scholarly journals Alexander Blok between Anitchkov and «Yevgeny Vasilievich»

2020 ◽  
pp. 107-120

The article represents the comparative analysis of personal and creative mutual relations of A.A. Blok and E.V. Anitchkov. The research shows the formation of Anitchkov’s beliefs as a disciple and follower of A.N. Veselovsky. Anitchkov’s works are considered in the context of successive connection with aesthetic study and historiosophy of Vladimir Solovyov. It is revealed that in his works during the immigration period he paid close attention to the medieval eschatological contexts of this historiosophy and foremost “Christian mythology” and chiliastic doctrine of Joachim of Flora about the third age of the Holy Spirit. It is indicated that Anitchkov’s research subjects during the immigration period are similar to the several medieval plots of A. Blok’s drama “The Rose and the Cross”, which are attributed to the eschatological and Albigensian problematics. The conclusion is made that hermeneutic analysis of the symbolic meanings of the drama based on these works is productive. The hypothesis is substantiated that the late works that can be attributed to the Middle Ages in France represent Anitchkov’s scientific interests and a circle of personal beliefs, and he was A. Blok’s consultant on the Middle Ages in France while he was working on the drama “The Rose and the Cross”. The full text of extracts made form Anitchkov’s works by A. Blok that was saved in the Manuscript Division of the Institute of Russian Literature of the Russian Academy of Sciences is represented for the first time in the appendix of the article with necessary comments.

2012 ◽  
Vol 41 (2) ◽  
pp. 27-35
Author(s):  
Britt Istoft

The article investigates a medieval heretical group, the Guglielmites, who worshipped their founder Guglielma of Milan (d. 1281) as the Holy Spirit incarnate and expected another woman, Maifreda da Pirovano, to become pope, the vicar of the Holy Spirit, at Guglielma's second coming in the year 1300. This event was prevented, however, by Dominican inquisitors, but we know that Maifreda's priestly activities had been going on for years. The article argues that the theology and practice of the Guglielmites developed gradually on a background of mysticism, eschatological expectations, imitation of Christ, and Eucharistic devotion. However, contrary to much female godlanguage in the Middle Ages, which was symbolic, female divinity was seen as taking flesh in a woman, and for that reason also her vicar on earth had to be a woman. The feminizing of the Holy Spirit justified a change in the gender system of the Church.


2021 ◽  
pp. 60-73
Author(s):  
Dmitriy M. Abramov ◽  

Historical sources and evidence of the eyewitnesses of the 4th crusade in many respects reflect the complexity and sharpness of the contradictions between the Western and Eastern Christendom at the turn of the 12th – 13th centuries. The evidence and narrations proceed from the most direct participants in the military events, broke out on the shore of the Bosporus in 1203–1204. The authors of those materials belonged to the two opposing camps, and therefore the analysis of those sources represents a sufficiently complete and detailed picture of the occurred tragedy. A thorough analysis of the sources makes it possible to at least partially see and comprehend the causes of the military confrontation between the Western and Eastern Christians, who represented – just a while ago, in the first half of the 11th century – the united Ecumenical Church. The sources vividly reflect the mood that prevailed in the crusaders’ encampment in April, 1204, hesitation and doubt of the bulk of the Cross Warriors who were not sure of the rightness of their actions in the preparation for the assault of Constantinople. Many of them understood that they would have to raise the sword against their fellow believers – the Christians of the East. But the most tragic outcome of the 1202–1204 Crusade was the crushing defeat of Constantinople by the Cross Warriors. For the Romans (Byzantines) that became the reason for the disintegration of the Roman Empire. For all Eastern Christians it indicated the demise of the capital of the Orthodox Christendom.


Istoriya ◽  
2021 ◽  
Vol 12 (6 (104)) ◽  
pp. 0
Author(s):  
Ekaterina Kirillova

Source study is the foundation of the research work of professional historians. It became the subject of the All-Russian Scientific Conference “Source Studies in Contemporary Medieval Studies”, which was held from 28 to 29 June 2021 at the Institute of World History at the Russian Academy of Sciences. The conference, conceived as a platform for regular communication of specialists in the history of the Middle Ages, allowed the participants and numerous listeners to get acquainted with the latest research on the source study of the history of Russia, Europe, the East and America. It included reports summarizing the experience of research and outlining the prospects for further work on key problems of source study of the history of the Middle Ages.


Author(s):  
Oleg I. Maliugin

The article is devoted to the study of the scientific and pedagogical activities of the famous Slavist A. N. Yasinsky in the last – Moscow-Minsk – period of his life based on the materials of the Belarusian archives. Revolutionary events of 1917–1921 forced him, like many other representatives of the capital’s intelligentsia, to look for work in new provincial universities. Since 1922 he has been teaching at the Belarusian State University, becoming one of the founders of Belarusian Medieval and Slavic studies. In 1928 he was elected an academician of the newly created Belarusian Academy of Sciences, where he continued his studies of both the Czech Middle Ages and the history of Belarus in the Middle Ages. However, external circumstances did not allow A. N. Yasinsky to create his own scientific school in Belarus, and his research of the 1920’s remained little known to specialists.


Author(s):  
Andrew Pinsent

Abstract As a theological disposition revealed in Scripture, the recognition of hope as an important virtue coincided with the radical transformation in virtue ethics in the early Middle Ages. As the ideals of pagan antiquity gave way to the Christian aspirations for the Kingdom of Heaven, early work on hope was strongly influenced by writers with a monastic background, such as Pope St Gregory the Great. The rise of scholasticism in the twelfth and thirteenth centuries, however, gave an impetus to finding a coherent account of virtue ethics that would incorporate hope along with the other theological virtues and revealed attributes of perfection, such as the gifts and fruits of the Holy Spirit. This chapter examines, in particular, the attempt of St Thomas Aquinas to develop such an account and the role of hope in this account, drawing from new research in experimental psychology. The chapter concludes by considering briefly the transposition of the medieval account of hope to aspects of contemporary life.


2019 ◽  
Vol 66 (4 SELECTED PAPERS IN ENGLISH) ◽  
pp. 37-61
Author(s):  
Stanisław Kobielus

The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 61 (2013), issue 4. In the Gospels relating the passion of Christ, there is no description of the act of nailing Him to the cross, but there are clearly other biblical testimonies that nails were used for the crucifixion. In many representations, parallel to the nailing of the members of Christ to the cross or raising it with His body, we find placed alongside it, the scene of hammering iron with hammers by Tubal-Kain for the purpose of drawing out the appropriate tones. He hits on the anvil, while Jabal makes a notation of the tones. With this type of illustration, the sound of the hammers during the crucifixion of Christ meets with the sound of the hammers hitting the anvil. Hence, painting and music meet in the iconography of the crucifixion of Christ. It was a sort of Concordia Novi et Veteris Testamenti. In showing this prefiguration, there is also a going back to the history of Pythagoras. It was also an example for the functioning in the Middle Ages, and still later in the Renaissance, of the formulation of the Concordia divi Moysi et divini Platonis.


2021 ◽  
pp. 1-36
Author(s):  
David M. Friel

Abstract Chrysostom’s homily De coemeterio et de cruce (CPG 4337) was delivered during a full eucharistic synaxis on Good Friday in a cemetery outside the gates of late-fourth-century Antioch. It demonstrates both rhetorical and theological prowess. Chrysostom consoles his hearers by likening death to sleep and reflecting on the cemetery as a “sleeping place” (koimeterion). The text is notable for its theology of physical space, its conception of liturgical anamnesis, and its presentation of the Christus Victor atonement motif. The homily also highlights the liturgical role of the Holy Spirit, especially by alluding to the eucharistic epiclesis, and it chastises the congregation for their poor behavior during the communion rite. This article presents the homily’s full text in Greek with English translation, followed by a commentary that probes its major themes and liturgical aspects.


PMLA ◽  
1916 ◽  
Vol 31 (4) ◽  
pp. 664-712
Author(s):  
John K. Bonnell

By the term ‘sepulehrum’ is designated that device or structure employed in churches—especially in the middle ages—to symbolize, or in more complete manner to represent, the tomb of Christ. This sepulchrum, so named in the liturgy, first appears in connection with the ancient office of the Depositio Crucis, or burial of the cross, which after mass on Good Friday typified the burial of Christ. Complementing and completing the Depositio was another office, privately celebrated by the priest and clergy before matins on Easter Sunday, typifying the resurrection, and called the Elevatio Crucis. When, after the tenth century, troping of the Introit for Easter morning—the famous Quem Quaeritis—developed into a little liturgical play with the impersonation of the angel or angels, and of the three Maries coming to anoint the body of the Lord, there was naturally a development of the heretofore symbolic sepulchrum in the altar, into what resulted finally in a separate structure.


Traditio ◽  
1961 ◽  
Vol 17 ◽  
pp. 323-370 ◽  
Author(s):  
Marjorie Reeves

The question of the dramatis personae in the last great act of history was a subject of perennial interest in the Middle Ages. Parts, both good and bad, had to be cast and it is not surprising that national hopes and rivalries frequently crept into the various attempts to assign these tremendous cosmic roles. Although both the pessimistic expectation of a mounting crescendo of evil and the hope of a millennium had existed in Christian thought since its beginning, it was the Joachimist structure of history which most clearly brought together the final crisis of evil and the final blessedness in a last great act which was yet within history, separated from eternity by the Second Advent. The concept of an age of blessedness had three strands in it: first, the idea of the millennium, derived from the Apocalypse (20.1–3), in which Satan is bound for a thousand years; secondly, the concept of a Sabbath Age, symbolized in the Seventh Day of Creation when God rested from His labors; thirdly, the Trinitarian interpretation of history, finally worked out by Joachim, in which history was expected to culminate in the Third Age of the Holy Spirit. The first two ideas did not necessarily lead to the expectation of a last age of blessedness within time: the millennium was frequently interpreted as covering the whole period between the First and Second Advents, or again, as constituting a rule of Christ and His Saints beyond history; the Sabbath Age could be seen as a Sabbath beyond the Second Advent and Last Judgment and therefore also beyond history. It was only when these two concepts became linked with the Trinitarian view of history that they clearly symbolized a crowning age of history, set in the future and therefore not yet attained, whilst unmistakably within the time process, preceding the winding-up of history in the Second Advent and Last Judgment. The full force of Joachim's concept of the Third Age was rarely grasped, appearing usually in a much-debased form, but the program of Last Things, as worked out by Joachites of the thirteenth and fourteenth centuries, profoundly influenced the form which these expectations took in the later Middle Ages and, indeed, right down to the end of the sixteenth century.


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