Twenty First Century Water Asset Accounting: Case Studies Report

2014 ◽  
Vol 13 ◽  
Author(s):  
Amy Pickle
Author(s):  
Paul Hedges

This chapter explores the development of Anglican inter-faith relations since 1910 which has been shaped by a number of factors including: the ecumenical context, changing dynamics within the global Communion, globalization issues, and moves from mission to dialogue. The chapter begins with a historical overview and traces developments in key Anglican Communion texts and meetings, especially in recent times the Lambeth Conferences of 1988, 1998, and 2008. The ecumenical context which has shaped thought on inter-faith relations in this period is also given strong attention. The chapter concludes with two case studies. The first explores relations with Buddhism in the Sri Lankan context, while the second looks at relations with Islam focusing on the Middle East. While charting some general trends, it is noted that very different dynamics and varying standpoints exist in Anglican attitudes on inter-faith relations and have been part of the historical development throughout the period surveyed.


2011 ◽  
Vol 28 (1) ◽  
pp. 45-75
Author(s):  
Dr. Anke Iman Bouzenita

The current discourse on bioethical questions often reveals a certain patchiness or seeming inability to answer contemporary bioethical problems within an Islamic epistemological paradigm. Attempting to analyze the causes of this phenomenon, the author describes the decontextualization of Islamic concepts from a background of secularized medical care and the ethics in the Islamic world—as well as the estrangement due to these questions of Islamic law from its holistic framework of application as a pervasive phenomenon, which brought about the dilemmas of bioethics in the twenty-first century. The author discusses chosen bioethical case studies in this light, with a focus on the concept of brain death. Doing so, the author takes into consideration the paradigmatic relationship between science, bioethical models, and the implications of the relevant different worldviews. The author shows how constructed realities related to the life sciences have been imported from the secular setting into an already estranged Islamic context to be answered, and describes the evolving dilemmas that make Islamic bioethics appear like a stranger moving in a strange land.


2020 ◽  
pp. 271-286
Author(s):  
Eric Robertson

The notion of the formless found a lasting definition in Documents, the dissident Surrealist magazine led by Georges Bataille, Carl Einstein and Michel Leiris from 1929 to 1931.  In an unassuming short entry for its ‘Dictionnaire’, Bataille presents the informe emphatically not as a system or a structure, but as ‘un terme servant à déclasser’; yet neither the disruptive impulse of the 'Dictionnaire', nor the more recent exhibitions it has generated, can avoid a measure of taxonomic organisation (L'Informe: mode d'emploi, 1996; Undercover Surrealism, 2006). In the realm of poetry, free verse has eroded the boundaries of the poetic, but its freedom from formal constraints is limited too; as Jay Parini (2008) contends, ‘formless poetry does not really exist, as poets inevitably create patterns in language that replicate forms of experience.’  Through  a small number of case studies, this chapter will consider the legacy of Bataille’s definition while assessing the ongoing tension between form and its undoing in textual and visual art of the twenty-first century.


2018 ◽  
Vol 13 (6) ◽  
pp. 1219-1234
Author(s):  
Jarula MI Wegner

The concept of countermemory is frequently used in various, sometimes contradictory ways. This essay aims at further clarifying the concept of countermemory by highlighting its potentials and limits. After revisiting Michel Foucault’s initial use of countermemory, the concept is analysed in three case studies of Black-Jewish negotiations in US Rap music. The analysis shows that the discourse of Black-Jewish relations entered rap music in the 1980s and continues well into the twenty-first century. The concept of countermemory has at least four characteristics. It is necessarily related and in opposition to another memory. It employs two different time horizons and enables transcultural memory negotiations. Finally, there are instances of moderate and radical uses of countermemory. Some characteristics are essential to the concept, while others only occasionally appear. Countermemories can be reactionary or progressive, constructive or destructive, factual or fictitious.


Author(s):  
Cristina Leston-Bandeira ◽  
Louise Thompson

Exploring Parliament offers a fresh perspective on an ancient institution. It provides a real-life insight into the inner workings, impact, and relevance of twenty-first century Parliament. Short academic and practitioner chapters are combined with relevant and practical case studies, to provide an introduction to Parliament's structures, people, and practices. As well as covering the broader structure of UK Parliament, this text explains the role of small parties in law-making, the design and space of Parliament, and offers illuminating case studies on highly topical areas such as the Backbench Business Committee, the Hillsborough Inquiry and recent pieces of legislation such as the Assisted Dying Bill.


2020 ◽  
Vol 44 (2) ◽  
pp. 301-318
Author(s):  
Vassiliki Kaisidou

Between the years 2000 and 2015 novels on the Greek civil war (1946–9) flooded the Greek literary market. This raises important questions as to why the burden of the civil conflict weighs heavily upon generations with no experiential connection to these events. This article begins by offering an interpretation for the literary upsurge of the civil war since the 2000s. Then it uses Marianne Hirsch's concept of postmemory to illustrate the authors’ ethical commitment to ‘unsilence’ and redress the past through the use of archival evidence and testimonies. The case studies of ThomasSkassis’Ελληνικόσταυρόλɛξο (2000), Nikos Davvetas’ Λɛυκή πɛτσέτα στορινγκ (2006),and SophiaNikolaidou's Χορɛύουνοιɛλέφαντɛς(2012) serve to illustrate my argument.


2021 ◽  
Author(s):  
◽  
Susette Goldsmith

<p>The twenty-first century is imposing significant challenges on nature in general with the arrival of climate change, and on arboreal heritage in particular through pressures for building expansion. This thesis examines the notion of tree heritage in Aotearoa New Zealand at this current point in time and questions what it is, how it comes about, and what values, meanings and understandings and human and non-human forces are at its heart. While the acknowledgement of arboreal heritage can be regarded as the duty of all New Zealanders, its maintenance and protection are most often perceived to be the responsibility of local authorities and heritage practitioners. This study questions the validity of the evaluation methods currently employed in the tree heritage listing process, tree listing itself, and the efficacy of tree protection provisions. The thesis presents a multiple case study of discrete sites of arboreal heritage that are all associated with a single native tree species—karaka (Corynocarpus laevigatus). The focus of the case studies is not on the trees themselves, however, but on the ways in which the tree sites fill the heritage roles required of them entailing an examination of the complicated networks of trees, people, events, organisations, policies and politics situated within the case studies, and within arboreal heritage itself. Accordingly, the thesis adopts a critical theoretical perspective, informed by various interpretations of Actor Network Theory and Assemblage Theory, and takes a ‘counter-’approach to the authorised heritage discourse introducing a new notion of an ‘unauthorised arboreal heritage discourse’. The thesis introduces alternative examples of arboreal heritage to the contemporary heritage canon paving the way for other forms of heritage that may remain mired in the expectations of the twentieth century’s authorised heritage discourse. In doing so it elevates arboreal heritage as a valid part of physical heritage and a worthy topic for further critical heritage study. The research findings show that in contemporary Aotearoa New Zealand trees have been active in forging links between the past, the present and the future in new and powerful ways transcending the received evaluation methods and establishing a new rhetoric of arboreal indigeneity. Through the lens of tree registers, the research contributes to a better understanding of both natural heritage and heritage in general and, while firmly placed in the New Zealand context, provides a basis for critical heritage studies of related subjects elsewhere. 2 Little has been written about arboreal heritage in Aotearoa New Zealand. As the first academic study of the topic, the thesis fills gaps in academic and professional knowledge of the tree heritage process. It introduces interdisciplinary ideas, from both the sciences and the humanities, and draws attention to tree heritage as a significant historical, social, economic, cultural and environmental contributor to the well-being of New Zealanders. The case studies demonstrate that effective, contemporary stewardship requires a revised ‘tree sense’ that acknowledges that arboreal heritage is founded on complex and various values, meanings and understandings, and is manifest in many different forms. Drawing on the archival, documentary and empirical research undertaken, the thesis proposes a democratisation of arboreal heritage decision-making, and contributes a set of principles to facilitate the negotiation of arboreal heritage acknowledgement and protection by communities, local authorities and heritage practitioners.</p>


Author(s):  
Luca Giuliani

Luca Giuliani evaluates Laocoon as an ‘analytical tool’ for twenty-first-century classical archaeology. In doing so, he returns to some of the same literary case studies that so engrossed Lessing 250 years ago—and none more so than Homer’s Iliad. By probing Lessing’s theories of the respective workings of art and text, and exploring them in the context of ancient depictions of the Iliad (especially seventh- and sixth-century BC vase-paintings), the chapter explores both the virtues and the problems of Lessing’s account. As Giuliani argues, this historical perspective can help us formulate the analytical importance of Lessing’s framework; at the same time, the perspective of ancient art can help us see how Lessing’s text is as much a treatise against as about the visual arts.


Author(s):  
Stacey Abbott

Twenty-first century film and television is overwhelmed with images of the undead. Vampires and zombies have often been seen as oppositional: one alluring, the other repellent; one seductive, the other infectious. With case studies of films like I Am Legend, Daybreakers, and 28 Days Later, as well as television programmes like Angel, In the Flesh, and The Walking Dead, this book challenges these popular assumptions and reveals the increasing interconnection of undead genres. Exploring how the figure of the vampire has been infused with the language of science, disease, and apocalypse, while the zombie text has increasingly been influenced by the trope of the ‘reluctant’ vampire, this book shows how both archetypes are actually two sides of the same undead coin. When considered together they present a dystopian, sometimes apocalyptic, vision of twenty-first century existence.


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