Process as Product
A central goal of filmmaking is to produce content to share with audiences. However important “film as a product” may be, the process of creating a film holds great potential for individual and community empowerment and expression, particularly within Native American communities. This chapter explores Lakota Sioux approaches to process and storytelling and asks, What can be learned from Lakota-based approaches to storytelling that can recast contemporary practices of filmmaking? How can a heightened attention to processes open up new spaces of possibility for filmmaking? By looking at Lakota approaches to constructing tipis, popular evaluation of films, Indigenous approaches to storytelling, and Indigenous storytelling as a form of decolonial resistance, it suggests that Indigenous-inspired approaches to processes hold significant potential for reorienting popular understandings of filmmaking. The chapter calls for the elevation of process to the level of product.