scholarly journals A new renaissance for creativity in technology and the arts in the context of virtual worlds

2021 ◽  
Author(s):  
R. A. Earnshaw
Keyword(s):  
Digital Media ◽  
Virtual Worlds ◽  
Web Pages ◽  
The Arts ◽  
Diverse Environment ◽  
Research Environments ◽  
Interdisciplinary Collaborations ◽  
The Future ◽  
New Ideas

AbstractWhere do new ideas come from and how are they generated? Which of these ideas will be potentially useful immediately, and which will be more ‘blue sky’? For the latter, their significance may not be known for a number of years, perhaps even generations. The progress of computing and digital media is a relevant and useful case study in this respect. Which visions of the future in the early days of computing have stood the test of time, and which have vanished without trace? Can this be used as guide for current and future areas of research and development? If one Internet year is equivalent to seven calendar years, are virtual worlds being utilized as an effective accelerator for these new ideas and their implementation and evaluation? The nature of digital media and its constituent parts such as electronic devices, sensors, images, audio, games, web pages, social media, e-books, and Internet of Things, provides a diverse environment which can be viewed as a testbed for current and future ideas. Individual disciplines utilise virtual worlds in different ways. As collaboration is often involved in such research environments, does the technology make these collaborations effective? Have the limits of disciplinary approaches been reached? The importance of interdisciplinary collaborations for the future is proposed and evaluated. The current enablers for progressing interdisciplinary collaborations are presented. The possibility for a new Renaissance between technology and the arts is discussed.

scholarly journals ANALISIS ENTREPRENEURIAL LEADERSHIP DAN HAMBATAN PERTUMBUHAN USAHA DI UMKM PENGOLAHAN TAHU “RDS” SINGOSARI MALANG

2018 ◽  
Vol 6 (1) ◽  
pp. 95
Author(s):  
Aris Wahyu Tristanto ◽  
Ludi Wishnu Wardana
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Research Design ◽  
Entrepreneurial Leadership ◽  
Data Collection Methods ◽  
Qualitative Research Design ◽  
The Future ◽  
New Ideas ◽  
Collection Methods

This research was conducted to describe the entrepreneurial leadership of SMEs Tofu "RDS" and description about the obstacles experienced by SMEs Tofu "RDS". This research uses descriptive qualitative research design that aims to obtain the information available at this time, and then attempt to describe, record and interpret the information. Data collection methods used were interviews, observation and documentation. This type of qualitative research is case study. The result of the research is the condition of entrepreneurial leadership from the leadership of SMEs Tofu "RDS" is generally good because he is able to motivate employees well, have a picture of the future effort, able to read opportunities well, actively seeking new ideas, persistent in running their business And barriers faced by SMEs Tofu "RDS" can be overcome well by the leadership of SMEs Tofu RDS.

scholarly journals The Public Service Media and Public Service Internet Utopias Survey Report

2021 ◽  
pp. 19-68
Author(s):  
Christian Fuchs
Keyword(s):  
Digital Media ◽  
Public Service ◽  
The Internet ◽  
The Public ◽  
Exploratory Survey ◽  
The Future ◽  
Utopian Thinking ◽  
New Ideas ◽  
Survey Results ◽  
Progressive Reforms

This chapter presents the results of the Public Service Media and Public Service Internet Utopias Survey, an exploratory survey conducted by Christian Fuchs. The survey was the first step in the process that led to the Public Service Media and Public Service Internet Manifesto. The exploratory survey was focused on gathering ideas about the future of the Internet and public service media. The survey was qualitative in nature and focused on three themes: communication, digital media and the Internet in an ideal world; progressive reforms of public service media; public service media and the Internet in 2030. There were 141 responses. The survey results informed and structured the further work process that led to the Public Service Media and Public Service Internet Manifesto. The survey provides ample evidence for the importance of Public Service Media for the future of the democratic public sphere and shows that the Public Service Internet is the key issue for the future of Public Service Media. The survey inspired concrete utopian thinking among the respondents in order to generate new ideas about the future of the Internet. The exploratory survey was focused on gathering ideas about the future of the Internet and public service media. The survey was qualitative in nature and focused on three themes: communication, digital media and the Internet in an ideal world; progressive reforms of public service media; public service media and the Internet in 2030. There were 141 responses. The survey results informed and structured the further work process that led to the Public Service Media and Public Service Internet Manifesto. The survey provides ample evidence for the importance of Public Service Media for the future of the democratic public sphere and shows that the Public Service Internet is the key issue for the future of Public Service Media. The survey inspired concrete utopian thinking among the respondents in order to generate new ideas about the future of the Internet.

The Academic Book of the Future

LOGOS ◽  
2018 ◽  
Vol 29 (2-3) ◽  
pp. 80-90
Author(s):  
Samantha Rayner
Keyword(s):  
Communities Of Practice ◽  
Research Council ◽  
British Library ◽  
Morte Darthur ◽  
Arts And Humanities ◽  
The Arts ◽  
The Future ◽  
Le Morte Darthur ◽  
Future Project

This paper explores the contexts in which the academic books of the future in the arts and humanities (A&H) are being shaped, with the aim of demonstrating how crucial it is that the communities of practice that produce those books continue to work together to build better bridges of understanding and collaboration. There is particular reference to the Arts and Humanities Research Council/ British Library Academic Book of the Future Project (2014–2017) and to a case study of Sir Thomas Malory’s Le Morte Darthur.

Fans as e-participants? Utopia/dystopia visions for the future of digital sport fandom

2020 ◽  
Vol 26 (4) ◽  
pp. 841-856 ◽  
Author(s):  
Damion Sturm
Keyword(s):  
Social Media ◽  
Digital Media ◽  
Virtual Worlds ◽  
New Model ◽  
Media Technologies ◽  
Fan Communities ◽  
The Future ◽  
Evolution Of Technology ◽  
The Creation ◽  
Carry Over

Media technologies and digital practices are reshaping and redefining the future of sport fandom. This article points to some of the utopian and dystopic transformations for fandom presented by (post)television, digital/social media and the anticipated virtual technologies of the future. Specifically, three distinct phases of fan participation are charted around existing and futuristic visions of technology-as-sport. First are the current televisual technologies that attempt to engage and retain traditionally “passive” viewers as spectators through pseudo-participatory perspectives that will carry over to new screens and technologies. Second, the assumed interactive participation afforded by social and digital media is considered, positing the future amplification of connectivity, personalisation and networking across digital fan communities, albeit undercut by further impositions of corporatisation and datafication through illusory forms of “interactivity”. Finally, the fusion, intensification and continual evolution of technology-as-sport is explored, asserting that forms of immersive participation will be significant for future virtual technologies and may ultimately re-position fans as e-participants in their own media-tech sport spectacles. Collectively, it is anticipated that the creation of new virtual worlds, spaces and experiences will amplify and operationalise forms of immersive participation around augmented spectatorship, virtual athletic replication and potentially constitute the sport itself. Indeed, a new model of the fan-as-immersed-e-participant is advanced as such futuristic virtual sporting realms may not only integrate fans into the spectacle but also project them into the event as participant and as the spectacle.

Innovation in Social Policy – the Case of the Therapeutic Community

1976 ◽  
Vol 5 (3) ◽  
pp. 265-279 ◽  
Author(s):  
N. P. Manning
Keyword(s):  
Social Policy ◽  
Military Personnel ◽  
Therapeutic Community ◽  
Independent Innovation ◽  
The Future ◽  
New Ideas ◽  
New Policies ◽  
The Impact

ABSTRACTStudents of social policy have studied in some depth the fate of new ideas when they came close to inclusion in new policies, and especially new legislation. Less attention has been paid to the process whereby new ideas are generated, and the impact of advocacy on the future of simultaneous but independent innovation. Here, the therapeutic community, developed during the last war in response to largely neurotic difficulties in military personnel, is examined as a case study of innovation, and of the fate of innovation as a result of official support, and enthusiastic proselytization by committed practitioners.

The Sounds of Revolution?

2016 ◽  
Author(s):  
Lisa Jakelski
Keyword(s):  
October Revolution ◽  
The Political ◽  
Art World ◽  
Music Festival ◽  
Cultural Contact ◽  
Political Upheaval ◽  
The Arts ◽  
The Future ◽  
State Investment

This chapter makes a case study of the Warsaw Autumn’s founding and first season. It argues that the 1956 concerts, which coincided with the political upheaval of the Polish October Revolution, offered a first answer to the question of what it would mean for a music festival in socialist Poland to be “contemporary” as well as “international” during the Thaw. As they crafted the 1956 Warsaw Autumn, festival participants were constructing an institutional paradigm that still depended on interwar patterns of cultural contact and Stalinist-era practices of state investment in the arts, but also transformed the art world in which elite Polish composers worked. The moves the Warsaw Autumn’s first participants made not only reflected what was possible in mid-1950s Poland: these actions also created a framework for the future.

scholarly journals Loewe, tradición en la imagen de la marca / Loewe, Tradition in Branding

2016 ◽  
Vol 3 (1) ◽  
pp. 19-29
Author(s):  
María Villanueva Fernández ◽  
Maria Eugenia Josa Martinez
Keyword(s):  
Renewal Process ◽  
Brand Image ◽  
The Past ◽  
The Future ◽  
New Ideas ◽  
Prior Analysis

ABSTRACTThe constant renewal of image is part of the intrinsic essence of fashion itself. This rewenal is not possible without prior analysis of the past or, in other words, tradition. So, in many cases, tradition has become the key to the modernization of a brand´s identity and even the key to its success. In order to show how tradition influences the evolution of the brand image, the future communication aims to address the case study of Loewe as an example of this phenomenon. This research will address this issue through the study of the evolution of Loewe´s image, comparing the period of time from 1956 —when it started the renewal process of the firm towards modernity by Javier Carvajal and Vicente Vela among others—, until the present day —focused on the recovery of that brilliant age with Jonathan Anderson as creative director—. This research shows the importance of tradition in the evolution of the brand´s image, analyzing the three design levels through which Loewe´s renewal occurs: its shops, its logo and its products. Thus, this paper will shed new light on the importance of valuing tradition in the image of fashion business, in order to bring new ideas applicable to other current cases.RESUMENLa constante renovación de su imagen forma parte de la propia esencia intrínseca de la moda. Lo cual no es posible sin tener presente el estado previo, el pasado o, en otras palabras, la tradición. De modo que, en muchos casos, esta tradición se ha convertido en el elemento fundamental para la modernización de la identidad de la marca e incluso la clave de su éxito. Con el fin de mostrar cómo la tradición influye en la evolución de la imagen de marca, la futura comunicación tiene como objetivo estudiar del caso de Loewe como un ejemplo de este fenómeno. En este trabajo se aborda esta cuestión a través del análisis de la evolución de la imagen de Loewe, poniendo en relación el periodo inicia-do en 1956 —cuando comenzó el proceso de  renovación de la firma hacia la modernidad de la mano de Javier Carvajal y Vicente Vela, entre otros— y el momento actual —en el que se apuesta por la recuperación de aquella brillante etapa con Jonathan Anderson como director creativo.

Digital and Technical Developments in the Amblyopia Therapy

2020 ◽  
Vol 237 (10) ◽  
pp. 1172-1176
Author(s):  
Charlotte Schramm ◽  
Yaroslava Wenner
Keyword(s):  
New Media ◽  
Digital Media ◽  
Technical Progress ◽  
Therapy Monitoring ◽  
Everyday Lives ◽  
Technical Developments ◽  
The Future

AbstractThe digital media becomes more and more common in our everyday lives. So it is not surprising that technical progress is also leaving its mark on amblyopia therapy. New media and technologies can be used both in the actual amblyopia therapy or therapy monitoring. In particular in this review shutter glasses, therapy monitoring and analysis using microsensors and newer video programs for amblyopia therapy are presented and critically discussed. Currently, these cannot yet replace classic amblyopia therapy. They represent interesting options that will occupy us even more in the future.

Gendered differences in emigration and mobility perspectives among European researchers working abroad

2014 ◽  
Vol 7 (1) ◽  
pp. 33-41 ◽  
Author(s):  
Elisabeth Scheibelhofer
Keyword(s):  
United States ◽  
Qualitative Research ◽  
Qualitative Study ◽  
Social Relations ◽  
The United States ◽  
Research Strategy ◽  
The Future ◽  
Highly Skilled

This paper focuses on gendered mobilities of highly skilled researchers working abroad. It is based on an empirical qualitative study that explored the mobility aspirations of Austrian scientists who were working in the United States at the time they were interviewed. Supported by a case study, the paper demonstrates how a qualitative research strategy including graphic drawings sketched by the interviewed persons can help us gain a better understanding of the gendered importance of social relations for the future mobility aspirations of scientists working abroad.

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