scholarly journals Farīd al-Dīn ‘Aṭṭār’s Mathnawī as Representation of Sufi Doctrine

2021 ◽  
Vol 26 (2) ◽  
pp. 13-24
Author(s):  
Yulia E. Fedorova ◽  

The Persian didactic poem (mathnawī) served among the Sufis of the classical period as a popular form of presenting their doctrine. The article outlines and analyzes the Sufi poet Farīd al-Dīn ‘Aṭṭār’s four main poems belonging to the end of XII – beginning of XIII centuries: “Book of Mysteries” (Asrār-nāma), “Book of Sorrow” (Muṣ ībat-nāma), “Divine Book”(Ilāhī-nāma) and “The Language of the Birds”(Mantiq al-ṭayr). The author examines systematically the composition, the plot and the content of them, showing the principle of their construction, which is the combination the “explicit” (narrative) and “hidden” (Sufi) levels of meaning. Taking this into account the author offers an interpretation of the general Sufi theme, that is the search for and knowledge of God.

2020 ◽  
Author(s):  
◽  
Alius Jaskelevičius

Construction of Panhellenic Identity in the Greek Historical Discourse of the Classical Period


2020 ◽  
Vol 59 (1-4) ◽  
pp. 267-279
Author(s):  
Gaëtan Schaller

Abstract:This paper intends to investigate the development of the periphrastic form for the dative and genitive in the Merovingian charters. The periphrastic forms are reserved in Classical Latin to some special uses: the indirect object after a verb that has the prefix ad- and the partitive function of the genitive they replace. These forms extend to new uses in the Late Latin and are the new majoritarian form for the indirect object, but remain a minoritarian variant for the functions of the classical genitive. The genitival functions adapt to new forms of expression: the periphrastic form and a fixed position in the sentence immediately after the noun, its complete. This paper tries to show and to corroborate by means of statistics and chosen examples of the 7th and 8th centuries the development of these forms, which were still rare in the classical period.


2014 ◽  
Vol 4 (4) ◽  
pp. 69-81
Author(s):  
Marcin SIEŃKOWSK

The characteristics of the knowledge of God through the religion faith is consequence of subject– that one’s overtopped the epistemic powers of human – which is accessible merely in that way.The aim of Belief is supernatural and it consists in union with God through getting to know hisnature. The method of the religious faith is an engagement of the intellect and a will the recognisedsubject. The religious faith is a different cognition toward other types of knowledge. It is also thecognition which assumes a former natural acquired knowledge. A leap of faith in that what wasdeemed for truth needs activities of intellect.


2016 ◽  
Vol 33 (2) ◽  
pp. 50-68
Author(s):  
AbdulHameed Badmas Yusuf

The claim that the necessary universals (al-kullīyāt al-ḍarūrīyah) of the Shari‘ah are limited to five values (viz., religion, life, intellect, progeny, and property) is a subject of debate. Some scholars argue in favor of it, while others assert that this category should be open-ended. This argument started as early as the classical period and has, in the modern period, continued to elicit more divergentopinions. This study seeks to critically examine the viewpoints of various modern scholars/writers, especially those who oppose this limitation. It shall establish that these five values represent humanity’s basic needs perfectly. As such, other values that have been proposed can only be regarded either as means or as complements in relation to them.


Author(s):  
Hallie M. Franks

In the Greek Classical period, the symposium—the social gathering at which male citizens gathered to drink wine and engage in conversation—was held in a room called the andron. From couches set up around the perimeter of the andron, symposiasts looked inward to the room’s center, which often was decorated with a pebble mosaic floor. These mosaics provided visual treats for the guests, presenting them with images of mythological scenes, exotic flora, dangerous beasts, hunting parties, or the specter of Dionysos, the god of wine, riding in his chariot or on the back of a panther. This book takes as its subject these mosaics and the context of their viewing. Relying on discourses in the sociology and anthropology of space, it argues that the andron’s mosaic imagery actively contributed to a complex, metaphorical experience of the symposium. In combination with the ritualized circling of the wine cup from couch to couch around the room and the physiological reaction to wine, the images of mosaic floors called to mind other images, spaces, or experiences, and, in doing so, prompted drinkers to reimagine the symposium as another kind of event—a nautical voyage, a journey to a foreign land, the circling heavens or a choral dance, or the luxury of an abundant past. Such spatial metaphors helped to forge the intimate bonds of friendship that are the ideal result of the symposium and that make up the political and social fabric of the Greek polis.


Author(s):  
Jean-Yves Lacoste ◽  
Oliver O’Donovan

Considering the distinction between discursive, acquired knowledge and intuitive knowledge raises the question of how theology as a learned discipline relates to the spiritual life. The two kinds of knowledge cannot exist apart in history, but may be in unhappy tension. Eschatology can have no place for discursive knowledge, while history may be conceived as veiling of intuitive knowledge behind discursive knowledge. The goal of theology, then, is to introduce the believer into intuitive knowledge of God. “Indirect” communication allows it to speak of God without reductively “objectifying” him. The experience of worship combines the two kinds of knowledge. It involves words, and the words aim at truth. But its function is to allow the truth not merely to be understood but to be felt in its splendour.


1999 ◽  
Vol 29 (1) ◽  
pp. 29-52
Author(s):  
Susan K. Wood
Keyword(s):  

Proceedings ◽  
2020 ◽  
Vol 47 (1) ◽  
pp. 55
Author(s):  
Shan Zhang

By applying the concept of natural science to the study of music, on the one hand, we can understand the structure of music macroscopically, on the other, we can reflect on the history of music to a certain extent. Throughout the history of western music, from the classical period to the 20th century, music seems to have gone from order to disorder, but it is still orderly if analyzed carefully. Using the concept of complex information systems can give a good answer in the essence.


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