scholarly journals Fundamentación ontológica del mundo virtual a partir de la filosofía de Nicolaï Hartmann

Sophía ◽  
2021 ◽  
pp. 237-263
Author(s):  
Alvaro Alberto Molina D'Jesús

En el siguiente artículo se presenta una investigación filosófica acerca de la conformación ontológica delmundo virtual. Esta es un aporte teórico al debate contemporáneo de la filosofía de la computación sobrela caracterización ontológica de la computación digital y sus productos emergentes, ya que se propone unaaproximación a este campo de estudio desde la perspectiva filosófica de Nicolaï Hartmann. El objetivo principal del presente artículo es explicar la estratificación del mundo virtual a partir de la teoría ontológica de estratos y categorías de Hartmann. Para cumplir con este objetivo se procedió a una revisión crítica del estado de la cuestión de la ontología filosófica de la virtualidad. Luego se procedió a presentar una propuesta de estratificación y categorización denominada ‘La fábrica del mundo virtual’ que es una ontología hermenéutica de la virtualidad digital basada en los postulados de Hartmann. Las principales conclusiones alcanzadas son: i) La emergencia de la realidad del mundo virtual se encuentra constituida de los mismos estratos que conforman la esfera del conocimiento del mundo real: material, orgánico, psíquico y social. ii) La realidad virtual es un producto de la computación que ocurre en la esfera del conocimiento en el que existe intervención de la esfera ideal y de la esfera del mundo real.

2020 ◽  
Vol 25 (4) ◽  
pp. 492-511
Author(s):  
Amanda Sciampacone

Abstract The article explores how Victorian visual culture was a vital force in the construction and dissemination of medical theories on the connection between climate and health. During the nineteenth century, the seemingly inexplicable and deadly nature of many epidemic diseases compelled British medics to investigate all possible reasons for their spread. Focusing on cholera, the article will examine how, in an effort to understand what was seen at the time as a mysterious disease, Victorian medics increasingly concentrated on the climate of India and unusual weather in Britain as propagators of the malady. Supplementing the dominant miasma theory, medics explained how the seemingly airborne sources of cholera resulted from a state of England’s air that resembled the tropical environment of the subcontinent. In an effort to highlight the correlation between cholera and the atmosphere, they produced medical climatology reports containing diagrams that juxtaposed the data on the disease’s mortality rates with measurements of meteorological phenomena. These images, rather than serving simply as illustrations, became a crucial part of medical arguments. As the article will demonstrate, in attempting to visualize the medical climatology of cholera, the diagrams mapped the disease to certain atmospheric conditions, suggesting that cholera could be quantified and controlled. Yet, in doing so, the images also implied that cholera had a real material presence in the air of Britain, powerfully evoking visual tropes of the disease as a substance that had the potential to contaminate the very landscape of the nation.


2013 ◽  
Vol 739 ◽  
pp. 292-297 ◽  
Author(s):  
Vit Křivý ◽  
Petr Konečný ◽  
Viktor Urban

The paper deals with a statistical evaluation of the real material properties of weathering steels used for the construction of motorway bridges in the Czech Republic between 2001 and 2007. The statistical analysis and evaluation is carried out for a range of hot rolled plates made of S355J2W weathering steel. The paper contains an evaluation of the strength properties of the steel and its chemical composition. The paper also contains derived real values of partial factors of materials corresponding to the relevant reliability classes RC1 to RC3 pursuant to the European standard EN 1990.


1933 ◽  
Vol 43 (2) ◽  
pp. 218-220
Author(s):  
C. Delisle Burns
Keyword(s):  

2014 ◽  
Vol 638-640 ◽  
pp. 2265-2268
Author(s):  
Shuang Qiu

Modern architecture design lays more emphasis on the authenticity and regionality of the building.The basic tectonic principles are the real material performance and real construction expression. Architecture artistic is based on the internal expressive force of the structural system. And the logicality of building structure is given the inner beauty of architectural image. Modern timber-structure building is breaking the fetter of formalism in the aspect of structure performance. Its tectonic methods are making the positive exploration in terms of the architectural context inheritance.


Author(s):  
Dorota Maria Leszczyna

El objetivo del presente artículo consiste en presentar la evolución de los estudios orteguianos relativos a la filosofía de Immanuel Kant. El filósofo madrileño recorrió en ellos un camino desde el idealismo lógico, específico de la escuela de Marburgo, hasta el enfoque metafísico y ontológico presentado por los alumnos de los maestros neokantianos, tales como Nicolai Hartmann, Heinz Heimsoeth, Karl Jaspers y Martín Heidegger. Estos filósofos hicieron de la filosofía de Kant su punto de partida, puesto que en ella radicaban las cuestiones metafísicas y ontológicas olvidadas y omitidas por los representandes de las escuelas neokantianas. TITLE: Interpretation of Kant’s philosophy by Ort ega y Gasset: from marburguian idealism to the critical ontologyABSTRACT: The purpose of this article is to present the evolution of Orteguian studies on the philosophy of Immanuel Kant. The spanish philosopher went from the logical idealism of the Marburg School to the metaphysical and ontological interpretations presented by the students of neo-Kantian masters such as Nicolai Hartmann, Heinz Heimsoeth, Karl Jaspers y Martín Heidegger. Those philosophers made the starting point of their reflection the philosophy of Kant because they found there metaphysical and ontological problems which were forgotten and omitted by the representatives of Neo-Kantian schools. 


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