scholarly journals Muzyczne adaptacje poezji Józefa Czechowicza — piosenka i pieśń na styku kultury popularnej i nowych mediów (rekonesans)

2021 ◽  
Vol 26 ◽  
pp. 401-415
Author(s):  
Łukasz Piaskowski

The main purpose of this paper is to recognise how the poetry of Józef Czechowicz functions in new media contexts within broadly understood popular culture. Poets’ poems are subjected to a specific process of audio adaptation, adapting them to function in a different media environment, especially on YouTube. The author of the article attempts a structural-hermeneutic reading of the audio texts. Czechowicz, widely regarded as an extremely “musical” poet, is confronted with various models of the audial functioning of the literary text. The article discusses selected aspects and selected examples of auditory adaptations of Czechowicz’s poetry. The author of the sketch focuses primarily on the musical studies of the poet’s poems, in which he perceives the basic intermedia potential — the ability to function in different contexts. An important part of this interpretative act is to look at the conventionally established culture flows in which Czechowicz’s poetry appears. The main purpose of this paper is to recognize the way the poetry of Józef Czechowicz functions in new media contexts within the broadly understood popular culture. Poets’ poems are subjected to a specific process of audio adaptation, adapting them to function in a different media environment, especially on YouTube. The author of the article attempts a structural-hermeneutic reading of the audio texts. Czechowicz, widely regarded as an extremely “musical” poet, is confronted with various models of the audial functioning of the literary text. The article discusses selected aspects and selected examples of auditory adaptations of Czechowicz’s poetry. The author of the sketch focuses primarily on the musical studies of the poet’s poems, in which he perceives the basic intermedia potential — the ability to function in different contexts. An important part of this interpretative act is to look at the conventionally established culture flows in which Czechowicz’s poetry appears.

2002 ◽  
Vol 105 (1) ◽  
pp. 40-48 ◽  
Author(s):  
Peter Danaher ◽  
Mark Balnaves

The new media environment is changing the ways in which television services are delivered and accessed, putting increasing strains on the long-standing conventional audience tracking methodology. Not only are people watching television in different ways, through the proliferation of services via internet and pay TV, but new recording technology is also giving them the power to select what they watch and when they watch it, even bypassing the ad breaks along the way. Peter Danaher, Professor of Marketing at the University of Auckland, looks at how the ratings industry is trying to address these challenges. Professor Danaher was interviewed by Mark Balnaves.


2015 ◽  
Author(s):  
◽  
Hyun Ji Lee

[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This study examines the complex, multidirectional process of media transnationalization and online media fandom within the new media environment, focusing on the transnational media flows from the East to the West. To explore the growing phenomenon of Korean popular culture in the West through case studies of online fandom surrounding two genres--Korean pop music (K-pop) and Korean television drama (K-drama), I conducted a seven-month online ethnography, from July 2014 to January 2015, that focused on participant observation, one-on-one interviews with self-identified Western K-pop/K-drama fans, and analysis of fans' online posts and comments. The purpose of the present study was to investigate the appeal of Korean popular culture to Western fans, fans' embrace of pop cosmopolitanism and creation of hybrid identities, fans' creation of collective intelligence and affect, the role of fans in the spread of Korean popular culture in the West, and fans' construction of a transnational fan community using a network of sites and resources. The findings from this study suggest that Western fans were drawn to K-pop for its complex mixture of familiarity and difference, or hybridity; yet, K-drama fandom was primarily driven by the romantic fantasy the genre creates and its structural uniqueness and difference. Embracing pop cosmopolitanism and actively seeking out and consuming Korean popular culture, Western fans changed and strengthened their cultural views and created hybrid identities that embrace cultural diversity and a global perspective. Fans were also an active part of creating a hybrid online fan culture that focuses on collective creation of meanings and affective experiences. Fans' voluntary work in promoting and spreading Korean popular culture has significantly contributed to its growing popularity in the West, heightening their engagement and affective pleasure. Western fans who feel stigmatized for their investment in Korean popular culture created an affirming community online that accepts them and their interests through a network of sites in the new media environment. As a result of my ethnographic analysis, I argue that scholars should take a closer look at transnational media fandom as a key site for identity negotiation and construction, embrace of pop cosmopolitanism, and creation of supportive online networks. In total, this examination of the transnational fandom of Korean popular culture offers a rich account of how Western fans' investment in Korean popular culture and participation in online fandom influenced their worldviews and identities, and how the new technologies and fans' voluntary work have increasingly influenced transnational media flows, making them more complex, accelerated, and multi-directional.


2017 ◽  
Vol 0 (28) ◽  
pp. 35-58 ◽  
Author(s):  
Natalia Aruguete ◽  

2017 ◽  
Vol 1 (1) ◽  
Author(s):  
Eko Wahyono ◽  
Rizka Amalia ◽  
Ikma Citra Ranteallo

This research further examines the video entitled “what is the truth about post-factual politics?” about the case in the United States related to Trump and in the UK related to Brexit. The phenomenon of Post truth/post factual also occurs in Indonesia as seen in the political struggle experienced by Ahok in the governor election (DKI Jakarta). Through Michel Foucault's approach to post truth with assertive logic, the mass media is constructed for the interested parties and ignores the real reality. The conclusion of this study indicates that new media was able to spread various discourses ranging from influencing the way of thoughts, behavior of society to the ideology adopted by a society.Keywords: Post factual, post truth, new media


Author(s):  
Tyson Stewart

This article explores an important facet of the New Wave of Indigenous filmmaking in Canada: residential school system history and imagery, its place in the historical archive, and the way it is being retold and reclaimed in films like Rhymes for Young Ghouls (2013), Savage (2009), Sisters & Brothers (2015), Indian Horse (2017), and The Grizzlies (2018). While researching this topic, one unanswered question has left me feeling sometimes frustrated and often troubled: Is there a risk of producing pan-Indigenous readings, or worse, repeating the original propagandistic intentions of the original residential school photographs when they are used in new media?


Author(s):  
Adrien Ordonneau

Consequences of capitalism’s crises and their manifestations in arts have deeply modified the way we can approach mental health. As Mark Fisher pointed out in 2009 with his book Capitalist Realism, neoliberalism is using mental illness as a way to keep existing. The capacity to think a way out of alienation is deeply linked with arts and popular culture. The article proposes to study the uncanny dialogue between arts and politics in relationships to people, and mental health. The theoretical framework will show how arts are trying to build a way out of alienation, since 2009. The article will illustrate this research with the study of many artistic practices, including our own. The findings will show how the ambiguous and uncanny relationships with the world is used by artists as a way out of alienation, despite the difficulties occurring with mental health in time of crisis.


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