scholarly journals I Walk With Vanessa: A Story About a Simple Act of Kindness by Kerascoët

2019 ◽  
Vol 8 (4) ◽  
Author(s):  
Terri Beach

Kerascoët. I Walk With Vanessa: A Story About a Simple Act of Kindness. Random House Children’s Books, 2018. This is a wordless picture book from French illustrators, Kerascoët. This husband and wife duo, Marie and Sébastien solely illustrate, without the use of text, the ability to combat bullying in modern society. They accomplish this difficult task by placing emphasis on the characters’ emotions through the use of distinct colour throughout the images, clearly depicting the story’s message. Because there are no words, this amazing resource provides students with the ability to interpret the book individually, creating unique perspectives such as an idea, "who else needs help other than Vanessa?" This book provides fresh insight into how society can unite together by creating a positive chain reaction when faced with bullying. Throughout the illustrations, this team accomplished this task extremely well, by providing the audience with diverse characters, creating a sense of belonging. This allows the reader to view the characters as if they were looking at their own reflection, seeing into their lives, therefore enabling them to relate to the book. With this, I truly believe that it is essential for children's books to act either as a window or a mirror for children.      Overall, I feel that this book is ideal for a target audience of pre-kindergarten to grade two. The drawings are simplistic, with few details, allowing children to predict the storyline easily, leaving a thorough investigation of the book. I cannot wait for students to "read" this book to me.  Highly recommended: 4 out of 4 starsReviewer: Terri Beach

Author(s):  
Rachel B. Gross

Since 2005, a philanthropic organization, PJ Books, has set out to influence American Jews by reaching them in one of their most tender, intimate family moments: parents reading to children. The program uses children's books to influence Jewish families' values and practices. This chapter argues that PJ Library demonstrates the burden that American Jewish institutions place on popular culture to shape their communities. Though staff members deny that PJ Library is engaged in religious activity, the organization does, in fact, use children's books as a tool to shape American Jewish religion. It uses children's books to introduce families to or reinforce their connection with sacred rituals and Jewish customs. More broadly, PJ Library seeks to persuade American Jewish families to make Judaism an important part of their lives and to connect them, one illustrated book at a time, to networks that will help them do so.


1994 ◽  
Vol 8 (1) ◽  
pp. 100-101
Author(s):  
Carol Snyder

Books with Jewish content are of universal interest and are important to individuals and to society. Through humor and personal experiences in writing and speaking about my Ike and Mama series, my middlegrade young-adult books, as well as my picture book, God Must Like Cookies, Too, I communicate to publishers, authors, and librarians the ways that my books have crossed over to the general marketplace. Why and how this came to be, and the newfound inclusion and interest of Jewish writers in the "multicultural" designation are also examined.


2017 ◽  
Vol 6 (3) ◽  
Author(s):  
Hanne Pearce

Greetings Everyone,The news for this new year’s issue consists mainly of a list of a major children’s literature awards that have been announced, as well as a few upcoming conferences.AWARDS2017 ALSC (Association for Library Service to Children) Book and Media Award WinnersJohn Newberry MedalThe Girl Who Drank the Moon Written by Kelly Barnhill and published by Algonquin Young Readers, an imprint of Algonquin Books of Chapel Hill, a division of Workman PublishingNewberry Honour BooksFreedom Over Me: Eleven Slaves, Their Lives and Dreams Brought to Life by Ashley Bryan written and illustrated by Ashley Bryan and published by Atheneum Books for Young Readers, an imprint of Simon & Schuster Children's Publishing DivisionThe Inquisitor’s Tale: Or, The Three Magical Children and Their Holy Dog written by Adam Gidwitz, illustrated by Hatem Aly and published by Dutton Children's Books, Penguin Young Readers Group, an imprint of Penguin Random House LLCWolf Hollow written by Lauren Wolk and published by Dutton Children's Books, Penguin Young Readers Group, an imprint of Penguin Random House LLCRandolph Caldecott MedalRadiant Child: The Story of Young Artist Jean-Michel Basquiat illustrated by Javaka Steptoe, written by Javaka Steptoe and published by Little, Brown and Company, a division of Hachette Book Group, Inc.Caldecot Honour BooksDu Iz Tak? illustrated and written by Carson Ellis, and published by Candlewick PressFreedom in Congo Square illustrated by R. Gregory Christie, written by Carole Boston Weatherford and published by Little Bee Books, an imprint of Bonnier Publishing GroupLeave Me Alone! illustrated and written by Vera Brosgol and published by Roaring Brook Press, a division of Holtzbrinck Publishing Holdings Limited PartnershipThey All Saw a Cat illustrated and written by Brendan Wenzel and published by Chronicle Books LLCLaura Ingalls Wilder AwardNikki Grimes -- Her award-winning works include “Bronx Masquerade,” recipient of the Coretta Scott King Author Award in 2003, and “Words with Wings,” the recipient of a Coretta Scott King Author Honor in 2014. Grimes is also the recipient of the Virginia Hamilton Literary Award in 2016 and the NCTE (National Council of Teachers of English) Award for Excellence in Poetry for Children in 2006.2018 May Hill Arbuthnot Honor AwardNaomi Shihab Nye will deliver the 2018 May Hill Arbuthnot Honor Lecture.Mildred L. Batchelder AwardCry, Heart, But Never Break - Originally published in Danish in 2001 as “Græd blot hjerte,” the book was written by Glenn Ringtved, illustrated by Charolotte Pardi, translated by Robert Moulthrop and published by Enchanted Lion Books.Batchelder Honour BooksAs Time Went By published by NorthSouth Books, Inc., written and illustrated by José Sanabria and translated from the German by Audrey HallOver the Ocean published by Chronicle Books LLC, written and illustrated by Taro Gomi and translated from the Japanese by Taylor NormanPura Belpre (Author) AwardJuana & Lucas written by Juana Medina, is the Pura Belpré Author Award winner. The book is illustrated by Juana Medina and published by Candlewick PressPura Belpre (Illustrator) AwardLowriders to the Center of the Earth illustrated by Raúl Gonzalez, written by Cathy Camper and published by Chronicle Books LLCAndrew Carnegie MedalRyan Swenar Dreamscape Media, LLC, producer of “Drum Dream Girl: How One Girl’s Courage Changed Music”Theodor Seuss Geisel AwardWe Are Growing: A Mo Willems’ Elephant & Piggie Like Reading! Book written by Laurie Keller. The book is published by Hyperion Books for Children, an imprint of Disney Book GroupRobert F. Sibert Informational Book MedalMarch: Book Three written by John Lewis and Andrew Aydin and illustrated by Nate Powell, published by Top Shelf Productions, an imprint of IDW Publishing, a division of Idea and Design Works LLC  Stonewall Book Awards - ALA Gay, Lesbian, Bisexual, and Transgender Round Table (GLBTRT)Mike Morgan & Larry Romans Children’s & Young Adult Literature AwardIf I Was Your Girl written by Meredith Russo and published by Flatiron BooksMagnus Chase and the Gods of Asgard: The Hammer of Thor written by Rick Riordan and published by Disney Hyperion, an imprint of Disney Book GroupHonor BooksPride: Celebrating Diversity & Community written by Robin Stevenson and published by Orca Book PublishersUnbecoming written by Jenny Downham and published by Scholastic Inc. by arrangement with David Fickling BooksWhen the Moon Was Ours written by Anna-Marie McLemore and published by Thomas Dunne Books, an imprint of St. Martin’s Press2017 Children’s Literature Association Phoenix AwardsPhoenix Award  2017Wish Me Luck by James Heneghan Farrar Straus Giroux, 1997Phoenix Honor Books 2017Seedfolks by Paul Fleischman HarperCollins, 1997Habibi by Naomi Shihab Nye Simon & Schuster, 19972017 Phoenix Picture Book AwardTell Me a Season by Mary McKenna Siddals & Petra Mathers Clarion Books, 1997One Grain of Rice: A Mathematical Tale by Demi Scholastic, 1997 CONFERENCESMarchSerendipity 2017: From Beginning to End (Life, Death, and Everything In Between) The Vancouver Children’s Literature Roundtable Mar. 4, 2017 | 8am to 3:30 pm | UBC Ike Barber LibraryJuneChildren’s Literature Association ConferenceHosted by the University of South Florida June 22-24, 2017 Tampa, FL  Hilton Tampa Downtown Hotel Conference Theme: Imagined FuturesJulyInternational Research Society for Children’s Literature (IRSCL) Congress 2017 – Toronto July 29 - August 2, 2017  Keele Campus, York University  The Congress theme is “Possible & Impossible Children: Intersections of Children’s Literature & Childhood Studies." That is all for this issue. Best wishes!Hanne Pearce, Communication Editor 


2016 ◽  
Vol 5 (4) ◽  
Author(s):  
Jenny Plecash

Davies, Nicola. Tiny Creatures: The World of Microbes. Illus. Emily Sutton. Somerville: Candlewick Press, 2014. Print.“Do you know that there are creatures so tiny that millions could fit on this ant’s antenna?” Tiny Creatures: The World of Microbes takes a close up look at the invisible world of microorganisms around us. Davies takes this potentially difficult topic and presents it in a way that is accessible to children. This picture book starts by comparing concrete ideas-- the size of a whale to the size of an ant’s antenna-- to help children visualize the size of these microbes. From there, the book goes on to explain that microbes are everywhere, even in volcanoes and our own bodies. Unlike other children’s books about germs, Davis does not focus on presenting microbes as evil monsters, with white blood cell super heroes. Instead, she frankly discusses how some microbes can make you sick, but the majority are “busy doing other things.” This is a nice movement away from the tendency in children’s books to insist that germs, generally, are the bad guys. Davis’ germs are not scary, but they are powerful.Instead of using text to show how to protect against these germs, the illustrator Emily Sutton presents pictures of children washing their hands and using mosquito netting. The watercolour artwork follows two young children exploring the world of microbes. The illustrations are bright, engaging, and effectively enhance and add to the text.Nicola Davis has published a number of children's books about nature, drawing on her expertise as a zoologist. Tiny Creatures is particularly welcome as there are so few options for books of this kind. With its accessible language and simple artwork, this book is a wonderful way to introduce children in kindergarten to grade three to the world of microbes.Highly recommended:  4 stars out of 4Reviewer:  Jenny Plecash


2017 ◽  
Vol 6 (3) ◽  
Author(s):  
Sean Borle

Zhao, Bingbo. The Pear Violin, illustrated by Gumi. Starfish Bay Children’s Books, 2016.Bingbo Zhao, who publishes under his first name, Bingbo, has published more than 370 children’s books and won more than 50 awards.  The Pear Violin is an imaginative picture book which starts from the idea that pears and violins are shaped alike. In Bingbo’s fantasy world, a squirrel cuts a pear in half, uses a twig and some of his whiskers to make a bow, and begins playing.  In this world foxes, elephants, bears, lions and a variety of other animals all inhabit the same forest.  The music of the violin is so powerful that it can make the fox stop chasing the chicken and the lion “let the rabbit lie in his arms, so that the rabbit would feel warmer when listening to the music.”  The music also has the power to make a small pear seed grow quickly into a tree and grow many pears.  All the animals make the pears into cellos, violins and violas and all play beautiful music together. Throughout the book Gumi (no last name given) illustrates the motion and emotion of the animals.  The animals’ faces show curiosity when the seed starts to grow and excitement when they play together in the concert. A suspension of disbelief is required for the enjoyment of this book.  Some children will ask, “Why don’t the pears rot?” and “Why are bears and elephants in the same forest?”   However, for most, it will just be a fun book which carries the message that music brings people together.  This book would be good for public libraries and school libraries.Recommended: 3 stars out of 4Reviewer:  Sean BorleSean Borle is a University of Alberta undergraduate student who is an advocate for child health and safety


Author(s):  
Uta Woiwod

Adaptations of children's books into literary apps provide a twofold approach for literacy practise at primary school. This chapter deals with the app The Big Word Factory (2013), which is based upon the picture book of the same title, written by Agnès de Lestrade and illustrated by Valeria Docampo. An analysis of the narrative framework of literary apps is meant to show that nonlinear storytelling, a key component of numerous print works of children's literature, but also of digital narratives, may help untrained young readers develop reading motivation while print and digital readings are practised as complementary activities.


2014 ◽  
Vol 3 (4) ◽  
Author(s):  
Robert Desmarais

Dear Readers,Occasionally, I receive books from Canadian publishers that are marketed and labeled as “for girls” and “for boys." Not surprisingly, this practice is considered offensive by many people because it so obviously aims to exclude readers. So how exactly do I handle these gender-specific books when they arrive in my mailbox? Good question! I put them on the reviewer shelves outside my office, making them available to our dedicated team of Deakin reviewers to decide for themselves whether they wish to read and review books that are so obviously gender segregated. In other words, we don’t censor books.You can imagine my surprise when I read a pledge on March 16th by literary editor Katy Guest that the Independent on Sunday will no longer review any book which is aimed exclusively at boys or girls. Guest explained, “What we are doing by pigeon-holing children is badly letting them down. And books, above all things, should be available to any child who is interested in them” (http://www.independent.co.uk). I wholeheartedly agree that children’s books should be available to all children, but the irony here is that Guest has made a firm commitment to not review gender-specific books, making them unavailable to Independent readers. She warns publishers not to send books in “glittery pink covers” because they will “go straight into the recycling pile along with every Great Big Book of Snot for Boys.” Naturally, many journalists and readers were appalled and swiftly denounced Guest’s decision to ignore an entire category of children’s books.Publishers have their reasons for marketing books the way they do, and while we may not agree with their strategies, they have every right to market their books to a target audience with pink covers, sparkles, co-packaged toys, multimedia, etc. They are doing what they believe is necessary to help readers figure out what to buy, just like we reserve the right to review all genres of children’s books to help our readers decide what to read. Rest assured, if we review children’s books that are too narrowly marketed to one gender, we’ll say so and we’ll also be frank with our readers about why it is or is not a good book. So, dear publishers, please continue to send us your gender-labeled books, but be advised that we’ll want to understand and assess why your book does not appeal to all children. Happy reading (to readers of all genders)!Robert DesmaraisManaging Editor


2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Tara Gordon

John, Jory and Pete Oswald. The Good Egg. HarperCollins Children’s Books, 2019. This imaginative picture book by bestselling creators Jory John and Pete Oswald uses beautiful illustrations and humour to tackle social and emotional skills. The Good Egg is the counterpart to the duo’s book The Bad Seed. As the title suggests, the main character of this book is a good egg, “A verrrrrry good egg.” The beginning of the book shows how the good egg stands apart from the rest of the rowdy dozen in his carton by trying to do good deeds—he’s rescuing a cat when we first meet him. But as the story progresses, we see that the good egg is trying so hard to be good, while everyone around him is rotten, that he reaches a breaking point. The good egg literally begins to crack from all of the self-imposed pressure. Deciding that it is in his best interest to leave the carton, the good egg embarks on a journey of self-care, and self-reflection. On his journey, the good egg finds peace by taking walks, reading, writing in his journal, and just breathing. Eventually, the good egg starts to feel like himself again. At the same time, he realizes that he is lonely without his friends. He learns that even though the other eggs aren’t perfect, he doesn’t have to be either. The good egg decides that it is much better to be with those you love than to be alone, so he returns to his carton. The detailed and expressive illustrations by Oswald bring the characters in The Good Egg to life, making them relatable to kids. The story flows nicely with just the right amount of words, making it a good read-aloud, and useful for class and family discussions on topics like perfectionism, self-care, and accepting yourself and others as they are. It is one of those picture books that gives kids an opportunity to put themselves in someone else’s shoes and to empathize. Overall, The Good Egg reminds us of the importance of balance and self-care, and accepting those we love, even if they are a bit rotten sometimes. Highly recommended: 4 stars out of 4Reviewer: Tara GordonTara Gordon is a University of Alberta SLIS student with a lifelong passion for children’s books. Outside of school, Tara enjoys spending time with her husband and two children. 


2021 ◽  
pp. 281-291
Author(s):  
Maureen White

This longitudinal study on recommended children's books translated into English and published in the United States between 1990-2003 allowed the researchers to identify trends in translations based on language, genre and subject. The most frequent language of translation was German, followed by French and Swedish. Animal Personification was the most popular genre, followed by Realistic Fiction and Information books. A majority of the translated children's books were in the picture book format, primarily from the Animal Personification genre. Popular subject headings included Animals (specific)-Fiction, Fairy Tales/Folklore, Family Relationships-Fiction and Friendship-Fiction, much the same as in the United States.


Author(s):  
Gundega Ozoliņa ◽  

Historically, children’s literature awards have been established both to improve the quality of children’s literature and to promote the market for children’s books. Today, an international prize for literature can be seen as a socio-political game with the aim of disseminating specific values and sharing various ideas that seem relevant to a society. The Astrid Lindgren Memorial Award (ALMA) is the most generous children’s literature award in monetary terms – and, at the same time, one of the largest literary awards. The study examines the details and choices of ALMA nomination, provides a brief insight into the problems of the awarding phenomenon, as well as considers ALMA in the context of Latvian book publishing.


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