Socio-Economic and Cultural Life of India and Assam in the Nineteenth Century

2021 ◽  
Author(s):  
Abul Hussain
1991 ◽  
Vol 9 (3) ◽  
pp. 314
Author(s):  
Samuel F. Pogue ◽  
Robert C. Vitz

Author(s):  
Ellen Koskoff

Ethnomusicology is the study of music in human social and cultural life. Closely related today to the discipline of anthropology, its basic method is ethnographic fieldwork. This chapter begins by presenting a history of the field of ethnomusicology, from its earliest beginnings (as comparative musicology) in late nineteenth-century Europe to its present standing as a major music discipline worldwide. The chapter proceeds by providing a critical analysis of current debates, theoretical directions, new practices, and challenges, before concluding with an examination of some important issues affecting the future of ethnomusicology. These include the effects of postmodernism (such as the development of new paradigms foregrounding fragmentation and multiple subjectivities) on the study of music; the rise of various technologies as harbingers of a new formulation of music as simply one category of sound; the effects of globalism on diasporic studies, conceptions of “musical flow,” and the ethics of fieldwork; and, finally, the roles of sameness and difference as organizing principles of ethnomusicological analysis and practice


2001 ◽  
Vol 46 (2) ◽  
pp. 227-255 ◽  
Author(s):  
Manuel Pérez Ledesma

Anticlericalism was a decisive trend in Spanish political, social, and cultural life from the beginning of the nineteenth century until the Spanish Civil War. It is true that anticlerical movements also existed in other European states, but the confrontations were much more intense in Spain. José M. Sánchez recalls this in a concise summary of the violence unleashed by these struggles: from 1822 to 1936, at least 235 members of the clergy were assassinated and around 500 churches and religious centres were burned. In addition, in the three years of the Civil War, almost 7,000 priests, monks and nuns suffered the same fate. Despite this, until a few years ago there were frequent complaints about the scant attention paid by Spanish historians to this trend. Julio de la Cueva Merino referred to this lack of research, and even to the ‘historiographic vacuum’, in a summary of publications on the subject which appeared in 1991. Three years later, Pilar Salomón mentioned the ‘absence of fruitful bibliographic production’, and, as recently as 1997, Rafael Cruz spoke of a ‘shortage of works’, or at least a very scarce production of monographs. Outside the field of history, anthropologists such as David Gilmore and Manuel Delgado have likewise criticized the lack of interest of their colleagues in the face of what Gilmore defined as ‘as powerful a social and ideological phenomenon as devotion’, and which should deserve the same intellectual consideration.


1944 ◽  
Vol 1 (1) ◽  
pp. 43-66
Author(s):  
Francis Borgia Steck

A Phase of American history that calls for a more adequate appraisal is the role played by Catholics in the cultural life of Mexico during the nineteenth century, from Hidalgo’s dash for independence in 1810 to the collapse of the Díaz regime in 1910. It is commonly believed that during these hundred years Catholics in Mexico were dolefully sitting on the sidelines and sucking their thumbs, wistfully waiting for a chance to enter once more and enrich with their contribution the temple of national culture. So many imagine that Catholics in nineteenth-century Mexico, being fettered politically and black-listed socially, manifested little interest and made no worthwhile contributions along cultural lines. Belonging generally to the so-called “conservative” party in the political arena, they are supposed to have been debarred from the cultured “liberal” circles of the day and for this reason remained inarticulate, contributing nothing of real importance and enduring value to the culture of independent Mexico and exerting no appreciable influence on contemporary literature, art, science, and education.


1964 ◽  
Vol 27 (2) ◽  
pp. 397-407
Author(s):  
S. A. A. Rizvi

This document is in the possession of Mr. J. K. Gubbins of High Wycombe, Buckinghamshire, and a photocopy has recently been acquired by the library of the School of Oriental and African Studies, University of London. It is unique in the history of Urdu prose, being the earliest known farewell address written in Urdu. The language is simple and idiomatic and the style is free from affectation and turgidity—defects from which documents of this type are not free even to-day. Though some commonplace adjectives have been used, it on the whole satisfactorily brings out the main contributions of John Panton Gubbins to the social and cultural life of the Delhi of the mid-nineteenth century.


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