scholarly journals Kafkowski tryptyk interpretacyjny: opowiadanie „Przemiana”

2021 ◽  
Vol 16 (11) ◽  
pp. 541-563
Author(s):  
Jadwiga Clea Moreno-Szypowska ◽  
Keyword(s):  
Soren Kierkegaard ◽  
Franz Kafka ◽  
Main Character ◽  
Biblical Perspective

The article presents the allegorical novella “The Metamorphosis” of Franz Kafka from a biblical perspective. The main character, Gregor Samsa, is compared to Job and Jesus, the New Adam, and his father to God. The images emerging in the text reveal their hidden meaning, which in a surprising way shows the connection with the “Holy Scriptures”, both with the “Old” and “New Testaments”, which may be surprising in the case of a Jewish writer from the Vltava River. The author uses Kafka’s other writings, including “Letter to His Father”, to demonstrate the autobiographical sources. Gregor Samsa–Franz Kafka sacrifices himself to the Father’s glory. The whole interpretation is inscribed in the philosophy of the Danish thinker – Søren Kierkegaard.

Metamorphosis by Franz Kafka

2009 ◽  
Vol 15 (6) ◽  
pp. 459-461
Author(s):  
Allan Beveridge
Keyword(s):  
Mental Illness ◽  
Severe Mental Illness ◽  
Short Story ◽  
Franz Kafka ◽  
Critical Discussion ◽  
Main Character ◽  
Jewish Mysticism ◽  
Schizoid Personality ◽  
The Subject

SummaryThis article examines the short story Metamorphosis by the enigmatic Czech writer Franz Kafka, whose work has been the subject of extensive critical discussion. His writings have been seen in the context of existentialism, Jewish mysticism and as a warning of the advent of totalitarianism. Kafka has attracted the attention of psychoanalysts and psychiatrists, who have maintained that his life and work manifest evidence of unresolved Oedipal issues and of schizoid personality. Metamorphosis is open to a multitude of interpretations, but a potentially fruitful approach is to see parallels between the predicament of the story's main character, Gregor Samsa, and that of people with severe mental illness. The story highlights the fate of those who are judged to be different by society and how issues of alienation, impaired communication and rejection arise.

scholarly journals En tilfældig slægt

1991 ◽  
Vol 42 (1) ◽  
pp. 170-171
Author(s):  
Hellmut Toftdahl
Keyword(s):  
Soren Kierkegaard ◽  
Good Deal ◽  
History Of Ideas ◽  
Main Character ◽  
Christian Church ◽  
Her Family ◽  
Three Generations ◽  
History Of ◽  
The Right ◽  
Personal Matter

‘Just a Family’Birgit Michelsen: ‘The Catechist, the Dean, and the Socialist’. The History of Three Generations. Published by Anis, Århus, 1989.By Hellmut Toftdahl The writer has written about three people in the history of her family, for whom Christianity was a deeply personal matter. Their crises reflect the crisis which the Christian Church underwent in those years. We also meet several other people in the book, sons and daughters of the three. Their scruples and rebellions, ranging from radical free-thinking to an involvement in German Socialism, are woven together into a vivid presentation of the history of ideas of the time.The main character of the book is the restless, fascinating Christian, who ended his life in Leipzig as a Socialist and naturalized German. With his doubt about the ‘truths’ he had inherited from his family of clergymen, and in his search for the ‘right thinking’, he was ahead of his time. In his honesty and need to be true to himself, he had a good deal in common with both Søren Kierkegaard and Grundtvig, whose contemporary he was.In a Grundtvig context the book is interesting because it affords personal evidence of the ecclesiastical and existential forces that Søren Kierkegaard and Grundtvig, with their liberating theology, were up against among the representatives of the established understanding of Christianity of the time.

“Gewalt”: representaciones de la violencia en el expresionismo literario alemán a partir de Kierkegaard y Benjamin

2020 ◽  
Vol 16 ◽  
pp. 123-140
Author(s):  
Carmen Gómez García
Keyword(s):  
Soren Kierkegaard ◽  
Franz Kafka

A partir de Temor y temblor, de Søren Kierkegaard, el presente artículo supone una muestra de las diferentes representaciones expresionistas de la violencia en función de sus tres diferentes significados en alemán (Gewalt: violencia, poder, fuerza), desconocidos en lengua española, inglesa o francesa. No obstante, son varios los pensadores que, como Arendt, Benjamin, Derrida o Weber, han reflexionado sobre la violencia, un motivo esencial de la literatura expresionista alemana, por lo que en las siguientes páginas se procederá a reinterpretar las imágenes de la violencia del expresionismo literario alemán (en particular en textos de Georg Heym y de Franz Kafka) por primera vez atendiendo a su relación con el término original alemán y a sus diferentes aplicaciones.

Demotion (With Apologies to Franz Kafka)

2007 ◽  
Vol 38 (6) ◽  
pp. 17
Author(s):  
ALAN ROCKOFF
Keyword(s):  
Franz Kafka

Interactive Experience and Identification as Predictors of Attributing Responsibility in Video Games

2018 ◽  
Vol 30 (1) ◽  
pp. 3-15
Author(s):  
Nathan Walter ◽  
Yariv Tsfati
Keyword(s):  
Video Game ◽  
Psychological Research ◽  
External Factors ◽  
Theoretical Expectation ◽  
Main Character ◽  
Attribution Of Responsibility ◽  
Attributions Of Responsibility ◽  
Violent Video Game ◽  
Grand Theft Auto Iv ◽  
Interactive Experience

Abstract. This study examines the effect of interactivity on the attribution of responsibility for the character’s actions in a violent video game. Through an experiment, we tested the hypothesis that identification with the main character in Grand Theft Auto IV mediates the effect of interactivity on attributions of responsibility for the main character’s antisocial behavior. Using the framework of the fundamental attribution error, we demonstrated that those who actually played the game, as opposed to those who simply watched someone else playing it, identified with the main character. In accordance with the theoretical expectation, those who played the game and came to identify with the main character attributed the responsibility for his actions to external factors such as “living in a violent society.” By contrast, those who did not interact with the game attributed responsibility for the character’s actions to his personality traits. These findings could be viewed as contrasting with psychological research suggesting that respondents should have distanced themselves from the violent protagonist rather than identifying with him, and with Iyengar’s (1991) expectation that more personalized episodic framing would be associated with attributing responsibility to the protagonist.

Sören Kierkegaard as Psychoanalyst

1982 ◽  
Vol 27 (3) ◽  
pp. 219-220
Author(s):  
Henry Samuel Levinson
Keyword(s):  
Soren Kierkegaard

Ignoring a Main Character: A Rookie Director’s Mistake

PsycCRITIQUES ◽  
2011 ◽  
Vol 56 (20) ◽  
Author(s):  
C. Albert Bardi
Keyword(s):  
Main Character

Creativity as a Haven: An Angel at My Table (Jane Campion, 1990)

2018 ◽  
Author(s):  
Alistair Fox
Keyword(s):  
Mental Illness ◽  
New Zealand ◽  
Coming Of Age ◽  
Main Character ◽  
Personal Investment ◽  
Jane Campion

Through a comparison with Janet Frame’s Autobiography, from which it is adapted, this chapter analyses Jane Campion’s An Angel at My Table as the first New Zealand film to present all three of the main maturational phases characteristic of the coming-of-age genre, but as experienced by a Pākehā girl. Identifying the effects of a repressive environment as the source of the emotional stresses that lead the main character, Janet, to be institutionalized for schizophrenia, the discussion shows how she finds respite in fictive creativity and a world of the imagination. It also shows Campion’s personal investment in the story as a displaced representation of her own mother’s fight with mental illness.

POLA NARASI PADA ANTOLOGI CERPEN TARIAN SALJU KARABAN

2019 ◽  
Vol 6 (1) ◽  
pp. 95-113
Author(s):  
Novi Diah Haryanti
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Main Character ◽  
The Past ◽  
Child Relationship ◽  
Mother And Child ◽  
Narrative Patterns

Abstract: This study aims to look at narrative patterns in the collection of short stories "Karaban Snow Dance" (TSK). From the fifteen short stories, the researchers took five main stories, namely the Karaban Snow Dance (Tarian Salju Karaban), The Fall of a Leaf (Gugurnya Sehelai Daun),  Canting Kinanti Song (Tembang Canting Kinanti), Jagoan Men Arrived (Lelaki Jagoan Tiba), and Origami Pigeon (Merpati Origami). Of the five short stories, environmental themes and honesty appear most often. The place setting depicted shows the environment that is close to the author or according to the author's origin. The main characters in the four short stories are children, only one short story Male Hero Tiban (Lelaki Jagoan Tiban/LJK) who uses adult takoh as the main character. The child leaders in LJK only appear in the past stories of the main characters. The five short stories do not show a picture of whole parents (father and mother). The warm relationship between mother and child appears clearly, in contrast to the father-child relationship that is almost negligent. The five short stories also represent how children become heroes for their family, friends, and environment.Abstrak: Penelitian ini bertujuan untuk melihat pola narasi pada kumpulan cerpen Tarian Salju Karaban (TSK). Dari limabelas cerpen yang ada, peneliti mengambil lima cerpen utama yakni “Tarian Salju Karaban”, “Gugurnya Sehelai Daun”, “Tembang Canting Kinanti”, “Lelaki Jagoan Tiba”, dan “Merpati Origami”. Kelima cerpen menampilkan tema lingkungan dan kejujuran. Latar tempat yang digambarkan memperlihatkan lingkuangan yang dekat dengan penulis atau sesuai dengan asal usul penulis. Tokoh utama dalam keempat cerpen tersebut ialah anak-anak, hanya satu cerpen “Lelaki Jagoan Tiban” (LJK) yang menggunakan takoh dewasa sebagai tokoh utama. Tokoh anak dalam LJK hanya muncul dalam cerita masa lalu tokoh utama. Kelima cerpen tersebut tidak memperlihatkan gambaran orangtua utuh (ayah dan ibu). Relasi yang hangat antara ibu dan anak muncul dengan jelas, berbeda dengan relasi bapak-anak yang nyaris alpa. Kelima  cerpen tersebut juga merepresentasikan bagaimana anak-anak menjadi pahlawan bagi keluarga, sahabat, dan lingkungannya.  

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