scholarly journals A Postcolonial Scrutiny of the Media Imperialism in Wajahat Ali’s The Domestic Crusaders

2021 ◽  
Author(s):  
Maram Mohammed Samman
Keyword(s):  
2021 ◽  
Author(s):  
Katarina Kuruc

An increase in the global circulation of symbolic commodities allows for both new and older forms of mass media to re-construct the ways in which individuals identify with themselves and with their own cultures. The goal of this project was to employ former communist Slovakia as a case study in order to examine the global circulation of symbolic commodities, specifically television programmes. This paper outlines Slovakia's television media structure and its development from the communist era to its current form. Secondly, it employs content analysis and articulation theory as methodologies in order to place Slovakia's television into context with two cultural theory theses; the media imperialism thesis and the globalization thesis. It was found that the [sic] as a result of several historical and political changes, the current conjuncture of Slovakia's television media includes a large number of American entertainment programmes, some domestic productions and a European structure of broadcasting


2021 ◽  
Author(s):  
Maram Mohammed Samman

The paper reevaluates Wajahat Ali’s play The Domestic Crusaders through the postcolonial views of Edward Said. It explores the role of the Western media in the classification and alienation of Muslims according to racist misconceptions. Despite the differences in their respective approaches, the two texts—Ali’s The Domestic Crusaders and Said’s Covering Islam—denounce the media’s role in the distortion of the portrayals of Islam and Muslims. Accordingly, the study aims at discussing the two texts through a postcolonial viewpoint in relation to the media’s role in the spread of Islamophobia. Extracts from both texts will be provided to explicitly or implicitly epitomize the dilemma of the Muslim society after 9/11. The paper explores how the media exploit the fear, ignorance, or vulnerabilities of the global audience. The paper proves that the crusades against Islam deliberately and erroneously describe it as a source of violence and primitiveness that threatens humankind.


Author(s):  
Maram Mohammed Samman

The paper reevaluates Wajahat Ali’s play The Domestic Crusaders through the postcolonial views of Edward Said. It explores the role of the Western media in the classification and alienation of Muslims according to racist misconceptions. Despite the differences in their respective approaches, the two texts—Ali’s The Domestic Crusaders and Said’s Covering Islam—denounce the media’s role in the distortion of the portrayals of Islam and Muslims. Accordingly, the study aims at discussing the two texts through a postcolonial viewpoint in relation to the media’s role in the spread of Islamophobia. Extracts from both texts will be provided to explicitly or implicitly epitomize the dilemma of the Muslim society after 9/11. The paper explores how the media exploit the fear, ignorance, or vulnerabilities of the global audience. The paper proves that the crusades against Islam deliberately and erroneously describe it as a source of violence and primitiveness that threatens humankind.


2021 ◽  
Author(s):  
Katarina Kuruc

An increase in the global circulation of symbolic commodities allows for both new and older forms of mass media to re-construct the ways in which individuals identify with themselves and with their own cultures. The goal of this project was to employ former communist Slovakia as a case study in order to examine the global circulation of symbolic commodities, specifically television programmes. This paper outlines Slovakia's television media structure and its development from the communist era to its current form. Secondly, it employs content analysis and articulation theory as methodologies in order to place Slovakia's television into context with two cultural theory theses; the media imperialism thesis and the globalization thesis. It was found that the [sic] as a result of several historical and political changes, the current conjuncture of Slovakia's television media includes a large number of American entertainment programmes, some domestic productions and a European structure of broadcasting


2015 ◽  
Vol 17 (3) ◽  
pp. 562-578 ◽  
Author(s):  
Nahuel Ribke

Since the beginning of the millennium, several Brazilian telenovelas have been partially produced abroad, incorporating in their storylines protagonists from different ethnic and religious backgrounds, exotic customs, foreign jargon, and attractive tourist locations in Middle Eastern and south-east Asian countries. This article aims to contribute to the debate regarding the asymmetries in media contents flow from “central” to “developing” countries, through analyzing the production of Brazilian “transnational” telenovelas broadcasted during 2001–2012. Rejecting the media imperialism thesis as formulated in the 1960s and 1970s, as well as the more optimistic approaches pointing to the erosion of persistent asymmetries in the production and reception of television contents, this study examines the economic, cultural, and political forces driving the production and consumption of television contents outside the Anglo-Saxon axis, pointing to the cooperation, conflicts, and negotiations between television producers, national audiences, international publics, and private actors.


Author(s):  
Evelyn R. Ackerman ◽  
Gary D. Burnett

Advancements in state of the art high density Head/Disk retrieval systems has increased the demand for sophisticated failure analysis methods. From 1968 to 1974 the emphasis was on the number of tracks per inch. (TPI) ranging from 100 to 400 as summarized in Table 1. This emphasis shifted with the increase in densities to include the number of bits per inch (BPI). A bit is formed by magnetizing the Fe203 particles of the media in one direction and allowing magnetic heads to recognize specific data patterns. From 1977 to 1986 the tracks per inch increased from 470 to 1400 corresponding to an increase from 6300 to 10,800 bits per inch respectively. Due to the reduction in the bit and track sizes, build and operating environments of systems have become critical factors in media reliability.Using the Ferrofluid pattern developing technique, the scanning electron microscope can be a valuable diagnostic tool in the examination of failure sites on disks.


ASHA Leader ◽  
2013 ◽  
Vol 18 (2) ◽  
Keyword(s):  
Know How ◽  

How to use your local know-how to get the media to pay attention.


Crisis ◽  
2001 ◽  
Vol 22 (4) ◽  
pp. 163-169 ◽  
Author(s):  
R. Warwick Blood ◽  
Jane Pirkis

Summary: The body of evidence suggests that there is a causal association between nonfictional media reporting of suicide (in newspapers, on television, and in books) and actual suicide, and that there may be one between fictional media portrayal (in film and television, in music, and in plays) and actual suicide. This finding has been explained by social learning theory. The majority of studies upon which this finding is based fall into the media “effects tradition,” which has been criticized for its positivist-like approach that fails to take into account of media content or the capacity of audiences to make meaning out of messages. A cultural studies approach that relies on discourse and frame analyses to explore meanings, and that qualitatively examines the multiple meanings that audiences give to media messages, could complement the effects tradition. Together, these approaches have the potential to clarify the notion of what constitutes responsible reporting of suicide, and to broaden the framework for evaluating media performance.


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