scholarly journals Les formes compuestes "haber + participiu" n'asturianu oral: incidencia, funcionalidá y vixencia na fala cotidiana

2018 ◽  
Vol 17 (17) ◽  
pp. 37
Author(s):  
Félix Iglesias Fernández

L’oxetivu la presente investigación ye afondar nel usu de les formes compuestes haber + participiu, asina como tener + participiu, nel asturianu oral, pa comprobar la so funcionalidá, vitalidá y vixencia na fala cotidiana. Bien ye cierto que l’usu d’aquelles ye un marcador tipolóxicu perimportante dientro les llingües iberorromániques occidentales. Por embargu, la falta d’esti patrón morfolóxicu pue dicise que ye parcial, como bien s’observa na franxa’l pluscuamperfeutu; dellos investigadores defenden el calter patrimonial d’estes dientro’l sistema verbal asturianu, que ta nuna posición intermedia pente sistemes llingüísticos que sí xeneralizaron los tiempos compuestos y otros que non.Palabres clave: tiempu compuestu, tiempu verbal, haber, participiu, tener, perífrasis, pretéritu, pluscuamperfeutu, fala, oral, asturianu.El objetivo de la presente investigación es ahondar en el uso de las formas compuestas haber + participio, así como tener + participio, en el asturiano oral, para comprobar su funcionalidad, vitalidad y vigencia en el habla cotidiana. Bien es cierto que el uso de aquellas es un marcador tipológico relevante dentro de las lenguas iberorrománicas occidentales. Sin embargo, la falta de este patrón morfológico puede decirse que es parcial, como bien se observa en la franja del pluscuamperfecto; algunos investigadores defienden el carácter patrimonial de estas dentro del sistema verbal asturiano, que está en una posición intermedia entre sistemas lingüísticos que sí generalizaron los tiempos compuestos y otros que no.Palabras clave: tiempo compuesto, tiempo verbal, haber, participio, tener, perífrasis, pretérito, pluscuamperfecto, habla, oral, asturiano.The aim of the present investigation is to further explore the use of haber +compound participle forms as well as the tener + participle form in spoken Asturian to check its functionality, vitality and validity in daily speech. They are, in fact, relevant typological markers in the western Ibero-Romance languages. Nevertheless, the infrequency of these morphological patterns is arguably partial, as can be appreciated in the case of the pluperfect. Some researchers defend its natural presence in the Asturian verbal system, because this language is positionated in an intermediate area between verbal systems which generalise compound tenses and those which do not.Keywords: compound tense, verbal tense, haber, compound participle, tener, pluperfect, speech, daily speech, Asturian.

2008 ◽  
Vol 1 (2) ◽  
pp. 109-134 ◽  
Author(s):  
Stephen R. Anderson

Alternations between allomorphs that are not directly related by phonological rule, but whose selection is governed by phonological properties of the environment, have attracted the sporadic attention of phonologists and morphologists. Such phenomena are commonly limited to rather small corners of a language's structure, however, and as a result have not been a major theoretical focus. This paper examines a set of alternations in Surmiran, a Swiss Rumantsch language, that have this character and that pervade the entire system of the language. It is shown that the alternations in question, best attested in the verbal system, are not conditioned by any coherent set of morphological properties (either straightforwardly or in the extended sense of ‘morphomes’ explored in other Romance languages by Maiden). These alternations are, however, straightforwardly aligned with the location of stress in words, and an analysis is proposed within the general framework of Optimality Theory to express this. The resulting system of phonologically conditioned allomorphy turns out to include the great majority of patterning which one might be tempted to treat as productive phonology, but which has been rendered opaque (and subsequently morphologized) as a result of the working of historical change.


2020 ◽  
Vol 10 (2) ◽  
pp. 325-345
Author(s):  
Eystein Dahl

Abstract This paper examines the development of the aspect systems in the Indo-European languages Vedic and Latin. Even though aspectual distinctions are central in the verbal systems of both of these languages at the beginning of their attested traditions, they undergo quite different developments in the course of their history. The Vedic verbal system instantiates a classic case of the development from aspect to tense, whereas Latin maintains an aspect-based verbal system, which survives in the Romance languages. The paper explores the semantic properties of the Vedic and Latin past tenses in some detail from two distinct perspectives: a neo-Reichenbachian model, where aspect is regarded as a type of relation between reference time and event time (cf. e.g., Dahl 2010, 2015), and a model where aspect involves different types of partitive operators (cf. Altshuler 2013, 2014). Although these two approaches may first appear to be in conflict, the paper attempts to show that they represent complementary perspectives highlighting different dimensions of aspectual meaning.


Author(s):  
Martin Maiden

This book is the first ever comprehensive comparative–historical survey of patterns of alternation in the Romance verb that appear to be autonomously morphological in the sense that, although they can be shown to be persistent through time, they have long ceased to be conditioned by any phonological or functional determinant. Some of these patterns are well known in Romance linguistics, while others have scarcely been noticed. The sheer range of phenomena that participate in them far surpasses what Romance linguists had previously realized. The patterns constitute a kind of abstract leitmotif, which runs through the history of the Romance languages and confers on them a distinctive morphological phsyiognomy. Although intended primarily as a novel contribution to comparative–historical Romance linguistics, the book considers in detail the status of patterns that appear to be, in the terminology of Mark Aronoff, ‘morphomic’: a matter of ‘morphology by itself’, unsupported by determining factors external to the morphological system. Particular attention is paid to the problem of their persistence, self-replication, and reinforcement over time. Why do abstract morphological patterns that quite literally do not make sense display such diachronic robustness? The evidence suggests that speakers, faced with different ways of expressing semantically identical material, seek out distributional templates into which those differences can be deployed. In Romance, the only available templates happen to be morphomic, morphologically accidental effects of old sound changes or defunct functional conditionings. Those patterns are accordingly exploited and reinforced by being made maximally predictable.


Author(s):  
Takanori Sohda ◽  
Hiroshi Saito ◽  
Goro Asano ◽  
Katsunari Fukushi ◽  
Katsuya Suzuki ◽  
...  

Recently, the functional aspect as well as morphological aspect of the reserve cells in the cervix uteri drew much attention in view of the carcinogenesis in squamocolumunar junction. In this communication, the authors elucidate the ultrastructural features of the reserve cells in patients of various age groups visiting our university hospital and affiliated hospital.From conventional light microscopic point of view, the reserve cells tend to be pronounced in various pathological conditions, such as the persisting inflammation, proliferative disorders and irritation of hormones. The morphological patterns of the reserve cells from various stage and degree of irritation were observed.


2020 ◽  
Vol 59 (1-4) ◽  
pp. 213-226
Author(s):  
Roland Hoffmann

SummaryThe following study will show that in the Vulgate there are far from few discontinuous orders present without any indication in the Hebrew text. These instances include the following patterns: first many examples whose intermediate area is constituted by particles connecting the sentence. They have already been partly coined in the Septuagint, but also, especially in the case of quoque, formed by Jerome to avoid the simple combination of the original and the Greek version. In cases when other words stand in the intermediate area Jerome, even in poetical texts, finds new ways to emphasize the first element of a hyperbaton. Similarly, he often resorts to this method in original texts.


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