scholarly journals Heliogábalo vestido divinamente: a indumentária religiosa do imperador sacerdote de Elagabal = Heliogabalus divinely dressed: the religious clothes of Elagabalus’ priest emperor

Author(s):  
Semíramis Corsi Silva

Resumo: Heliogábalo foi um jovem imperador romano de origem siríaca e membro da dinastia dos Severos (193-235). Seguindo uma tradição familiar, Heliogábalo foi sacerdote do deus solar Elagabal, da cidade de Emesa, na Síria. Diante de uma análise da documentação textual contemporânea de Heliogábalo, cruzada com análises das moedas emitidas no governo do imperador, apresentarei elementos sobre suas vestimentas sacerdotais de culto a Elagabal, consideradas na documentação textual antiga como cross-dressing, ou seja, transitando entre as fronteiras normativas de gênero da época. Analisarei a representação de sua indumentária religiosa e também relacionarei a essa representação a ideia trazida por Dião Cássio sobre a tentativa de Heliogábalo em fazer uma intervenção cirúrgica em seu corpo, buscando construir uma vagina nele. Também relacionado à sua indumentária religiosa, apresentarei a análise sobre a possibilidade do que seria um símbolo sacerdotal encontrado na imagem da cabeça do imperador em algumas de suas moedas. Abstract: Heliogabalus was a young Roman emperor from a Syriac origin and member of the Severan dynasty (193-235). Following a family tradition, Heliogabalus was the priest of the solar god Elagabal, from the city of Emesa, in Syria. Developing an analysis of the contemporary textual documentation of Heliogabalus, crossed with analyzes of the coins issued in the emperor's government, I will present elements about his priestly clothes of worship to Elagabalus, which were considered in the ancient textual documentation as cross-dressing, in other words, transitioning the normative gender boundaries of that time. I will analyze the representation of his religious dress and relate to this representation the idea brought by Cassius Dio about the attempt of Heliogabalus to make a surgery intervention in his body, seeking to build a vagina. Also related to his religious clothes, I will present the analysis on the possibility of what would be a priestly symbol found in the image of the emperor's head on some of his coins.Palavras-chave:Império Romano, dinastia dos Severos, Heliogábalo, Elagabal, Performances cross-dressing.Key words: Roman Empire, Severan dynasty, Heliogabalus, Elagabalus, Cross-dressing performance.

Chronos ◽  
2018 ◽  
Vol 35 ◽  
pp. 81-91
Author(s):  
Ozge Ozgur

Adrianoupolis, or with its current name Edime, was one of the most important cities of Thrace during the ancient era. Located in Eastern Thrace, in the area of the intersection of Hebrus River (Evros in Modern Greek, Meri9 in Modern Turkish and Maritsa in Slavic languages), Arda and Tunca rivers, Adrianoupolis, during the Roman era, was located on the heart of BelgradeSofia- Constantinople military road and maintained close connections with the nearby - 250 km far away - Byzantine capital. The city, during the ancient times was referred to by the names of Uskudama, Orestiada or Orestian respectively. (Samothrakis 1963: 15) Included in the Roman Empire borders in AD 46-47, the city was re-established by Roman Emperor Hadrian in AD 127 and given its new name after its founder: Hadrianopolis or Adrianoupolis.


Author(s):  
Svante Fischer

In this paper, I discuss the context of a Late Roman solidus hoard found in the Casa delle Vestali on the Forum Romanum in Rome. The hoard consists of 397 solidi, Late Roman gold coins. Most of the hoard consists of uncirculated solidi struck in the name of the Western Roman emperor Procopius Anthemius (AD 467–472). By means of situating the hoard within the context of the reign of Anthemius and the collapse of the Western Roman Empire, the aim of this paper is to determine if the coins in the Vestal hoard can be related to other contemporary coin hoards by means of numismatic typology; this information could add to our understanding of why Anthemius’ reign is considered such an unmitigated failure and why the Empire collapsed soon after his murder. In this article, the composition of the hoard is examined, and the contents are compared to other contemporary solidus hoards in the Mediterranean, Gaul, Poland and Scandinavia. I argue that this comparison shows that the Vestal hoard is not part of a larger network but that the hoard constitutes the remains of an isolated occurrence—as initially suggested by its unusual composition and location.


Author(s):  
Barbara K. Gold

This chapter discusses the rise, development, and Romanization of ancient Carthage in the early Christian period after the formation of the province of Africa Proconsularis in the Augustan period; the physical topography of the city of Carthage, including the Byrsa, the Antonine Baths, and the amphitheater; and it describes the tophet or outdoor sacrificial area and whether human sacrifice was practiced among the Carthaginians. It also covers the life, influence, and African roots of Septimius Severus, the Roman emperor during Perpetua’s life and death. Also discussed are the social, religious, and intellectual conditions for pagans in Roman Carthage, who their local gods were (Tanit, Saturn, Juno Caelestis, Baal Hammon), and the connections between civic and religious life.


This interdisciplinary volume presents nineteen chapters by Roman historians and archaeologists, discussing trade in the Roman Empire in the period c.100 BC to AD 350, and in particular the role of the Roman state, in shaping the institutional framework for trade within and outside the Empire, in taxing that trade, and in intervening in the markets to ensure the supply of particular commodities, especially for the city of Rome and for the army. The chapters in this volume address facets of the subject on the basis of widely different sources of evidence—historical, papyrological, and archaeological—and are grouped in three sections: institutional factors (taxation, legal structures, market regulation, financial institutions); evidence for long-distance trade within the Empire, in wood, stone, glass, and pottery; and trade beyond the frontiers, with the East (as far as China), India, Arabia, and the Red Sea, and the Sahara. Rome’s external trade with realms to the east emerges as being of particular significance to the fisc. But in the eastern part of the Empire at least, the state appears, in collaboration with the elite holders of wealth, to have adapted the mechanisms of taxation, both direct and indirect, to support its need for revenue. On the other hand, the price of that collaboration, which was in effect a fiscal partnership, in slightly different forms in East and West, in the longer term fundamentally changed the political character of the Empire.


Author(s):  
Carlos Machado

This book analyses the physical, social, and cultural history of Rome in late antiquity. Between AD 270 and 535, the former capital of the Roman empire experienced a series of dramatic transformations in its size, appearance, political standing, and identity, as emperors moved to other cities and the Christian church slowly became its dominating institution. Urban Space and Aristocratic Power in Late Antique Rome provides a new picture of these developments, focusing on the extraordinary role played by members of the traditional elite, the senatorial aristocracy, in the redefinition of the city, its institutions, and spaces. During this period, Roman senators and their families became increasingly involved in the management of the city and its population, in building works, and in the performance of secular and religious ceremonies and rituals. As this study shows, for approximately three hundred years the houses of the Roman elite competed with imperial palaces and churches in shaping the political map and the social life of the city. Making use of modern theories of urban space, the book considers a vast array of archaeological, literary, and epigraphic documents to show how the former centre of the Mediterranean world was progressively redefined and controlled by its own elite.


Author(s):  
Davina C. Lopez

This chapter discusses several aspects of Roman imperial culture that offer resonances with the study of the New Testament. Herein several gendered and sexualized tropes of Roman imperial ideology, which serve to discursively naturalize power relationships and differences in hierarchy, are considered. These include the impenetrable manliness of the Roman emperor, the link between military conquest and sexual violence and feminization of conquered barbarian “others,” and the characterization of the Roman Empire as an endlessly fertile family. Special attention is given to the rhetorical and representational dimensions of Roman imperial culture, and particular emphasis is afforded to visual representation. Finally, the article considers several areas wherein the intersection of gender, sexuality, Roman imperial culture, and the study of the New Testament might further be explored.


Acoustics ◽  
2021 ◽  
Vol 3 (1) ◽  
pp. 78-96
Author(s):  
Javier Alayón ◽  
Sara Girón ◽  
José A. Romero-Odero ◽  
Francisco J. Nieves

In Hispania (present-day Spain and Portugal), there are 25 structures documented of classical Roman open-air theatres, of which 10 are in the south, in the Roman Baetica (Andalusia). The Baetica embraced the progress of urbanisation in the time of the Roman emperor Augustus, where theatres, built in stone, were the foci of entertainment, performance, and propaganda of the empire. The Roman theatre in Malaga presents the archaeological remains of the main vestige of the Roman Malaca. It is located in the historical centre of the city, at the foot of the hill of the Muslim Alcazaba and was discovered in 1952. It is a medium-sized theatre whose design corresponds to a mixed construction that combines making use of the hillside for the terraces, in the manner of Greek theatres, with a major construction where rock is non-existent, thereby creating the necessary space for the stands. In this paper, the production process, adjustment, and validation of the 3D model of the theatre are analysed for the creation of a numerical predictive model of its sound field. Acoustic properties of the venue are examined and the effect of the Muslim Alcazaba and the hillside on the various acoustic descriptors is analysed. The results highlight the influence of this large stone surface mainly on the time decay parameters.


Author(s):  
V. M. ZUBAR

Around the middle of the first century, Olbia was under siege from the Getae. It was either destroyed or abandoned shortly before its destruction. It was only inhabited at the turn of the first century AD. It is assumed that Roman interest over Olbia only started after the middle of the first century. This chapter discusses the existence of Roman military units in Olbia during the years AD 106–111. These military units were believed to be present in Olbia to protect the city from barbarian intrusion. This assumption is established by the existence of inscribed grave-monuments and epitaphs belonging to Athenocles, and the Bosporans: indications of the attempts of the Rome to maintain its political strength and to defend the city from barbarians. Accordingly, after the collapse of the Olbian-Samartian alliance, the Roman Empire provided occasional military aid to Olbian during the reigns of Trajan and Hadrian. Other evidences that provide proof of the dependence of Olbia to the military aid given by the Roman military units are the presence of a Roman legionary garrison in Olbia including Thracian dedicatory reliefs.


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