Aesthetic Expression

2004 ◽  
Vol 8 (2) ◽  
pp. 61-61
Author(s):  
Betty Rambur

A nursing professor and dean recounts her first patient death in this scholarly personal narrative.

2018 ◽  
Vol 11 (2) ◽  
pp. 195-198
Author(s):  
Marcea Ingersoll

By embedding narrative theory within the practice of storied forms, there can be pedagogical movement from difficulty to insight. This piece explores scholarly personal narrative as a creative and critical method for attaining academic understanding. The ideas of three narrative scholars (Nash, Fowler, and Luce-Kapler) surface within two writing forms—a letter and a poem. The author playfully reports on the powerful processes that are engaged when shared creative story forms become part of teaching, learning, and writing.


2019 ◽  
Vol 49 (1) ◽  
pp. 118-142
Author(s):  
Saralyn McKinnon-Crowley

This scholarly personal narrative (Nash 2004) draws on the author’s experiences as a woman in a male-dominated gaming community. In such a space, being a woman who plays the game problematizes notions of gender for both the author and for her most-often male opponents. When playing the game, she operates in a liminal space between expert and outsider because of her gender identity. At the same time, her gender troubles her men opponents. She discusses her struggles for acceptance in this community and how her notions and enactment of gender have changed as a result of her experiences. In the article, the author explains the social norms of the game and the demographic breakdown of the game’s players; to accomplish this, the author shares stories from her time as a player.


2012 ◽  
Vol 6 (1) ◽  
pp. 215-221
Author(s):  
Marcea Ingersoll

Through this scholarly personal narrative, the author offers insight into how student creativity can be engaged or neglected. While the narrative highlights the potential conflict between students’ lives and their schools, the hope lies in the illuminative power of stories of difficulty. By interweaving narrative and theory, the author sheds light on the conditions that inhibit creativity, and emphasizes the capacity of teachers to locate creative, compassionate spaces for themselves and their students.


Author(s):  
Megan E. Gonyer

The social work profession began in the early 1900s and has changed and evolved in many ways since then. The author raises the question: ‘Am I who the founding mothers of social work imagined when they began their work?’ Looking at the values of the profession with a focus on social justice and language, the author explores how she is working towards social justice and how it fits into the historical perspective of the profession.


2020 ◽  
Vol 9 (1) ◽  
pp. 63-88
Author(s):  
Altheria Caldera ◽  
Sana Rizvi ◽  
Freyca Calderon-Berumen ◽  
Monica Lugo

Although the field of critical qualitative inquiry is saturated with literature on methodologies and theoretical orientations, there is less scholarship that explores the dynamics that prevail when women of color conduct critical qualitative inquiry with participants who share their identities. Using scholarly personal narrative (SNP), our project examines the intricacies of kinship found between women of color researchers and their research participants. More specifically, this article presents narratives of an African American scholar, a British Pakistani immigrant scholar, and two Latina (Mexican) immigrant scholars who explore dilemmas and rewards that surfaced in our research within our individual communities.


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