On the Expressive Techniques and Artistic Conception of Chinese Flute Playing Works

This paper discusses the performance of Chinese styled works from the perspective of flute playing and the related theories of music aesthetics. As for the technique of music expression, the paper thinks that it is necessary to pay attention to the shaping of music image and the expression of music emotion to realize the unity of music expression and performance skills. In terms of the presentation of meaning and rhyme, it is necessary to highlight artistic conception in the blend of scenes, and reflect the charm through the use of embellish cavity skills and the performance of spiritual temperament.

COMPILATION AS A COMPOSITION APPROACH OF CONTEMPORARY ART SCHOOL

It is impossible to create something new in science and art, without first absorbing the experience, knowledge, skills of scientists and artists of the past generation. Even the most original, progressive, and innovative ideas are, in fact, a compilation of previous experience. The compilation technique is one of the main and effective tools of the scientific world. It is also actively used in the creative process of musicians, writers, and filmmakers. The compilation technique is a fairly common phenomenon in the scientific world and art in general, at the same time, its level can be very different, ranging from direct plagiarism to forms of synthesis, the traces of which are very difficult to detect. There are separate genres in art, based on compilation, for instance, a «remake» in cinematography, a «potpourri» in music, a «historical analog» in visual art, and an «artrunion» in literature. Meanwhile, compilation, as one of the forms of the artist's creative method, is a very "delicate" and "vulnerable" matter, sometimes causing a lot of controversy among specialists, since there is no tool that could accurately measure the degree of compilation bordering on plagiarism. If in the scientific world author indicates a list of compilation material, writing an article, then in case of an artist, we will not see it due to specifics of his work. The path of an artist, in terms of the embodiment of an artistic conception, is in many ways spontaneous, and intuitive. On this path, it is very difficult for him to isolate his authorship from the experience of other artists, and as a result, his work is a kind of conglomerate of synthesis. In our study, we consider the compilation technique mainly on the example of the methods of a children's art school work, taking into account the age of a student. At the same time, the compilation technique is a universal method of composition that can be effectively used by teachers in the creative development process. Meanwhile, the compilation technique is a frequent subject of disputes during the competitive selection of creative works and today requires a deeper analysis and public discussion.

Innovative Research on Solfeggio and Ear Training Teaching of Natural Artistic Conception Music

Solfeggio and ear training is the most important basic link in music education. Solfeggio and ear training education traditionally follows the mode of manual teaching with piano performance. With the progress of computer technology, more and more Solfeggio and ear training software began to appear, which not only had a certain impact on the traditional teaching, but also triggered the thinking and exploration of software application. Among them, Ear Master from Denmark is the most mainstream Solfeggio and ear training software in the current market. Because of its relatively perfect design and relatively powerful function, it has great application value in the current Solfeggio teaching practice. Although the subjective and objective deficiencies of Ear Master determine its role and positioning in teaching practice. The results show that Solfeggio and ear training can play a positive role as long as they are well used and follow certain principles. The research results can promote the development and improvement of traditional Solfeggio and ear training teaching.

Ideological and artistic concept of “The Tale of the Destruction of Riazan”

The article reveals the ideological and substantive concept of one of the most striking monuments of Old Rus’ (medieval) writing “The Tale of the Destruction of Riazan”. This old Rus’ tale has often become the subject of study of literary scholars and historians. At the same time, it was extremely popular among the Old Rus’ scribes. More than a hundred copies of this “Tale” have survived. The article draws attention to previous research. Some conclusions are described and unresolved questions are raised. Then the content of the “Tale” itself is gradually and consistently examined. The generalisation of the epic image of the feast battle is made. Its existence is proved not only in the indicated formula of the “death cup”, but as the idea of the whole work. It was this image that ultimately influenced its structure, subordinated the ideological and artistic conception of the author. Thus, “The Tale of the Destruction of Riazan” is a thoughtful heroic story about the past. It contains a holistic picture of the life of the people and presents in harmonious unity the original artistic concept – the description of the battle as a feast. At the same time, the entire “Tale” being analysed, according to the evidence presented in the article, turns into Praise, and not just its last panegyric part. The main meaning of the whole work transforms the story of the death of Riazan into a description of the glory and greatness of the entire Riazan land. The author of the “Tale” surrounds the Riazan princely family with an aura of holiness. He glorifies them, triumphing on the last sweet-voiced chords of the whole story, full of “inner pathos”.

Spread Of Artistic Spirit Of Chinese Historical Drama Songs

As an important symbol of an excellent TV series, Chinese historical dramas’ songs have become the spiritual symbols left to the broad audience. They have the theme and spiritual value of spreading the story, connecting the link between the past and the following, showing the infinite empathy and yearning of women, symbolizing the identity and symbolic the identity and symbolic meaning of the characters, borrowing historical allusions and drama adaptation, preserving the artistic spirit of and beautiful style. These songs play an essential role in spreading the story plot, characters, cultural connotation, and regional customs of the historical drama and play a critical value-added role in enhancing the historical drama’s artistic charm and spiritual value. This is also the music aesthetics that presents the blending of form and spirit and the sublimation of artistic conception in historical dramas’ songs.

Teaching Exploration of Ma Shuilong’s Ancient Chinese Poetry Art Songs – “Spring Silkworms are Dead,” “Loneliness,” and “Falling Flowers”

Ma Shuilong was a famous composer in Taiwan, both at home and abroad. In 1986, the publication of his concerto, Bangdi, made him the first Chinese composer to have a full performance at the Lincoln Arts Center in New York. In the field of vocal music production, “Ma Shuilong Songs Collection” reflected the mutual infiltration and integration of Chinese and Western elements, especially the combination of modern techniques and classical poetry so that Chinese ancient poetry art songs would emit unique artistic conception. In view of his three works, this article elaborates the oriental connotation in their creation through the study of the poetries involved and further extracts the characteristics of the creation and singing of ancient poetry art songs in order to provide significant references for the teaching of Chinese art songs.

The Influence of Chan on the Artistic Conception of Poetry in Tang Dynasty

An important achievement of Tang Dynasty poetry was the birth of the theory of "Yijing". The theory of "Yijing" was an important category in Chinese classical aesthetics. During the Wei and Jin Dynasties, the theory of "imagery" had been put forward. However, aestheticians in the Tang Dynasty did not stop at "imagery". In terms of one category, it is possible to elevate "imagery" to a new category of "yijing" through the enlightenment of Chan thought, which further promoted the development of poetry after the Tang Dynasty.

The research of Chuci plant and excavation of Chu cultural elements in China

With regards to Chuci plant, this study explore the Chu cultural connotation of plants in the park and the importance of planning, the distribution characteristics of Chuci plants to mining park, growth habit and cultural qualities, research of Chu plants in the park planning and design of cultural inheritance, continuation and development, the analysis summary of Chu cultural theme park planning and design methods. It can provide theoretical reference and reference for enhancing the Chu culture atmosphere of the park. In addition, this paper evaluates the Chu cultural elements of various plants in the planning and design of the park and their effects on the creation of cultural atmosphere in the park. Therefore, innovative suggestions are put forward in the planning and design of the park to create the park landscape with Chu culture characteristics, Chu culture connotation and Chu culture artistic conception.

Verdian lyric theatre. Hermeneutics of the performance and contemporary challenges

Engaging the viewer in a dialogue with the opera of Giuseppe Verdi is an approach that involves him spiritually, culturally, morally. You can enter this universe of opera music through several gates. The wide path of science will walk through the portal of stylistics, aesthetics, philosophy or art history. On another road comes the profane, motivated by the love for the beautiful. The opera Nabucco was the first step in the evolution of Italian lyrical theatre – from melodrama to realistic drama – characterised by the unity and strength of artistic conception, the energy and simplicity of musical language. Verdi’s dramatic sense and affinity for realism propelled him over time into the role of composer- playwright, his name being closely linked to titles such as: Ernani, Luisa Miller, Macbeth, Othello, Falstaff. However, we can note in recent decades the lack or low presence of important titles among Verdian operas in the repertoire of lyrical theatres. Can the contemporary public still receive this composer’s authentic message? Can current performers wear the clothes of truthful characters and meet the composer’s requirements for the vocal approach? The mission of hermeneutics – this interdisciplinary science – is to discover, as far as possible, the mechanisms of the interpretation of a social phenomenon (as the opera of Giuseppe Verdi has been repeatedly perceived), and its reminiscences in contemporary society.