Comparison of characteristics of tea furniture in tea paintings reflecting the fusion of tea culture in Chinese Tang and Song dynasties

2020 ◽  
Vol 38 (4) ◽  
pp. 247-263
Author(s):  
ZhiGang Wei ◽  
Mi Sun Chung
2021 ◽  
Vol 3 (4) ◽  
pp. 20-55
Author(s):  
Yuxi YI

This study investigated the relationship between “Chinese elegant ideology" and environmental mobilization to explore a new possibility of consciousness awakening for environmental protection. The author considered the life posture of scholar-emits in the Tang and Song Dynasties. It conveyed a demand for the inheritance of ideas and civilizations as well as elegant and sustainable life orientation. The study will further identify the ideological and spiritual guidance and practical demonstration of cultural ideology for environmental movements by considering the causes and influential factors of environmental mobilization in modern society. It is supposed to get a trade-off between natural integration and social integration. The given elegant life dynamics of the Tang and Song Dynasty will construct an interaction between nature and mainstream human social behavior, which dramatically reduces the segregation and contradiction between social and natural integration. This study will advocate a sustainable and contracted "new form" that appeals to human spirits by studying the selection of the scholar-emits in the Tang and Song dynasties.


2021 ◽  
Vol 17 (2) ◽  
pp. 929-950
Author(s):  
Yachen Liu ◽  
Xiuqi Fang ◽  
Junhu Dai ◽  
Huanjiong Wang ◽  
Zexing Tao

Abstract. Phenological records in historical documents have been proven to be of unique value for reconstructing past climate changes. As a literary genre, poetry reached its peak in the Tang and Song dynasties (618–1279 CE) in China. Sources from this period could provide abundant phenological records in the absence of phenological observations. However, the reliability of phenological records from poems, as well as their processing methods, remains to be comprehensively summarized and discussed. In this paper, after introducing the certainties and uncertainties of phenological information in poems, the key processing steps and methods for deriving phenological records from poems and using them in past climate change studies are discussed: (1) two principles, namely the principle of conservatism and the principle of personal experience, should be followed to reduce uncertainties; (2) the phenological records in poems need to be filtered according to the types of poems, background information, rhetorical devices, spatial representations, and human influence; (3) animals and plants are identified at the species level according to their modern distributions and the sequences of different phenophases; (4) phenophases in poems are identified on the basis of modern observation criteria; (5) the dates and sites for the phenophases in poems are confirmed from background information and related studies. As a case study, 86 phenological records from poems of the Tang Dynasty in the Guanzhong region in China were extracted to reconstruct annual temperature anomalies in specific years in the period between 600 and 900 CE. Following this, the reconstruction from poems was compared with relevant reconstructions in published studies to demonstrate the validity and reliability of phenological records from poems in studies of past climate changes. This paper reveals that the phenological records from poems could be useful evidence of past climate changes after being scientifically processed. This could provide an important reference for future studies in this domain, in both principle and methodology, pursuant of extracting and applying phenological records from poems for larger areas and different periods in Chinese history.


2018 ◽  
Vol 21 (1) ◽  
pp. 46-59 ◽  
Author(s):  
Wang Ying

The concept of a national flower was an important part of the culture and poetry of the imperial courts of the Tang and Song dynasties. Li Bai and other poets in the Tang period used the tree peony as an icon of the imperial concubine Yang Yuhuan’s beauty. Later Tang poetry, however, also includes undertones of disquiet, using this flower-image as a sign of unhappiness at the state of the country. With the advent of the Song dynasty, the poetic focus exalts the plum blossom, a very different kind of flower than the tree peony. I argue that this reflects the Song dynasty’s different mentality. Writers of this age emphasized refinement, rationality, and introspection. For example, Lin Bu felt wedded to his plum tree. Su Shi developed a theory of the plum blossom’s character. The shift in government from North to South may have also contributed to the shift. The tree peony suited the northern climate; the plum tree thrived in the South.


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