Review essay: global and comparative perspectives on media and development

This essay reviews the works ‘Television and the Afghan Culture Wars’ (University of Illinois Press) by Wazhmah Osman and ‘Media Imperialism in India and Pakistan’ (Routledge) by Farooq Sulehria as recent contributions to the fields of global and comparative media studies. It considers the overlapping themes in these works through ruberics of media imperialism and development in terms of growth of television industry in India, Pakistan and Afghanistan in the broad context of globalization and transnational media flows.

Globalization and media imperialism : a case study of the Slovak Republic's television media structure and content

An increase in the global circulation of symbolic commodities allows for both new and older forms of mass media to re-construct the ways in which individuals identify with themselves and with their own cultures. The goal of this project was to employ former communist Slovakia as a case study in order to examine the global circulation of symbolic commodities, specifically television programmes. This paper outlines Slovakia's television media structure and its development from the communist era to its current form. Secondly, it employs content analysis and articulation theory as methodologies in order to place Slovakia's television into context with two cultural theory theses; the media imperialism thesis and the globalization thesis. It was found that the [sic] as a result of several historical and political changes, the current conjuncture of Slovakia's television media includes a large number of American entertainment programmes, some domestic productions and a European structure of broadcasting

Globalization and media imperialism : a case study of the Slovak Republic's television media structure and content

An increase in the global circulation of symbolic commodities allows for both new and older forms of mass media to re-construct the ways in which individuals identify with themselves and with their own cultures. The goal of this project was to employ former communist Slovakia as a case study in order to examine the global circulation of symbolic commodities, specifically television programmes. This paper outlines Slovakia's television media structure and its development from the communist era to its current form. Secondly, it employs content analysis and articulation theory as methodologies in order to place Slovakia's television into context with two cultural theory theses; the media imperialism thesis and the globalization thesis. It was found that the [sic] as a result of several historical and political changes, the current conjuncture of Slovakia's television media includes a large number of American entertainment programmes, some domestic productions and a European structure of broadcasting

A Postcolonial Scrutiny of the Media Imperialism in Wajahat Ali’s The Domestic Crusaders

The paper reevaluates Wajahat Ali’s play The Domestic Crusaders through the postcolonial views of Edward Said. It explores the role of the Western media in the classification and alienation of Muslims according to racist misconceptions. Despite the differences in their respective approaches, the two texts—Ali’s The Domestic Crusaders and Said’s Covering Islam—denounce the media’s role in the distortion of the portrayals of Islam and Muslims. Accordingly, the study aims at discussing the two texts through a postcolonial viewpoint in relation to the media’s role in the spread of Islamophobia. Extracts from both texts will be provided to explicitly or implicitly epitomize the dilemma of the Muslim society after 9/11. The paper explores how the media exploit the fear, ignorance, or vulnerabilities of the global audience. The paper proves that the crusades against Islam deliberately and erroneously describe it as a source of violence and primitiveness that threatens humankind.

A Postcolonial Scrutiny of the Media Imperialism in Wajahat Ali’s The Domestic Crusaders

The paper reevaluates Wajahat Ali’s play The Domestic Crusaders through the postcolonial views of Edward Said. It explores the role of the Western media in the classification and alienation of Muslims according to racist misconceptions. Despite the differences in their respective approaches, the two texts—Ali’s The Domestic Crusaders and Said’s Covering Islam—denounce the media’s role in the distortion of the portrayals of Islam and Muslims. Accordingly, the study aims at discussing the two texts through a postcolonial viewpoint in relation to the media’s role in the spread of Islamophobia. Extracts from both texts will be provided to explicitly or implicitly epitomize the dilemma of the Muslim society after 9/11. The paper explores how the media exploit the fear, ignorance, or vulnerabilities of the global audience. The paper proves that the crusades against Islam deliberately and erroneously describe it as a source of violence and primitiveness that threatens humankind.

Distributing CanCon: CBC strategies for international distribution

This article tackles the evolution of Canadian Broadcasting Corporation international distribution strategies at the intersection of the contemporary television landscape, by providing a context and definition for Canadian content (CanCon) rules, so as to consider more recent debates on the positioning of foreign streaming services in Canada in relation to existing broadcasting companies. The aim is to problematize media policies, by outlining the present state of the debate and updating the conversation to include global streaming TV players. Key questions are explored, such as whether CanCon rules are outdated forms of cultural protectionism or still represent viable answers to the risks of media imperialism.

Media Imperialism: A Postmodern Analysis

This paper aims to build an understanding of postmodern phenomena, that what exactly it means and how it relates to media in general and media imperialism in particular. The claim of modernists that we, the masses are so immersed in the mediatized lifestyle that we have blurred the lines between reality and media is discussed thoroughly that how the distinction has almost disappeared. This study explores how human beings have lost the sense of reality and have started to believe that media reality is the actual reality. It is also worth explaining how it has historical roots, from modern to postmodern era, in which the idea of representation got remixed with intertextual references. This piece of writing also establishes the work of distinguished postmodernists like Lyotard, Derirda, Foucault, Barthes, Edward Said, Boyd Barret and Bandrillad. The article elucidates the vital role played by media to reshape our personal and social lives, and most importantly, our conceptions of reality. It investigates the question that is it really truth that our lives have been dominated and influenced by the consumption of images, where notions of objectivity and empiricism have been disappeared since long while forgetting the true essence of real world? And whether there exists a wish to return to reality or not?