scholarly journals Estudio Comparativo De Las Metodologías De Análisis Forense Informático Para La Examinación De Datos En Medios Digitales

2018 ◽  
Vol 14 (18) ◽  
pp. 40
Author(s):  
Iván Mesias Hidalgo Cajo ◽  
Saul Yasaca Pucuna ◽  
Byron Geovanny Hidalgo Cajo ◽  
Víctor Manuel Oquendo Coronado ◽  
Fanny Valeria Salazar Orozco
Keyword(s):  
Digital Media ◽  
Scientific Method ◽  
Forensic Analysis ◽  
Computer Forensics ◽  
Comparison Results ◽  
Digital Investigation ◽  
Computer Forensic ◽  
Robust Process ◽  
Investigation Process

The aim of this research is to compare the different standards and methodologies of computer forensic analysis used in the examination of data in digital media. The research was developed based on the scientific method, and a standard and two analysis methodologies were specifically used, which were applied to ten researchers. The analysis variables were based on the feasibility of use and on the time of extracting information from the computer. Among the comparison results of the different methodologies analyzed, it was determined that for the Methodology UNE 71506: 2013, 60% of the researchers used it due to the feasibility of use because it is made up of a robust process (contains the most detailed steps of computer forensics). Reliable and applicable in any field necessarily supervised by specialists working in the area, compared to the National Institute of Standards and Technology that selected 30%, Integrated Digital Investigation Process 10%. Regarding the time of analysis in the examination of digital media with different methodologies (Case study: Extraction of a file of 100 Mb, of a hard disk of 20 Gb in off mode. It is revealed that in the UNE 71506: 2013 it took less than 1 hour compared to the National Institute of Standards and Technology, which took between 1 and less than 2 hours, the Integrated Digital Investigation Process, which lasted longer than 3 hours. In addition, with the use of the Methodology UNE 71506: 2013, it was possible to have greater feasibility in the examination of digital media, since it is composed of four stages such as the preservation, acquisition, analysis and presentation of information results.

Role of Cyber Security and Cyber Forensics in India

2018 ◽  
pp. 143-161 ◽  
Author(s):  
Gulshan Shrivastava ◽  
Kavita Sharma ◽  
Manju Khari ◽  
Syeda Erfana Zohora
Keyword(s):  
Digital Media ◽  
Cyber Security ◽  
Forensic Analysis ◽  
Computer Forensics ◽  
Digital Information ◽  
Cyber Forensics ◽  
Forensic Research ◽  
Storage Media ◽  
Digital Storage ◽  
Cyber Crimes

This chapter describes cyber forensics, also known as computer forensics, which is a subdivision of digital forensic science, relating to evidence detection in computers and digital storage media. The purpose of cyber forensics is the forensically-sound investigation of digital media with the intent to: identify, preserve, recover, analyze, present facts, and opinions; concerning the digital information. Even though it is generally allied with the analysis of cyber-based crimes, computer forensics may also be used in civil proceedings. Evidence composed from cyber forensic analysis is typically subjected to similar procedures and performs as supplementary digital evidence. With these advancements, it was desired that cyber forensics be to protect users and remain citizen-centric. This chapter shows that there is additional research needed to understand the implications of cyber forensic research to improve detection of cyber crimes.

Role of Cyber Security and Cyber Forensics in India

2019 ◽  
pp. 1349-1368
Author(s):  
Gulshan Shrivastava ◽  
Kavita Sharma ◽  
Manju Khari ◽  
Syeda Erfana Zohora
Keyword(s):  
Digital Media ◽  
Cyber Security ◽  
Forensic Analysis ◽  
Computer Forensics ◽  
Digital Information ◽  
Cyber Forensics ◽  
Forensic Research ◽  
Storage Media ◽  
Digital Storage ◽  
Cyber Crimes

This chapter describes cyber forensics, also known as computer forensics, which is a subdivision of digital forensic science, relating to evidence detection in computers and digital storage media. The purpose of cyber forensics is the forensically-sound investigation of digital media with the intent to: identify, preserve, recover, analyze, present facts, and opinions; concerning the digital information. Even though it is generally allied with the analysis of cyber-based crimes, computer forensics may also be used in civil proceedings. Evidence composed from cyber forensic analysis is typically subjected to similar procedures and performs as supplementary digital evidence. With these advancements, it was desired that cyber forensics be to protect users and remain citizen-centric. This chapter shows that there is additional research needed to understand the implications of cyber forensic research to improve detection of cyber crimes.

Digital Chain of Custody

2017 ◽  
Vol 7 (7) ◽  
pp. 117
Author(s):  
Matthew N.O. Sadiku ◽  
Adebowale E. Shadare ◽  
Sarhan M. Musa
Keyword(s):  
Digital Evidence ◽  
Chain Of Custody ◽  
Digital Investigation ◽  
A Chain ◽  
Admissible Evidence ◽  
Investigation Process

Digital chain of custody is the record of preservation of digital evidence from collection to presentation in the court of law. This is an essential part of digital investigation process.  Its key objective is to ensure that the digital evidence presented to the court remains as originally collected, without tampering. The chain of custody is important for admissible evidence in court. Without a chain of custody, the opposing attorney can challenge or dismiss the evidence presented. The aim of this paper is to provide a brief introduction to the concept of digital chain custody.

scholarly journals From roadman to royalties: Inter-representational value and the hypercapitalist impulses of grime

2021 ◽  
pp. 174165902110243
Author(s):  
Orlando Woods
Keyword(s):  
Digital Media ◽  
Music Industry ◽  
Music Videos ◽  
Digital Recording ◽  
Commercial Success ◽  
Production And Distribution ◽  
Ubiquitous Access ◽  
Rap Artists

This paper explores how digital media can cause the representational value of rap artists to be transformed. Ubiquitous access to digital recording, production and distribution technologies grants rappers an unprecedented degree of representational autonomy, meaning they are able to integrate the street aesthetic into their lyrics and music videos, and thus create content that offers a more authentic representation of their (past) lives. Sidestepping the mainstream music industry, the digital enables these integrations and bolsters the hypercapitalist impulses of content creators. I illustrate these ideas through a case study of grime artist, Bugzy Malone, who uses his music to narrate his evolution from a life of criminality (selling drugs on the street; a ‘roadman’), to one in which his representational value is recognised by commercial brands who want to partner with him because of his street credibility (collecting ‘royalties’). Bugzy Malone’s commercial success is not predicated on a departure from his criminal past, but the deliberate foregrounding of it as a marker of authenticity. The representational autonomy provided by digital media can therefore enable artists to maximise the affective cachet of the once-criminal self.

Texts: A Case Study of Joint Action

SATS ◽  
2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Nivedita Gangopadhyay ◽  
Alois Pichler
Keyword(s):  
Social Cognition ◽  
Digital Media ◽  
Philosophy Of Mind ◽  
Joint Action ◽  
Digital Humanities ◽  
Linguistic Communication ◽  
Unique Type ◽  
Joint Actions ◽  
Spatio Temporal

Abstract Our linguistic communication often takes the form of creating texts. In this paper, we propose that creating texts or ‘texting’ is a form of joint action. We examine the nature and evolution of this joint action. We argue that creating texts ushers in a special type of joint action, which, while lacking some central features of normal, everyday joint actions such as spatio-temporal collocation of agency and embodiment, nonetheless results in an authentic, strong, and unique type of joint action agency. This special type of agency is already present in creating texts in general and is further augmented in creating texts through digital media. We propose that such a unique type of joint action agency has a transformative effect on the experience of our sense of agency and subjectivity. We conclude with the implications of the proposal for social cognition and social agency. The paper combines research in philosophy of mind with the emerging fields of digital humanities and text technology.

scholarly journals Modular Web Portal Approach for Stimulating Home Renovation: Lessons from Local Authority Developments

Energies ◽  
2021 ◽  
Vol 14 (5) ◽  
pp. 1270
Author(s):  
Minyoung Kwon ◽  
Erwin Mlecnik
Keyword(s):  
Digital Media ◽  
Local Authority ◽  
Case Study Research ◽  
Management Plan ◽  
Web Portals ◽  
Single Family ◽  
Web Portal ◽  
Local Authorities ◽  
Neutral Information

Web portals have the potential to promote sustainable environmental ideas due to the capacity of digital media, such as easy accessibility, openness, and networking. Local authorities (LAs) are responsible for activating carbon savings in homes, and they are key actors when it comes to providing neutral information to their citizens. Local authority web portals may thus create environmental awareness, particularly regarding owner-occupied single-family home renovation. Nevertheless, the experiences of LAs developing web portals have rarely been studied. Therefore, this paper analyses the development process of various LA web modules and investigates how LAs foster modular web portals to stimulate the adoption of home renovation with parameters to assess LAs’ actions in terms of the management of web-modules development. A homeowner renovation journey model is applied to map current local authority developments. Case study research and interviews were done to analyse and evaluate the adoption of modular web portals developed and tested by six local authorities in four countries in Europe. Based on the development and use of the modular web portal, lessons have been derived emphasising the importance of co-creation, integrating with offline activities, and a strategic management plan.

scholarly journals A new renaissance for creativity in technology and the arts in the context of virtual worlds

2021 ◽  
Author(s):  
R. A. Earnshaw
Keyword(s):  
Digital Media ◽  
Virtual Worlds ◽  
Web Pages ◽  
The Arts ◽  
Diverse Environment ◽  
Research Environments ◽  
Interdisciplinary Collaborations ◽  
The Future ◽  
New Ideas

AbstractWhere do new ideas come from and how are they generated? Which of these ideas will be potentially useful immediately, and which will be more ‘blue sky’? For the latter, their significance may not be known for a number of years, perhaps even generations. The progress of computing and digital media is a relevant and useful case study in this respect. Which visions of the future in the early days of computing have stood the test of time, and which have vanished without trace? Can this be used as guide for current and future areas of research and development? If one Internet year is equivalent to seven calendar years, are virtual worlds being utilized as an effective accelerator for these new ideas and their implementation and evaluation? The nature of digital media and its constituent parts such as electronic devices, sensors, images, audio, games, web pages, social media, e-books, and Internet of Things, provides a diverse environment which can be viewed as a testbed for current and future ideas. Individual disciplines utilise virtual worlds in different ways. As collaboration is often involved in such research environments, does the technology make these collaborations effective? Have the limits of disciplinary approaches been reached? The importance of interdisciplinary collaborations for the future is proposed and evaluated. The current enablers for progressing interdisciplinary collaborations are presented. The possibility for a new Renaissance between technology and the arts is discussed.

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