scholarly journals An Analysis of Ju Xian in Movie Farewell My Concubine

Humaniora ◽  
2014 ◽  
Vol 5 (2) ◽  
pp. 1187
Author(s):  
Fu Ruomei
Keyword(s):  
The Other ◽  
Female Character ◽  
Close Reading ◽  
Ordinary Life ◽  
Other Hand ◽  
The One

As the main female character in movie "Farewell My Concubine", Ju Xian was a brave, smart, worldly-wise but kindhearted woman. Even though she was a prostitute, she was longing for an ordinary life. She loved Xiao Lou, moreover, in order to engross Xiao Lou, she even tried to drive a wedge between Die Yi and Xiao Lou. She used her wisdom to save and protect Xiao Lou, but on the other hand, she was also the one who destroyed Xiao Lou and her own life. Article tried to through close reading analyze the character of Ju Xian and her relationships with Die Yi and Xiao Lou. Article revealed the inescapable tragic fate of Ju Xian.  

scholarly journals Analysis of reality of the work and artistic communication as a way to elucidate the essence of art

2021 ◽  
pp. 53-67
Author(s):  
Vadim Markovich Rozin
Keyword(s):  
The Other ◽  
Conceptual Space ◽  
Ordinary Life ◽  
Life Patterns ◽  
Other Hand ◽  
The One ◽  
Communicative Abilities ◽  
Original Concept

The article covers the two main topics: the characteristics of three key stages of studying art by the author, and a brief summary of the original concept of art proposed as a result of this study. Leaning on the concept of art of L. S. Vygotsky, the author offers the own approach towards studying art. Firstly, art is viewed in comparison with dreams, communication and play, analyzing the role of these processes and semiotic means played in relation to ordinary life. The article introduces the idea of artistic reality, which manifests as a continuation of ordinary life, allowing to realize in a semiotic form the desires (psychic programs) that are blocked in ordinary life; and such realization suggest living through the events set by the specific semiosis of art and conditionality. Secondly, the author describes the results of the genesis of art. In the course of analysis, emphasis is place on the three central topics:: 1) establishment of the semiosis of art based on the semiosis formed in ordinary life; 2) formation of recreation sphere, within which art is being formed; 3) philosophical “conceptualization” of art in the antique culture, which characterizes art as an independent sphere of life, unlike other spheres. Thirdly, art and artistic reality are viewed as a peculiar type of communication. The author believes that both, the artist (writer, composer) and the viewer (reader, listener), on the one hand, create and reconstruct artistic reality (and there is not always a coincidence), while on the other hand, to one or another extent, they take into account each other's communicative abilities and competencies. The conclusion is made that art is determined by conceptual space, the coordinates of which indicate the representations of artistic reality, artistic communication, life patterns in art, conceptualization of art and its development.

The True Perplexity: The Guide of the Perplexed Part II, Chapter 24

1991 ◽  
pp. 159-174
Author(s):  
Tzvi Langermann
Keyword(s):  
World View ◽  
The Other ◽  
Close Reading ◽  
Basic Principles ◽  
The Third ◽  
Other Hand ◽  
The One ◽  
Guide Of The Perplexed

This chapter focuses on part II, Chapter 24 of Maimonides’ Guide of the Perplexed, which discusses the incompatibility of the models used by professional astronomers with the basic tenets of the Aristotelian world-view. On the one hand, the epicycles and eccentrics employed by astronomers seem to violate the principle that the motion of the heavenly bodies be uniform, circular, and about a fixed centre. On the other hand, the results achieved through the use of these very devices are startlingly precise. This, Maimonides says, is the ‘true perplexity’. The chapter then looks at three aspects of this true perplexity. It also compares the views expressed in the Guide with the rules laid down in the third chapter of the ‘Laws Concerning the Basic Principles of the Torah’, which forms the first section of the Mishneh Torah. It is particularly concerned with two questions: did Maimonides consider the true configuration of the heavens to be inscrutable? And can a close reading of both texts offer any clues about this true configuration? Finally, the chapter considers the views of some of Maimonides’ followers on these questions.

Valérys Namen: Der Status des Lesers in der poésie pure

2012 ◽  
Vol 47 (1) ◽  
pp. 108-133
Author(s):  
Franziska Humphreys-Schottmann
Keyword(s):  
Textual Analysis ◽  
The Other ◽  
Structural Function ◽  
Close Reading ◽  
Personal Pronoun ◽  
Personal Pronouns ◽  
Rhetorical Figures ◽  
Other Hand ◽  
The One ◽  
Fundamental Tension

AbstractValéry’s dream of the creation of a poésie pure is determined by a fundamental tension between two contradictory aspirations. On the one hand, he inherits French rationalism when he tries to develop a poetical praxis based on a logical-mathematical calculus, in which anything vague and unclear should disappear. On the other hand, this strictly formalized language revolves around the notion of moi pur and therefore subscribes to a hypertrophied subjectivism. The paradoxical logic of personal pronouns described by Émile Benveniste is at the origin of Valéry’s project: The moi pur is both, the personal pronoun that identifies the concrete speaker and the structural function of the universal invariant. Ineluctably affected by this pronominal shifting, the reader is, above all, at stake in the poéésie pure. In an attempt to unfold the aporetical constructions resulting from this paradox, this textual analysis focuses on some of the main rhetorical figures of Valpoéry’s work. A close reading of Narcisse parle reveals the specific moments of permanent self-variation by which the popoésie pure constantly subverts itself. Poeisis resists any kind of rigid formalism, any subjugation of its rhetorical potential and any attempt to escape the ever-sliding sense of the metaphor. We can thus affirm that the aporias revealed by the popoésie pure evidence hence the conditions of poetical representation itself.

The Logics of Worldlessness

2020 ◽  
pp. 245-292
Author(s):  
Roland Végső
Keyword(s):  
The Other ◽  
Close Reading ◽  
Other Hand ◽  
Historical Condition ◽  
The One

The final chapter provides a close reading of Alain Badiou’s The Logics of Worlds. It argues that the theoretical conflict between Being and Event and The Logics of Worlds plays out in the space defined by the tension between the ontological primacy of worldlessness and the phenomenological necessity of worlds. While the ontology of radical multiplicity introduced in Being and Event provides us with one of the most compelling arguments in favour of worldlessness, in the sequel to Being and Event Badiou turns to a novel phenomenology to account for the necessity of worlds. The chapter argues that it is the Heideggerian contradictions expounded upon in Chapter 1 that will help us make sense of a fundamental contradiction in Badiou’s philosophy: a conflict between the ontology of worldlessness and the politics of world-creation. To put it differently, in Badiou’s thought we encounter two forms of worldlessness: on the one hand, Being is worldless (which is a positive enabling condition) and, on the other hand, Capital is worldless (which is a negative historical condition).

Inward and Outward with the Modern Self

Dialogue ◽  
1994 ◽  
Vol 33 (1) ◽  
pp. 101-108 ◽  
Author(s):  
David Braybrooke
Keyword(s):  
The Other ◽  
Modern Culture ◽  
Ordinary Life ◽  
Full Credit ◽  
Other Hand ◽  
Concern For Others ◽  
The Family ◽  
Modern Self ◽  
The One ◽  
Made In

The modern self, with its inwardness, its freedom and its individuality (p. ix), suffers, Taylor tells us, from disenchantment (p. 500, cf. pp. 17-18, 186). Moreover, disenchantment has come in spite of the advance, to which Taylor wishes to give full credit, that modernity has made in giving great value to ordinary life at work and in the family (p. 211). For religion, though still present as one layer of sentiment among many in the historical deposits that compose modern culture, has given ground to “disengaged instrumentalism” or to its antagonist, romantic “expressivism” (p. 498). Taylor, a philosopher of uncommonly generous spirit, is willing to find good in each of these orientations: the first, for example, has with utilitarianism put the relief of needless suffering at the top of the moral agenda (p. 331), along with redeeming from superstitious repression a number of innocent pleasures; the second has deepened human capacity, on the one hand by deepening emotions (both in the sense of oneself and in concern for others), on the other hand by gaining for them intellectual respect (pp. 294, 372, 419).

Quentin Meillassoux: Supreme Human Value Meets Anti-anthropocentrism

2016 ◽  
Author(s):  
Christopher Watkin
Keyword(s):  
The Other ◽  
Close Reading ◽  
Other Hand ◽  
Human Value ◽  
Philosophical Project ◽  
The One ◽  
Very High ◽  
Quentin Meillassoux

This chapter continues exploring the contemporary permutations of the ‘host capacity’ account of humanity through a close reading of Quentin Meillassoux’s transformation of the human. The place of the human in Meillassoux’s thought is complex. On the one hand, he maintains a strong and consistent rhetoric of anti-anthropocentrism, and his fundamental philosophical project can be summarised as an attempt to break free from what he sees as the anthropocentric straitjacket of Kantian and post- Kantian ‘correlationist’ thought. On the other hand, however, Meillassoux can evince a very high view of the human indeed, not hesitating to call his philosophy a ‘humanism’ and asserting the value of the human as ultimate. The first part of the chapter argues that Meillassoux’s humanism is less humanist than he thinks and the second part shows that his attempt to disengage from anthropocentrism is more anthropocentric than he thinks. As in the case of Badiou, it is Meillassoux’s insistence on tethering the value of humanity to its capacity for thought that lies at the root of many of the problems of his anthropology.

scholarly journals Postcolonial Islam in My Son the Fanatic: From Deobandi Revivalism to the Secular Transposition of the Sufi Imaginary

Humanities ◽  
2020 ◽  
Vol 10 (1) ◽  
pp. 1
Author(s):  
Jamie S. Scott
Keyword(s):  
United Kingdom ◽  
Short Story ◽  
The Other ◽  
Film Adaptation ◽  
Close Reading ◽  
Other Hand ◽  
Conditions Of Possibility ◽  
The One ◽  
Minced Meat

Set in the early 1990s, Hanif Kureishi’s short story “My Son the Fanatic” (1997) dramatizes tensions between Parvez, a lapsed Pakistani Muslim migrant to postcolonial England, and his son Ali, who rejects the western secularity of his father and reverts to a strict form of fundamentalist Islam. If these tensions remain unresolved in the story, Kureishi’s film adaptation elaborates them. In so doing, though, My Son the Fanatic (dir. Udayan Prasad 1997) presents a very different picture. Renamed Farid, the film’s eponymous youth breaks off engagement to the daughter of the local chief of police and challenges his father: “Can you put keema [minced meat] with strawberries?” Metaphorically, this question articulates the deeper concern underlying the story: How might migrants in diaspora live an authentic Muslim life in the secular environment of the predominantly non-Muslim United Kingdom? A close reading of My Son the Fanatic reveals vying answers. Farid and Parvez both invoke the Qur’an, ultimate arbiter of value, meaning and truth in Islam, but thence their paths diverge widely. On the one hand, the film depicts the revivalist maslak of Deobandi Islam, though such missionary fervour may lead all too easily to the violent militancy of Farid and his cohort. On the other hand, My Son the Fanatic suggests conditions of possibility for a Muslim life of sacralised secularity by developing the love between Parvez and Sandra in terms of tropes and themes transposed from the Sufi imaginary to the postcolonial United Kingdom, most notably an ethos of iḥsān, that is, the cultivation of what is beautiful and good.

BEN JE WAT JE LEEST?

2018 ◽  
Vol 2 (1) ◽  
pp. 28-47
Author(s):  
Bram Lambrecht
Keyword(s):  
The Other ◽  
Close Reading ◽  
Other Hand ◽  
Affective Bond ◽  
The One

ARE YOU WHAT YOU READ? E. du Perron’s ‘Notebooks of a reader’ This article offers a close reading of E. du Perron’s influential Notebooks of a reader (Cahiers van een lezer). It focuses on Du Perron’s self-representation as a reader and his ideas on reading. On the one hand, author’s notebooks confirm his reputation as a subjective reader. Du Perron cherishes an utterly emotional reading method, an affective bond with writers and books and a volatile literary taste. On the other hand, the Notebooks allow us to refine his subjectivism. They demonstrate the importance of reading as a communal activity and the exemplary function of Du Perron’s own reading experiences.

Stories and the Self

2020 ◽  
Vol 32 (2) ◽  
pp. 47-58 ◽  
Author(s):  
Stefan Krause ◽  
Markus Appel
Keyword(s):  
Meta Analysis ◽  
The Self ◽  
The Other ◽  
Lower Degree ◽  
Contrast Effects ◽  
Self Perception ◽  
Self Perceptions ◽  
Other Hand ◽  
The One ◽  
Implicit And Explicit

Abstract. Two experiments examined the influence of stories on recipients’ self-perceptions. Extending prior theory and research, our focus was on assimilation effects (i.e., changes in self-perception in line with a protagonist’s traits) as well as on contrast effects (i.e., changes in self-perception in contrast to a protagonist’s traits). In Experiment 1 ( N = 113), implicit and explicit conscientiousness were assessed after participants read a story about either a diligent or a negligent student. Moderation analyses showed that highly transported participants and participants with lower counterarguing scores assimilate the depicted traits of a story protagonist, as indicated by explicit, self-reported conscientiousness ratings. Participants, who were more critical toward a story (i.e., higher counterarguing) and with a lower degree of transportation, showed contrast effects. In Experiment 2 ( N = 103), we manipulated transportation and counterarguing, but we could not identify an effect on participants’ self-ascribed level of conscientiousness. A mini meta-analysis across both experiments revealed significant positive overall associations between transportation and counterarguing on the one hand and story-consistent self-reported conscientiousness on the other hand.

Radioimmunotherapy for treatment of acute myeloid leukaemia and myelodysplastic syndrome

2005 ◽  
Vol 44 (03) ◽  
pp. 107-117
Author(s):  
R. G. Meyer ◽  
W. Herr ◽  
A. Helisch ◽  
P. Bartenstein ◽  
I. Buchmann
Keyword(s):  
Acute Myeloid Leukaemia ◽  
Myeloid Leukaemia ◽  
Primary Tumour ◽  
The Other ◽  
Haematopoietic Stem Cell ◽  
Other Hand ◽  
Primary Reduction ◽  
The One ◽  
Acute Myeloid

SummaryThe prognosis of patients with acute myeloid leukaemia (AML) has improved considerably by introduction of aggressive consolidation chemotherapy and haematopoietic stem cell transplantation (SCT). Nevertheless, only 20-30% of patients with AML achieve long-term diseasefree survival after SCT. The most common cause of treatment failure is relapse. Additionally, mortality rates are significantly increased by therapy-related causes such as toxicity of chemotherapy and complications of SCT. Including radioimmunotherapies in the treatment of AML and myelodyplastic syndrome (MDS) allows for the achievement of a pronounced antileukaemic effect for the reduction of relapse rates on the one hand. On the other hand, no increase of acute toxicity and later complications should be induced. These effects are important for the primary reduction of tumour cells as well as for the myeloablative conditioning before SCT.This paper provides a systematic and critical review of the currently used radionuclides and immunoconjugates for the treatment of AML and MDS and summarizes the literature on primary tumour cell reductive radioimmunotherapies on the one hand and conditioning radioimmunotherapies before SCT on the other hand.

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