WOMEN’S COMMODIFICATION ON TIKTOK: A SEMIOTIC STUDY OF “ELBOW STICKING' CHALLENGE

The use of social media has grown commonplace in today's culture. Every social media user now has a place to call their own in the digital age. Tiktok is one of the most popular and distinctive social media platforms, and it frequently abuses women through its many 'challenges' for content such as elbow sticking challange. This study takes a non-positivistic approach to the phenomena that occur in the society with a critical interpretive approach. Observations done in TikTok activities and engaging in interactions with TikTok users to be able to understand and uncover the commodification practices of women that occur in TikTok. This study revealed how intertextual the commodification of women in Tiktok was using a critical method that leverages Julia Kristeva's post-modern feminist outlook as a conceptual framework. The findings of this study reveal that the body, women, and culture are interwoven and produce meaning, which overrides earlier meanings by establishing new meanings that exploit Tiktok users, particularly women, which is consistent with media evolution, which also influences value meaning.

Philosophy of Science: Definition, Object of Study, Scope, and Method

Philosophy of Science is the study of all human life and thought phenomena critically and described in basic concepts. Philosophy is necessary for proving an accident or phenomenon and substance because, with philosophy, it can be proven that something exists or might exist. After all, with reason, a substance can be proven, and that the substance was formed from philosophy. There are two objects of study in the philosophy of science: a) material objects and b) formal objects. The scope of the philosophy of science is threefold, namely: a) Ontology, b) Epistemology, and c) Axiology. There are ten basic methods of philosophy of science, but in this study, the author only discusses three methods: a) Positivism Method, b) Phenomenological Method, and c) Critical Method. The purpose of the philosophy of science is to break the confinement of the human mind. By understanding and studying philosophy, humans can break the ice, rigidity, and even confinement of their minds by re-questioning everything that exists. Abstrak: Filsafat Ilmu adalah studi tentang seluruh fenomena kehidupan dan pemikiran manusia secara kritis dan dijabarkan dalam konsep mendasar. Filsafat sangat dibutuhkan dalam membuktikan suatu aksiden atau fenomena dan Subtansi karena dengan filsafat bisa terbukti sesuatu itu ada atau mungkin ada, karena dengan akal bisa dibuktikan suatu substansi dan substansi itu terbentuknya dari filsafat. Objek Kajian dalam Filsafat Ilmu ada dua, yaitu: a) Objek Material dan b) Objek Formal. Ruang lingkup filsafat ilmu ada tiga, yaitu: a) Ontologi, b) Epistimologi dan c) Aksiologi. Metode filsafat ilmu pada dasarnya ada sepuluh metode, akan tetapi dalam kajian ini penulis hanya membahas tiga metode, yaitu: a) Metode Positivisme b) Metode Fenomenologi dan c) Metode Kritis. Tujuan filsafat ilmu sebagai pendobrak keterkungkungan pikiran manusia. Dengan memahami, dan mempelajari filsafat manusia dapat menghancurkan kebekuan, kakakuan, bahkan keterkungkungan pikirannya dengan kembali mempertanyakan segala yang ada. Kata-kata kunci: filsafat ilmu, pengertian, objek kajian, ruang lingkup, metode

PELECEHAN SEKSUAL, KEWAJIBAN MELAPOR DAN RESPONS ORDINARIS: TELAAH KRITIS “VOS ESTIS LUX MUNDI” DAN “VADEMECUM”

<em>This article aims to examine the question of sexual abuse of minors and vulnerable adults by clerics and members of the Institute for Consecrated Life and the Society for Apostolic Life in the light of motu proprioVos Estis Lux Mundi and Vademecum. It starts with a brief description of sexual abuse, the mandatory report and then the response of the Ordinary. It shows that sexual abuse is a grave delict, and clerics or religious who have knowledge of information are obliged to report it to the Ordinary while maintaining the seal of confession, and the Ordinary has the grave obligation to take any reports seriously, promptly and decisively, taking into consideration that the procedural norms should be carefully observed. By using the analytical and critical method, the author argues that it is of the highest importance for the Ordinary to establish a system for receiving reports as well as preparing competent personnel in order to handle the case in a thorough and expeditious manner.</em> <br /><br /><strong>Key words:</strong> sexual abuse, minors, vulnerable adults, mandatory report, Ordinary

Bricks as arguments

This study applies Leo Groarke’s (2019) ART approach and KC (Key Component) table method to social housing buildings designed by a significant Dutch architectural movement during the early twentieth century – the so-called Amsterdam School. Unlike members of other contemporary architectural movements, architects of the Amsterdam School seldom wrote about their theories or beliefs, leaving very little evidence about their feelings and attitudes apart from the architectural forms they constructed. The expressive designs of Amsterdam School social housing buildings Het Schip and De Dageraad present promising opportunities for theoretical reflection on architecture as a form of embodied visual and multimodal argumentation (‘bricks as arguments’), however, other theoretical tools may be necessary to supplement the ART approach in order to fashion a critical method capable of apprehending the full scope of argumentation in the complex and rich Dutch polylogue.

حتقيق النصوص لكتاب االعتكاف يف خمطوطة شرح منهاج الطالبن

<p>This paper is entitled: "Manuscript of I'tikaf on the Book of Syarah Minhaj Ath-Thalibin." Is a scientific work that discuss Manuscript of I'tikaf on the Book of Syarah Minhaj Ath-Thalibin ( philological analysis) with two problem analyzes : How condition of the text The Manuscript I'tikaf in the Book of Syarah Minhaj Ath- Thalibin? How critique of the text The Manuscript I'tikaf in the Book of Syarah Minhaj Ath- Thalibin? To finishing problems, researchers use scientific methods that include collection methods in the form of text criticism analysis theory and literature methods. On the stage of data collection using the library method then at the stage of data presentation using the narrative descriptive method and the critical method of the text. The text of the I'tikaf Manuscript in the Kitab Syarah Minhaj Ath-Thalibin belongs to Ashaf Zein He work as a teacher in one of the schools in Mandar inherited from his father Kiai Ahmad Bin Muh. Zein on located in Bonde village, Campalagian District, Polewali Mandar Regency. In general, the text of the manuscript is still good, but does not have some writing errors and the loss of some letters, words and sentences.</p>

Archiving Fragments of Time

<p><b>Beneath the urban concrete of Wellington city lies a plethora of lost stories and voices, sometimes only accessible as fragments, which should contribute to the rich polyvocal narratives of a site. Recognition of these stories, even as fragments, enables local inhabitants and a wider audience to begin to understand the significance of place.</b></p> <p>Heritage stories transform from one time period to the next, creating overlapping layers of a site’s identity evolving over time. Each layer, while potentially representing its own unique story, contributes to the meta-narrative of a place. This design-led research investigation looks at the problem that arises when important stories of a place are lost when a site has transformed over time. The true story of a site is represented by the hidden layers from previous time periods, which have often fragmented or faded over time. This thesis proposes that lost layers, fragmented stories and faded voices can be reawakened through speculative architectural representation.</p> <p>Fragments of stories can be used to stimulate the imagination. The allegorical interpretation of fragments can be used to generate dreamscapes. Within a dreamscape, the multiple voices of multiple fragments can be heard together, even when they represent stories from different times. When dreamscapes are captured as allegorical drawing fragments, these multiple voices can be heard and retained even when they have partially faded away.</p> <p>This thesis explores how an allegorical architectural project, framed within techniques found in allegorical narrative fiction, can be successfully used as a critical method to help reawaken and unveil lost voices of place and generate speculative architectural outcomes that allow these voices to be heard. This design-led research proposes to reawaken lost voices of place through mapping the field of imagination, collage and the creation of dreamscapes, and allegorical drawing fragments.</p> <p>Italo Calvino’s Invisible Cities and Alan Lightman’s Einstein’s Dreams are examples of literary approaches to the allegorical interpretation of fragments. They are used in this investigation as literary provocateurs—allegorical generators to engage the imagination to reawaken lost voices as fragments and allow them to be heard in a collection—an archive of fragments. These two novels are effectively re-presenting place and time as dreamscapes. By enabling a series of fragmented stories to be heard as one, a richly polyvocal narrative is established that allows the reader to understand the significance of a place.</p> <p>Two neighbouring urban sites along the edge of Wellington Harbour have been selected for this investigation: the Taranaki Wharf Cut-out and the Kumutoto Stream Outlet. Both have unique tales to tell. The Kumutoto Stream Outlet is the site of the first culverted stream in Wellington. This entire stream has been silenced and has disappeared forever, yet it survives deep underground; this narrow outlet along the Wellington Harbour edge is the last vestigial remnant of its tale. The Taranaki Wharf Cut-out exposes the lost shoreline of Wellington before urban expansion. This shoreline has been silenced and has disappeared forever, and the cut-out provides the last visual connection to the lost landscape below. Fragments of the urban concrete have been removed from both these sites to reveal the lost remnants of the sites tales they once concealed. These sites are engaged as allegorical portals that invite a viewer below the surface of Wellington’s urban concrete to explore the lost layers of fragmented stories that lay hidden beneath. These sites are presented as ‘characters’ that narrate ‘stories’ of Wellington waterfront’s surrounding context and the transformation of the landscape over time.</p> <p>The original heritage conditions of a place often cannot be physically returned to their sites without disrupting the contemporary urban context. In this investigation, sites are not engaged as grounds for architectural intervention. Instead, they are provocateurs for how an allegorical architectural project can dig below the urban concrete and reawaken and unveil lost voices of a place. These voices are presented as a speculative archive of fragmented artefacts that invite viewers to witness, through these allegorical artefacts, an urban environment’s rich litany of heritage stories that may have been permanently lost or displaced. These artefacts take the form of maps, collages and drawings, and they are designed to read both as individual artefacts and together as a collection within an archive, this bound codex of work—an Archive of Fragments of Time.</p> <p>This thesis asks:How can an allegorical architectural project be successfully used as a critical method to reawaken and unveil lost voices of a place, and generate speculative architectural outcomes that allow these voices to be heard?</p>

Archiving Fragments of Time

<p><b>Beneath the urban concrete of Wellington city lies a plethora of lost stories and voices, sometimes only accessible as fragments, which should contribute to the rich polyvocal narratives of a site. Recognition of these stories, even as fragments, enables local inhabitants and a wider audience to begin to understand the significance of place.</b></p> <p>Heritage stories transform from one time period to the next, creating overlapping layers of a site’s identity evolving over time. Each layer, while potentially representing its own unique story, contributes to the meta-narrative of a place. This design-led research investigation looks at the problem that arises when important stories of a place are lost when a site has transformed over time. The true story of a site is represented by the hidden layers from previous time periods, which have often fragmented or faded over time. This thesis proposes that lost layers, fragmented stories and faded voices can be reawakened through speculative architectural representation.</p> <p>Fragments of stories can be used to stimulate the imagination. The allegorical interpretation of fragments can be used to generate dreamscapes. Within a dreamscape, the multiple voices of multiple fragments can be heard together, even when they represent stories from different times. When dreamscapes are captured as allegorical drawing fragments, these multiple voices can be heard and retained even when they have partially faded away.</p> <p>This thesis explores how an allegorical architectural project, framed within techniques found in allegorical narrative fiction, can be successfully used as a critical method to help reawaken and unveil lost voices of place and generate speculative architectural outcomes that allow these voices to be heard. This design-led research proposes to reawaken lost voices of place through mapping the field of imagination, collage and the creation of dreamscapes, and allegorical drawing fragments.</p> <p>Italo Calvino’s Invisible Cities and Alan Lightman’s Einstein’s Dreams are examples of literary approaches to the allegorical interpretation of fragments. They are used in this investigation as literary provocateurs—allegorical generators to engage the imagination to reawaken lost voices as fragments and allow them to be heard in a collection—an archive of fragments. These two novels are effectively re-presenting place and time as dreamscapes. By enabling a series of fragmented stories to be heard as one, a richly polyvocal narrative is established that allows the reader to understand the significance of a place.</p> <p>Two neighbouring urban sites along the edge of Wellington Harbour have been selected for this investigation: the Taranaki Wharf Cut-out and the Kumutoto Stream Outlet. Both have unique tales to tell. The Kumutoto Stream Outlet is the site of the first culverted stream in Wellington. This entire stream has been silenced and has disappeared forever, yet it survives deep underground; this narrow outlet along the Wellington Harbour edge is the last vestigial remnant of its tale. The Taranaki Wharf Cut-out exposes the lost shoreline of Wellington before urban expansion. This shoreline has been silenced and has disappeared forever, and the cut-out provides the last visual connection to the lost landscape below. Fragments of the urban concrete have been removed from both these sites to reveal the lost remnants of the sites tales they once concealed. These sites are engaged as allegorical portals that invite a viewer below the surface of Wellington’s urban concrete to explore the lost layers of fragmented stories that lay hidden beneath. These sites are presented as ‘characters’ that narrate ‘stories’ of Wellington waterfront’s surrounding context and the transformation of the landscape over time.</p> <p>The original heritage conditions of a place often cannot be physically returned to their sites without disrupting the contemporary urban context. In this investigation, sites are not engaged as grounds for architectural intervention. Instead, they are provocateurs for how an allegorical architectural project can dig below the urban concrete and reawaken and unveil lost voices of a place. These voices are presented as a speculative archive of fragmented artefacts that invite viewers to witness, through these allegorical artefacts, an urban environment’s rich litany of heritage stories that may have been permanently lost or displaced. These artefacts take the form of maps, collages and drawings, and they are designed to read both as individual artefacts and together as a collection within an archive, this bound codex of work—an Archive of Fragments of Time.</p> <p>This thesis asks:How can an allegorical architectural project be successfully used as a critical method to reawaken and unveil lost voices of a place, and generate speculative architectural outcomes that allow these voices to be heard?</p>

Conclusion

The conclusion summarizes the new picture of Broughton offered by this book and concludes by offering reflections on three more general points arising from its analysis. The first concerns the highly prominent role that Jewish literature and languages played in Broughton’s thought. While Broughton undeniably took his interest in this area further than most scholars, the conclusion argues that he was not entirely anomalous, but rather representative of a broader tendency among reformed scholars to cultivate high levels of philological and linguistic expertise in languages of relevance to biblical scholarship, particularly Hebrew, Aramaic, Ethiopic, and Arabic. The second concerns the role of anti-Jewish controversy in the development of Christian biblical scholarship. The importance of interfaith polemics in pushing Broughton towards historical, philological argumentation is clear throughout the book, and raises a broader possibility worthy of further exploration: that anti-Jewish priorities might have played a hitherto underappreciated role in promoting historical, philological methods in Christian theology and biblical criticism. Finally, the conclusion dwells on the significance of the book’s repeated demonstration of the extent to which scholarly culture, at least in Broughton’s lifetime, was still dominated by exegetical priorities, i.e., by the demands, habits, and expectations of biblical interpretation. It concludes by arguing that it is this ‘embedded exegetical culture’, rather than any degree of historicism or critical method, that represents the most significant difference between early modern and modern biblical scholarship.