scholarly journals Evaluation of Digital Photography for Quantifying Cryptococcus fagisuga (Hemiptera: Eriococcidae) Density on American Beech Trees

2013 ◽  
Vol 106 (3) ◽  
pp. 1324-1330 ◽  
Author(s):  
D. J. Wieferich ◽  
D. B. Hayes ◽  
D. G. Mccullough
Keyword(s):  
Digital Photography ◽  
American Beech ◽  
Cryptococcus Fagisuga

scholarly journals Evaluation of Resistance to the Beech Scale Insect (Cryptococcus fagisuga) and Propagation of American Beech (Fagus grandifolia) by Grafting

2007 ◽  
Vol 56 (1-6) ◽  
pp. 163-169 ◽  
Author(s):  
M. Ramirez ◽  
J. Loo ◽  
M. J. Krasowski
Keyword(s):  
Developmental Stages ◽  
Scale Insect ◽  
Fagus Grandifolia ◽  
Life Stages ◽  
Total Resistance ◽  
Beech Bark Disease ◽  
American Beech ◽  
Insect Colonies ◽  
Cryptococcus Fagisuga

Abstract Scions collected from diseased trees and from those without symptoms of beech bark disease (BBD) were cleft-grafted in 2003 and 2004 onto rootstock of unknown resistance to BBD. Grafting success varied among genotypes and year (30% in 2003 and 12% in 2004), and improved with increasing rootstock diameter. Successful grafts were used to test resistance to the beech scale insect, Cryptococcus fagisuga (the initiating agent of BBD) by introducing eggs onto the bark of scions and allowing time for the emergence of all developmental stages of the insects. Significantly fewer insects colonized scions collected from putatively resistant trees than those collected from diseased trees. In some cases, where egg placement overlapped a portion of the rootstock, insect colonies developed on the rootstock but not on the scion collected from resistant trees. Occasionally, scions from putatively resistant trees were colonized, whereas some of those from diseased trees were not. When scions from putatively resistant trees were heavily colonized, only adult insects were present and no eggs or other life stages of the insect were found. The findings indicate that the extent of resistance to the scale insect (hence to BBD) ranges from partial to total resistance.

scholarly journals Distribution of American Beech (Fagus grandifolia) and Beech Scale (Cryptococcus fagisuga Lind.) in Michigan from 2005 to 2009

2011 ◽  
Vol 28 (4) ◽  
pp. 173-179 ◽  
Author(s):  
Daniel J. Wieferich ◽  
Deborah G. McCullough ◽  
Daniel B. Hayes ◽  
Nancy J. Schwalm
Keyword(s):  
Lake Michigan ◽  
Fagus Grandifolia ◽  
Lake Huron ◽  
Beech Bark Disease ◽  
Residential Areas ◽  
American Beech ◽  
Upper Peninsula ◽  
Invasive Insect ◽  
Cryptococcus Fagisuga ◽  
Lower Peninsula

Abstract Beech scale (Cryptococcus fagisuga Lind.) (Hemiptera; Coccidae), an invasive insect associated with beech bark disease, was discovered in 2000 in a localized area of northwest Lower Michigan and one area in the eastern Upper Peninsula. From 2005 to 2009, we surveyed 809 sites in 73 Michigan counties to determine whether American beech (Fagus grandifolia) trees were present and, if so, whether trees had been colonized by beech scale. Beech trees were present in 696 sites in forest, recreation, and residential areas. By 2009, beech scale had infested beech trees in 8 of 15 counties in the Upper Peninsula, 14 of 68 counties in the Lower Peninsula, one of three islands in Lake Michigan, and all three sampled islands in Lake Huron. Colonization of islands more than 20 km from infestations on the mainland suggest that beech scale was likely introduced by humans or birds. Rates of expansion of 12 discrete beech scale populations varied from 3.3 to 14.3 km per year.

Digital Photography

1999 ◽  
Vol 9 (3) ◽  
pp. 85-87
Author(s):  
Bessam Farjo
Keyword(s):  
Digital Photography

Foto-Etnografi dalam Proses Penciptaan Karya Seni Fotografi

Panggung ◽  
2013 ◽  
Vol 23 (2) ◽  
Author(s):  
Arief Datoem
Keyword(s):  
Social Life ◽  
Systematic Approach ◽  
Deep Understanding ◽  
Digital Photography ◽  
Cultural Representation ◽  
Visual Anthropology ◽  
Artistic Creation ◽  
Ethnographic Approach ◽  
The Subject ◽  
Emotional Approach

ABSTRACT This article aims at deepening the possibility of utilizing the art of photography that is rich of sig- nificance of the socio-cultural representation. The visual ethnographic field or photo-ethnography, which is relatively new, can provide assistance and answer for this. Therefore, the author has tried a form of collaboration between the photo-ethnographic approach and the sense approach in doing his research on the subject in order to obtain the deep understanding and the truth significance attached to them. The method of digital photography art creation which is intuitively the basis of the art cre- ation in digital domain, then was tried to be formulated, based on heuristics research in the process of the art of digital photography. This concept was developed from the experience in the field of digital photography and visual anthropology, guided by the basic theories of creativity, quantum theory in art, and theory of artistic creation that has existed before. Through emotional approach as a method, along with the structured systematic approach of photo-ethnography and with the deep awareness of the environment and social life of the subject leads to the creation of the image that tends to be better and more meaningful, more productive in a social sense, and offers a credible empiric documentation. Keywords: photo-ethnography, photography art works  ABSTRAK Artikel ini dibuat dalam upaya melakukan pendalaman mengenai kemungkinan peman- faatan seni fotografi yang kaya makna representasi sosio-kultural. Bidang etnografi visual atau foto-etnografi yang relatif masih baru, dapat memberikan bantuan dan jawaban un- tuk hal ini. Oleh karena itu penulis mencoba suatu bentuk kolaborasi antara pendekatan foto-etnografi dengan pendekatan rasa ketika melakukan penelitian terhadap subjek agar diperoleh pemahaman mendalam serta makna kebenaran yang menyertainya. Metode penciptaan seni fotografi digital yang merupakan dasar dari penciptaan seni secara intu- itif dalam domain digital, kemudian dicoba dirumuskan, berdasarkan penelaahan heu- ristik dalam proses seni fotografi digital. Konsep ini dikembangkan dari pengalaman di bidang fotografi digital dan antropologi visual, dipandu oleh teori-teori dasar kreativitas, teori kuantum dalam seni, dan teori penciptaan seni yang telah ada sebelumnya. Melalui pendekatan emosional sebagai metode, disertai dengan pendekatan sistematis yang ter- struktur dari foto-etnografi dan dengan kesadaran yang mendalam mengenai lingkungan dan kehidupan sosial subjek mengarah pada penciptaan gambaran yang cenderung lebih baik dan lebih bermakna, lebih produktif dalam arti sosial, dan menawarkan dokumentasi empiris yang kredibel. Kata kunci: foto-etnografi, karya seni fotografi

Mapping and Monitoring of the Land Use/Cover Changes in the Wider Area of ltanos, Crete, Using Very High Resolution EO Imagery With Specific Interest in Archaeological Sites

2019 ◽  
Author(s):  
Sawyer Reid stippa ◽  
George Petropoulos ◽  
Leonidas Toulios ◽  
Prashant K. Srivastava
Keyword(s):  
High Resolution ◽  
Spatial Resolution ◽  
Satellite Images ◽  
Archaeological Site ◽  
Digital Photography ◽  
Archaeological Sites ◽  
Large Area ◽  
High Resolution Imagery ◽  
Site Mapping ◽  
Rule Sets

Archaeological site mapping is important for both understanding the history as well as protecting them from excavation during the developmental activities. As archaeological sites generally spread over a large area, use of high spatial resolution remote sensing imagery is becoming increasingly applicable in the world. The main objective of this study was to map the land cover of the Itanos area of Crete and of its changes, with specific focus on the detection of the landscape’s archaeological features. Six satellite images were acquired from the Pleiades and WorldView-2 satellites over a period of 3 years. In addition, digital photography of two known archaeological sites was used for validation. An Object Based Image Analysis (OBIA) classification was subsequently developed using the five acquired satellite images. Two rule-sets were created, one using the standard four bands which both satellites have and another for the two WorldView-2 images their four extra bands included. Validation of the thematic maps produced from the classification scenarios confirmed a difference in accuracy amongst the five images. Comparing the results of a 4-band rule-set versus the 8-band showed a slight increase in classification accuracy using extra bands. The resultant classifications showed a good level of accuracy exceeding 70%. Yet, separating the archaeological sites from the open spaces with little or no vegetation proved challenging. This was mainly due to the high spectral similarity between rocks and the archaeological ruins. The satellite data spatial resolution allowed for the accuracy in defining larger archaeological sites, but still was a difficulty in distinguishing smaller areas of interest. The digital photography data provided a very good 3D representation for the archaeological sites, assisting as well in validating the satellite-derived classification maps. All in all, our study provided further evidence that use of high resolution imagery may allow for archaeological sites to be located, but only where they are of a suitable size archaeological features.

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