scholarly journals Preliminary Study of the Aesthetic Character of Guniang Song in Western Guangdong in Lingnan Area

2020 ◽  
Vol 9 (2) ◽  
pp. 149
Author(s):  
Yongmei Gan
Keyword(s):  
Cultural Heritage ◽  
Folk Art ◽  
Intangible Cultural Heritage ◽  
Leizhou Peninsula ◽  
Local Dialect ◽  
Preliminary Study ◽  
The Aesthetic

On Leizhou Peninsula in western Guangdong, Guniang Song is a kind of folk art which uses local dialect to rap and perform. In 2006, among the first batch of provincial intangible cultural heritage announced by Guangdong Provincial People’s Government, it was successfully selected. According to the existing research, the introduction of it by scholars mostly started from the aspects of performance forms and folk characteristics, while ignoring the research on the aesthetic character of it. Based on this situation, the purpose of this study is to explore the aesthetic character of the it in western Guangdong, in order to provide some theoretical reference and creative inspiration for the scientific protection and inheritance of the Guniang Song.

scholarly journals Conservation of Folk Arts

2021 ◽  
Vol 9 (VI) ◽  
pp. 4934-4937
Author(s):  
Dr. Mrs. Tanuja Nafde
Keyword(s):  
Cultural Heritage ◽  
Folk Art ◽  
Intangible Cultural Heritage ◽  
Art And Culture ◽  
The Government

It is intangible wealth of knowledge that we possess but being neglected and subdued in the phase of development which is leaned on the western pattern of lifestyle and culture. The overall effect is that the wealth of knowledge is diminishing and is live only at the efforts of the government to revive it. The effluent people of the country feel proud in orienting themselves as alien to the wealth of intangible cultural heritage, affecting further in lowering the attention and focus on the folk art and culture.

INTERPRETATION OF HISTORICAL AND CULTURAL HERITAGE IN THE WORKS OF CHINGIZ AKHMAROV

2021 ◽  
Vol 02 (08) ◽  
pp. 19-21
Author(s):  
Omonilla Salikhov ◽  
Keyword(s):  
Cultural Heritage ◽  
Folk Art ◽  
Full Disclosure ◽  
Spiritual World ◽  
The Rich ◽  
Characteristic Features ◽  
Human Image ◽  
The Aesthetic ◽  
High Skill

This article discusses the interpretation of historical and cultural heritage in the works of Chingiz Akhmarov. In the genre of portraiture, folk art is approached with high skill, revealing the characteristic features of its national bright patterns. The perfect study of the human image in his portraits achieves a full disclosure of the psyche of the aesthetic, spiritual world of the heroes of the work. Without repeating the miniature, he takes a unique artistic approach, based on the poetic plastic conditionality, artistic space and form, the decorative principle of composition, as well as the rich thinking color of medieval masters, linear graphics.

scholarly journals Religious diversity and patrimonialization

1970 ◽  
Vol 7 (1) ◽  
pp. 21-31
Author(s):  
Shanshan Zheng
Keyword(s):  
Cultural Heritage ◽  
Religious Diversity ◽  
Local Level ◽  
Religious Practices ◽  
Intangible Cultural Heritage ◽  
Multiple Stakeholders ◽  
Leizhou Peninsula ◽  
Cultural Policies ◽  
New Perspective ◽  
Dynamic Relationships

With the emergence of the neologism ‘intangible cultural heritage’ in 2003 and the adoption of the Intangible Cultural Heritage Law of the People’sRepublic of China in 2011 various popular religious practices in China which used to be considered as feudal superstitions started to be recognized as examples of cultural heritage worthy of protection. If we examine the concept of religious diversity at a local level in contemporary China, the process of a ‘patrimonialization’ of popular religious practices that reflect the dynamic relationships which can be detected across diverse discourses, multiple stakeholders and cultural policies in different arenas could offer us a new perspective on religious practices to explore. In this article I offer an analysis, based on fieldwork conducted between 2013 and 2016 on the Leizhou Peninsula in southern China’s Guangdong Province, of the varying degrees of acceptance, accommodation and resistance prompted by the actualization of popular religious practices in this era of patrimonialization.

DEVELOPING SUSTAINABLE TOURISM MODEL ASSOCIATED WITH CONSERVED EDUCATION, UNDERSTANDING THE IDENTITY OF PHYSICAL CULTURE HERITAGE AND NON-PHYSICAL CULTURE HERITAGE, DEVELOPING LIVELIHOOD AND SUSTAINABLE MULTIDIMENSION POVERTY REDUCTION FOR ETHNIC MINORITIES OF QUANG NINH PROVINCE IN THE CONTEXT OF INDUSTRIAL REVOLUTION 4.0

2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Bui Thuy Phuong
Keyword(s):  
Cultural Heritage ◽  
Ethnic Minorities ◽  
Poverty Reduction ◽  
Close Association ◽  
Sustainable Tourism ◽  
Physical Culture ◽  
Intangible Cultural Heritage ◽  
Economic Sectors ◽  
Culture Heritage ◽  
Quang Ninh

In the trend of Industry Revolution 4.0, tourism has been considered as one of the key and key economic sectors of the country and smokeless industry requires sustainable tourism development associated with the conservation and promotion of tangible and intangible cultural heritage values are becoming more and more important and urgent than ever. Author through deeply analysing the context and situation of developing a model linking sustainable tourism with preserving and promoting the specific tangible and intangible cultural heritage values of Quang Ninh province in the previous period thereby proposing a system of appropriate solutions to develop models of cultural tourism, heritage tourism, rural tourism, community tourism...in close association with specific values conservation and promotion of tangible and intangible cultural heritage, livelihood development and sustainable multidimensional poverty reduction for ethnic minorities groups in the current Industry Revolution 4.0 trend.

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