scholarly journals Color as a religious semiotic code and the language means of its expression in the works of M. A. Bulgakov and O. Bоkeev

2021 ◽  
Vol 21 (2) ◽  
pp. 171-175
Author(s):  
Anna S. Kriulya ◽  
Keyword(s):  
Original Text ◽  
The Master And Margarita ◽  
Master And Margarita

By means of an intertextual analysis the article considers color as a semiotic code along with its perception by Turkic and Slavic peoples. The subjects of the study are M. Bulgakov’s novel The Master and Margarita and O. Bokeev’s story The Trace of Lightning and its original text in Kazakh.

Bulgakov's The Master and Margarita: The Text as a Cipher

1976 ◽  
Vol 35 (3) ◽  
pp. 362
Author(s):  
Edythe C. Haber ◽  
Elena N. Mahlow ◽  
Bulgakov
Keyword(s):  
The Master And Margarita ◽  
Master And Margarita

scholarly journals The Walpurgis Night): A New Variation on the Theme of the Holocaust. Several Suggestions as for the Future Reception of the Film

2017 ◽  
pp. 283-297
Author(s):  
Anna Maria Skibska
Keyword(s):  
Twentieth Century ◽  
Film Noir ◽  
The Holocaust ◽  
The Future ◽  
The Master And Margarita ◽  
Master And Margarita

In the essay, I make an attempt to present several ways, in which the Western canon of literature, music, and cinema has influenced Noc Walpurgi. With regard to this, Marcin Bortkiewicz’s film turns out to be a work made of many citations, in Walter Benjamin’s terms, drawn extensively on Goethe’s Faust, Mann’s The Magic Mountain, Bulgakov’s The Master and Margarita, Wagner’s Ride of the Valkyries, and Puccini’s Turandot, and the film noir poetics elaborated in the 40s and 50s of the twentieth century. Based on Magdalena Gauer’s monodrama Diva, Noc Walpurgi illuminates in the highly expressionist manner an alienated, cynical, and despotic psyche of Nora Sadler, a great opera singer, who is tormented by the Holocaust past.

scholarly journals THE MEANING OF INTERTEXTUALITY OF “THE MASTER AND MARGARITA”

2019 ◽  
Vol 29 (5) ◽  
pp. 832-838
Author(s):  
E.A. Ivanshina
Keyword(s):  
The Novel ◽  
Inspector General ◽  
The Master And Margarita ◽  
Relationship Of ◽  
The Relationship ◽  
Master And Margarita ◽  
Literary Codes

The article deals with the meaning of intertextual reading of "The Master and Margarita". The text of the novel is considered as a model of counterculture, from the standpoint of which the author chooses those literary codes from which his own model of literary behavior is built. These dominant codes are manifested in the course of decoding as a result of correlation of intertextual borrowings. This takes into account not only external borrowings, but also the relationship within the novel and the relationship of the novel with other Bulgakov’s texts. Special attention is paid to such signs of borrowing as a suit and money. As the keys to the novel, "The Inspector General", "The Covetous Knight" and "The Count of Monte Cristo" are updated, and the novel itself represents the act of retaliation of the author and the implementation of his inner freedom. Besides, the novel affirms the priority of genuine art over reality.

scholarly journals ABOUT THE MEANING OF THEATRE “THE MASTER AND MARGARITA”

2020 ◽  
Vol 30 (2) ◽  
pp. 303-310
Author(s):  
E.A. Ivanshina ◽  
V.V. Zyatkova
Keyword(s):  
The Novel ◽  
Semantic Field ◽  
The Real ◽  
Historical Reality ◽  
The Master And Margarita ◽  
The Relationship ◽  
Master And Margarita ◽  
Literary Codes

The article deals with the semantic field of the theater in "The master and Margarita", which extends to all novel chronotopes and can be structured as a two-level one. Considering different cases of theatricalization of space and different signs of theatricality in the novel, the authors correlate the real theater (theatre as a historical reality ) and the literary theater (the art of acting ) and actualize the confrontation of literature and historical reality in "The Master and Margarita". The text of the novel is considered as a model of counterculture, from the standpoint of which the author chooses those literary codes from which his own model of theatrical behavior is built. At the same time, special attention is paid to the actualization of the metaphor "theater - court" and the semantics of exposure, and the novel itself is an act of vengeance of the author and the implementation of his inner freedom. As an example of such an artistic concept of the relationship between art and life, the film "Once upon a time... in Hollywood" by Tarantino is considered.

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