of inscriptions, beginning with Linear B. It will be argued that it stands up very well to such a check. TheAlexandrahas enjoyed remarkable recent vogue, but this attention has come mainly from the literary side. Historians, in particular historians of religion, and students of myths relating to colonial identity, have been much less ready to exploit the intricate detail of the poem, although it has so much to offer in these respects. The present article is, then, intended primarily as a contribution to the elucidation of a difficult literary text, and to the history of ancient Greek religion. Despite the article's main title, there will, as the subtitle is intended to make clear, be no attempt to gather and assess all the many passages in Lykophron to which inscriptions are relevant. There will, for example, be no discussion of 1141–74 and the early Hellenistic ‘Lokrian Maidens inscription’ (IG9.12706); or of the light thrown on 599 by the inscribed potsherds carrying dedications to Diomedes, recently found on the tiny island of Palagruza in the Adriatic, and beginning as early as the fifth centuryb.c.(SEG48.692bis–694); or of 733–4 and their relation to the fifth-centuryb.c.Athenian decree (n. 127) mentioning Diotimos, the general who founded a torch race at Naples, according to Lykophron; or of 570–85 and the epigraphically attested Archegesion or cult building of Anios on Delos, which shows that this strange founder king with three magical daughters was a figure of historical cult as well as of myth.


1999 ◽  
Vol 49 (1) ◽  
pp. 24-45 ◽  
Author(s):  
Michael Lloyd

The tragic or ‘instantaneous’ aorist usually has a paragraph to itself in the grammar books, as a distinct but not especially important use of the aorist. It is most common in Athenian drama of the second half of the fifth century, although there are possible examples in Homer and some learned revivals later. The present article offers an entirely new account of these aorists, and entails a new interpretation of the tone of some 75 lines of tragedy and comedy.


Vox Patrum ◽  
2012 ◽  
Vol 58 ◽  
pp. 181-199
Author(s):  
Sławomir Bralewski

Francis Dvornik has expressed the view that, in the Eastern part of the Empire, the principle of accommodation dominated over the principle of the apostolic ori­gin. The situation, he maintained, resulted from the fact that the aforementioned area included excessively numerous sees which were either established by one of the Apostles or were considered to be somehow connected with their activities. Does the conclusion of the Czech researcher find any justification in the way the precedence of bishoprics is depicted in the Greek ecclesiastical historiography of the fifth century? The present article is to give an answer to the question. The analysis of the ecclesiastical historiography in question demonstrates that Eusebius of Caesarea, who wrote in the IV th century, while setting a hierarchy of bishops was guided first and foremost by the principle of accommodation. The church historians, however, who compiled their works a mere century later put a decisively lesser stress on Eusebius’ predilection in that matter. Although the narrative of Philostorgius, since fragmentary, is hard to interpret, Socrates’ atti­tude displays a marked tendency of favoring the importance of the apostolic ori­gin, which was most probably taken over from Rufinus of Aquileia. Sozomen tended to tell the difference between the official hierarchy of bishops, which was based on the principle of accommodation, and the structure of bishoprics connec­ted with the Apostles. Theodoretus, in turn, tended to connect both the principles, however, preferring the idea of the Church originated by saint Peter, accordingly of the ecclesiastic structure based on the principle of the apostolic origin. As a consequence, and contrary to F. Dvornik’s thesis, it should be concluded that (at least) the authors of the Ecclesiastic Histories of the fifth century were in favor of the principle of the apostolic origin and maintained it was over the prin­ciple of accommodation.


Eikon / Imago ◽  
2021 ◽  
Vol 10 ◽  
pp. 355-366
Author(s):  
Raju Kalidos Kesava Rajarajan

The present article aims to examine a folk literary motif from the ‘Kirātārjunīyam’. Kirāta (hunter-Śiva) and Arjuna once needed to clash with each other during the forest life of the Pāṇḍavas. Arjuna wanted to obtain the coveted pāśupatāstra from Śiva that could only be awarded to a soldier of mettle to wield the missile efficiently. Arjuna undertook hazardous tapas pleased with which Śiva tested Arjuna and finally awarded the astra. This myth appears in the Mahābhārata dated sometime in the fifth century BCE and its folk origin may get back to the immoral past. This story was retold in a classical work by the poet Sanskrit Bhāravi in eighteen cantos. The article examines a key motif relating to the Penance of Arjuna (cf. the Māmallapuram bas relief) from the Kirātārjunīyam episode, called pañcāgnitapas and how the Penance of Arjuna is retold in the ballad understudy? Several folk motifs of kuṟavaṉ-kuṟatti of Kuṟṟālakkuṟavañci are illustrated in a later phase of the art in Tamilnadu (e.g., the Thousand-Pillared Hall of the Great Maturai Temple of the Nāyaka period). Kirātārjunīyam was a popular motif in sculptural art though the ages.


2017 ◽  
Vol 21 ◽  
pp. 609-618
Author(s):  
George Tsitsas ◽  
Chavdar Kolev ◽  
Liliana Radoi ◽  
Vlad Petrila

This publication provides an overview of the current technical and contractual trends that govern the execution of micro-tunneling projects in both Romania and Bulgaria. Technical issues discussed include available equipment and technologies, aspects related to the complexity and challenges of these works, comparisons between the open trench and trenchless methods, environmental impact, and other. Legal issues discussed include contractual schemes, relationship between the parties involved, dispute resolution, and contract types in compliance with both the national as well as the European Union law. Appropriate technical equipment is recommended to avoid risk in implementation and ensure the quality of finished products.


1934 ◽  
Vol 54 (2) ◽  
pp. 140-162 ◽  
Author(s):  
Marcus N. Tod

Professor J. D. Beazley recently discussed in this Journal (xlix. 1 ff.) a fifth-century Attic relief now preserved in Cairness House, Lonmay, Aberdeenshire. He appended a short account, partly from the pen of Colonel C. T. Gordon, of General Thomas Gordon (1788–1841), who brought to this country that relief and various other antiquities, and of the dispersion of the collection in 1850. The relief, however, remained at Cairness, together with two inscribed stelae, one of which has not been published hitherto, while the other has been regarded as lost. These form the subject of the present article.My warm thanks are due to the late Professor J. Harrower for calling my attention to the inscriptions and supplying me with excellent photographs of them, as also to Colonel Gordon for granting me permission to publish them and for his hospitality at Cairness, where he kindly gave me every facility for examining the stones with a view to verifying and completing the texts I had already deciphered from the photographs.


2020 ◽  
Vol 1 (13) ◽  
pp. 29-48
Author(s):  
Piotr Dziewiecki

The present article is the continuation of the text published in issue 12 of “Notes Muzyczny” from December 2019. This paper is devoted to discussing technical issues connected with designing and constructing Opus 1 Portative built by the author; it also touches on practical performance aspects of portative music. The instrument fully designed and constructed by the author is a one-octave portative with stoppedwoodenpipesanditssoundrangeisc1-c2withanoptiontoretunecs1intobandb 1 into cs2 or d2. The default tuning pitch is a=440Hz but it can be altered within 415-465Hz; the temperament may also be freely changed. One wedge bellow placed at the back of the instrument is used for bellow treading. A leather belt worn over the shoulder and the low weight of the construction allow for playing the instrument not only while sitting but also in a standing position. As compared to similar instruments, this portative has more extended case which fully covers the ends of pipes. Opus 1 Portative was built thanks to a few years of research studies and technical work of the author covering the construction of organ components and independent attempts to miniaturise them for the purpose of construction of this specific instrument. Thanks to that, in order to build Opus 1 the author used a few original solutions – e.g. the way of gluing top corners of the bellow, the way of regulating the airflow through the foot of the pipe or the technique of attaching the handle to the stopper of a stopped pipe, with the limited space above its body. The majority of experimental solutions brought satisfactory results and for the remaining ones Piotr Dziewiecki managed to find ways to overcome the difficulties which arose. The author uses the instrument in his own performance practice both for solo music and for playing in ensembles. The portative is very useful for both fields, ensuring wide dynamics and articulation-related capacities. They are connected with an option to very precisely control the pressure of air powering the pipes and with their way of blowing. Its characteristic sound, warm and full of depth, brings associations with human voice. Thanks to that, vocal-and- instrumental music performed on it, with the portative player rendering the singer’s part, sounds good.


2017 ◽  
Vol 8 (2) ◽  
pp. 139-149
Author(s):  
Mihai Mareş

The present article provides an insight into the legal issues pertaining to the adoption of the Romanian Government Emergency Ordinance no. 13/2017 and the subsequent repeal thereof, by the Government Emergency Ordinance no. 14/2017. The emphasis shall be placed upon the legal mechanisms set in motion as a result of these two legal acts, issued based on the legislative delegation proceedings, and the effects thereof, namely, the settling of claims relating to non-constitutionality issues, constitutional legal conflicts between various authorities as well as the legal acts that are to be adopted with respect to the two emergency ordinances.


Author(s):  
Peter Feldschreiber

This book focuses on the science and regulatory policy and law surrounding the discovery, development, and marketing of new medicines. It reviews consumer protection and intellectual property laws that are applicable to the development and commercialisation of medicinal products. It also provides a deeper understanding of the scientific and technical issues for lawyers and legal issues for those involved with regulatory policy and decision-making, such as senior executives in the pharmaceutical industry. The book covers the European and UK legislation on medicines and healthcare products together with the UK implementing legislation and instruments, and key case law. It discusses the structure and function of the regulatory authorities, applications to carry out clinical trials, intellectual property issues, product liability issues, and litigation.


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