Investigating style and narrative techniques in Dickens’ Bleak House

2021 ◽  
Vol 11 (3) ◽  
pp. 158-172
Author(s):  
Abdelhadi Benamar
Keyword(s):  
Bleak House ◽  
Two Cities ◽  
Narrative Techniques

Dickens could never get rid of his everlasting catching style even though the very novel has been said to be one of his maturities. The style is there with more repetition and mock. The latter is not obvious to readers; it is dramatically welded to the circumstances, bizarre, rare but not alien to commoners of the very epoch. One of the most stunning texts and range of words, wordiness and elements within contexts alluding, saying but revealing the hidden, forbidden and the taboo, is the introduction of his novel A Tale of the Two Cities. In the following excerpts taken from Bleak House, the introduction is dense and irregularly shaped in English: the very language of his and her majesty. Wherein the question poses itself and raises the discrepancies among form and content; a dichotomy that ought to be considered in conducting the investigation of style and stylistics upon the forthcoming texts.   Keywords: Dickens, stylistics, narrative, techniques, Bleak House.

scholarly journals Investigating style and narrative techniques in Dickens’ Bleak House

2021 ◽  
Vol 5 (1) ◽  
pp. 01-15
Author(s):  
Abdelhadi Benamar
Keyword(s):  
Bleak House ◽  
Two Cities ◽  
Narrative Techniques

Dickens could never get rid of his everlasting catching style even though the very novel has been said to be one of his maturities. The style is there with more repetition and mock. The latter is not obvious to readers; it is dramatically welded to the circumstances, bizarre, rare but not alien to commoners of the very epoch. One of the most stunning texts and range of words, wordiness and elements within contexts alluding, saying but revealing the hidden, forbidden and the taboo, is the introduction of his novel A Tale of the Two Cities. In the following excerpts taken from Bleak House, the introduction is dense and irregularly shaped in English: the very language of his and her majesty. Wherein the question poses itself and raises the discrepancies among form and content; a dichotomy that ought to be considered in conducting the investigation of style and stylistics upon the forthcoming texts.   Keywords: Dickens, stylistics, narrative, techniques, Bleak House.

The Victorian Gentleman Dandified: Aspects of Dandyism in Charles Dickens’ Bleak House and A Tale of Two Cities

2011 ◽  
Vol 16 (2) ◽  
pp. 579-592
Author(s):  
Katri Sirkel
Keyword(s):  
Charles Dickens ◽  
Bleak House ◽  
Two Cities

The Victorian Gentleman Dandified: Aspects of Dandyism in Charles Dickens’ Bleak House and A Tale of Two Cities

Community Participation in Probation: A Tale of Two Cities

1969 ◽  
Author(s):  
Gerald Rosenbaum ◽  
James L. Grisell ◽  
Thomas Koschtial ◽  
Richard Knox ◽  
Keith J. Leenhouts
Keyword(s):  
Community Participation ◽  
Two Cities

On the Margins of Modernism

2017 ◽  
Author(s):  
Christopher Rosenmeier
Keyword(s):  
Short Stories ◽  
Detailed Analysis ◽  
Chinese Literature ◽  
Popular Literature ◽  
Extensive Study ◽  
Wide Range ◽  
Chinese Fiction ◽  
Scant Attention ◽  
Narrative Techniques ◽  
Chinese Writing

Xu Xu and Wumingshi were among the most widely read authors in China during and after the Second Sino-Japanese War (1937–1945). Despite being an integral part of the Chinese literary scene, their bestselling fiction has, however, been given scant attention in histories of Chinese writing. This book is the first extensive study of Xu Xu and Wumingshi in English or any other Western language and it re-establishes their importance within the popular Chinese literature of the 1940s. Their romantic novels and short stories were often set abroad and featured a wide range of stereotypes, from pirates, spies and patriotic soldiers to ghosts, spirits and exotic women who confounded the mostly cosmopolitan male protagonists. Christopher Rosenmeier’s detailed analysis of these popular novels and short stories shows that such romances broke new ground by incorporating and adapting narrative techniques and themes from the Shanghai modernist writers of the 1930s, notably Shi Zhecun and Mu Shiying. The study thereby contests the view that modernism had little lasting impact on Chinese fiction, and it demonstrates that the popular literature of the 1940s was more innovative than usually imagined, with authors, such as those studied here, successfully crossing the boundaries between the popular and the elite, as well as between romanticism and modernism, in their bestselling works.

A Parliament of Monsters: Romantic Nonhumans and Victorian Erasure

2018 ◽  
Author(s):  
Ted Geier
Keyword(s):  
Mary Shelley ◽  
Bleak House ◽  
Bartholomew Fair

Shows the robust nonhuman concern in Romantic works through new readings of Mary Shelley, Burns, Wordsworth, Clare, and Coleridge. The chapter traces these themes and forms of threatened, abject life as an expansive multispecies community of suffering. These works interrogate the weakness of expressive forms, performing the very captivity they lament. Wordsworth’s poem on the Bartholomew Fair is a fulcrum to the London studies in the book. These forms of expression are then examined in Dickens’s narratology and the narrator-object Esther in Bleak House.

Forming Provisional Identities

2018 ◽  
Author(s):  
Jennifer J. Smith
Keyword(s):  
Social Media ◽  
Short Story ◽  
Literary History ◽  
Contemporary Fiction ◽  
Short Story Cycle ◽  
Literary Responses ◽  
American Literary History ◽  
Story Cycle ◽  
Narrative Techniques

The introduction argues that the short story cycle is the preeminent genre for articulating the uncertainty that characterizes literary responses to modernity. The introduction outlines two vital contributions of the cycle to American literary history: 1. the absence of textual harmony in the cycle initiated new, pervasive narrative techniques of proliferating perspectives and disrupting chronology that inflect modern and contemporary fiction and 2. the form of the cycle enables the expression of subjectivity without fixity. Contingency and multiplicity are so central to our social-media infused culture that provisionality is its defining characteristic, but this book shows that the seeds for this go back almost to the nation’s founding.

Female Professionals and (Neo-)Victorianism: The Case ofThe Good Wife

2016 ◽  
Vol 6 (1) ◽  
pp. 5-24
Author(s):  
Isabel Santaularia i Capdevila
Keyword(s):  
Television Series ◽  
The Public ◽  
Bleak House ◽  
Professional Success ◽  
The Law ◽  
Good Wife ◽  
Woman In White ◽  
The Public Sphere ◽  
Female Professionals ◽  
Nineteenth Century Novels

The article examines The Good Wife (CBS 2009–), as well as other recent television series with female professionals as protagonists, alongside nineteenth-century novels such as Wilkie Collins's The Woman in White and The Law and the Lady, Charles Dickens's Bleak House, or Bram Stoker's Dracula, which, like The Good Wife, place ‘the law’ and ‘the lady’ in direct confrontation. This comparative analysis reveals that current television series, even those that showcase women's professional success, articulate a discourse that valorises domestic stability and motherhood above professional achievements and, therefore, resonate with Victorian ideologies about the conflicted relation between women and the public sphere. Contemporary television series are not so different from Victorian texts that grant their heroines freedom to move outside home-boundaries, while treating women's public ascendancy as a transgression of normative femininity and using a number of strategies devised to guarantee women's return home and/or an appreciation of what they have to sacrifice in order to advance in their careers.

The Bleak Houses of Bleak House

1970 ◽  
Vol 25 (3) ◽  
pp. 253-268 ◽  
Author(s):  
Alice van Buren Kelley
Keyword(s):  
Bleak House
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