HISTORY OF DISCOVERY OF THE FIRST HISTORICAL AND CULTURAL EXAMINATION OF THE GOLD MEDALLION «CARRYING THE CROSS» FROM THE TOMB OF A. B. KURAKIN

2019 ◽  
Vol 8 (4) ◽  
pp. 157-166
Author(s):  
M.A. KOMOVA ◽  
Keyword(s):  
2021 ◽  
Vol 118 (1) ◽  
pp. 54-61
Author(s):  
Anna M. V. Bowden
Keyword(s):  

The interpretive history of Revelation is overrun with descriptions of Jesus as a sacrificial lamb. Yet, John never uses the popular phrase to describe him. By drawing attention to four significant omissions in the text, I argue against atonement readings of “the Lamb” in Revelation. Revelation is not a theological treatise on the meaning of the cross. It feeds questions about power and violence and admonishes the seven churches against participation in their imperial context. John’s slaughtered lamb, therefore, does not evoke a paschal sacrifice; it points to Rome’s penchant for violence. Joining the other bloodied bodies in Revelation, the lamb’s blood further incriminates Rome. Everywhere one looks in John’s depiction of empire, violence lurks. Finally, the only altar in Revelation is the heavenly altar, and this altar is not a place for sacrifice. The heavenly altar is a place where the laments of the suffering are heard, a place for worshipping God, and a place where Rome will meet its judgment. John’s Jesus is not a self-sacrificing spiritual savior; he bears witness to the bloodthirsty, massacre-loving beast-of-all-beasts. Churches must choose their allegiance.


2001 ◽  
Vol 81 ◽  
pp. 351-390
Author(s):  
C S Knighton ◽  
Timothy Wilson

In January 1678 John Knight, the Serjeant Surgeon of Charles II, sent to Samuel Pepys a ‘Discourse containing the History of the Cross of St. George, and its becoming the Sole Distinction = Flag, Badge or Cognizance of England, by Sea and Land’. Knight argued that St George's cross should become the dominant feature in English flags and supported his argument with a history of the cross.A manuscript copy of this discourse, with Knight's original drawings, survives in the Pepys Library, Magdalene College, Cambridge, and is published here. A brief biography of Knight is presented and an account of sixteenth- and seventeenth-century controversies about St George. The latter was an issue which caused acrimony between Royalists and Puritans. An Appendix reconstructs Knight's library, principally consisting of books concerning heraldry, topography and history.


1981 ◽  
Vol 12 (1) ◽  
pp. 57
Author(s):  
John Francis Bannon ◽  
John Upton Terrell
Keyword(s):  

2014 ◽  
Vol 14 (4) ◽  
pp. 216-223 ◽  
Author(s):  
Eduardo Caierão ◽  
Pedro Luiz Scheeren ◽  
Márcio Só e Silva ◽  
Ricardo Lima de Castro

In forty years of genetic breeding of wheat, Embrapa (Brazilian Agricultural Research Corporation) has developed over a hundred new cultivars for different regions of Brazil. Information regarding identification of these cultivars is often requested from Embrapa breeders. Data on year of release, name of pre-commercial line, the cross made, and the company unit responsible for indication of the cultivar are not always easily accessible and are often scattered throughout different documents. The aim of this study was to conduct a historical survey of all the wheat cultivars released by Embrapa, aggregating the information in a single document. Since 1974, Embrapa has released 112 wheat cultivars, including 12 by Embrapa Soybean - CNPSo (Londrina, PR), 14 by Embrapa Cerrado - CPAC (Brasília, DF), 9 by Embrapa Agropecuária Oeste - CPAO (Dourados, MS), and 77 by Embrapa Wheat - CNPT (Passo Fundo, RS).


2019 ◽  
Vol 66 (4 SELECTED PAPERS IN ENGLISH) ◽  
pp. 37-61
Author(s):  
Stanisław Kobielus

The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 61 (2013), issue 4. In the Gospels relating the passion of Christ, there is no description of the act of nailing Him to the cross, but there are clearly other biblical testimonies that nails were used for the crucifixion. In many representations, parallel to the nailing of the members of Christ to the cross or raising it with His body, we find placed alongside it, the scene of hammering iron with hammers by Tubal-Kain for the purpose of drawing out the appropriate tones. He hits on the anvil, while Jabal makes a notation of the tones. With this type of illustration, the sound of the hammers during the crucifixion of Christ meets with the sound of the hammers hitting the anvil. Hence, painting and music meet in the iconography of the crucifixion of Christ. It was a sort of Concordia Novi et Veteris Testamenti. In showing this prefiguration, there is also a going back to the history of Pythagoras. It was also an example for the functioning in the Middle Ages, and still later in the Renaissance, of the formulation of the Concordia divi Moysi et divini Platonis.


2021 ◽  
pp. 665-674
Author(s):  
Evgeniy V. Pchelov ◽  

The article is devoted to the analysis of images of territorial coats of arms in the "Titulyarnik" of 1672. The "Titulyarnik," existing in several copies, is the most important source on the history of Russian heraldry. It is a complete visual embodiment of the complex of territorial coats of arms, formed via mentioning the corresponding lands in the royal title. By the early 1670s, the territorial title of the Russian tsars included over 30 names. It had significantly changed and had been supplemented in connection with the events of the war between Russia and the Polish-Lithuanian Commonwealth of 1654–67, which was successful and resulted in annexation of new territories. These territorial incorporations were interpreted by the Russian side as the return of the ancestral lands, the "fatherland" of the Muscovite sovereigns. The "Titulyarnik" became the second source after the Great Seal of Ivan the Terrible, in which the heraldic representation of the royal title was given in its entirety. The complex of territorial coats of arms underwent certain changes since the end of the 1570s, when the Great Seal of Ivan the Terrible had been created. These changes most probably took place under the first Romanovs, starting in the 1620s. At the same time, some coats of arms were re-drawn. In the "Titulyarnik," most of the territorial coats of arms were also changed. Moreover, the complex of territorial coats of arms was supplemented with completely new coats of arms. Iconographic and source analysis of the images of coats of arms and their comparison with earlier versions has allowed the author to identify some important patterns of their transformation. It has been determined that many territorial coats of arms of the "Titulyarnik" were significantly strengthened by Christian semantics. This was primarily done by addition of various Christian symbols to the coats of arms. The most important of these symbols was the cross, represented in its two forms — straight and x-shaped cross. Thus, the heraldic reform carried out in the "Titulyarnik" was consistent; it was associated with the need to emphasize the Orthodox nature of the Muscovite Tsardom as guardian and defender of the Christian religion. Christian semantics also appeared in the heraldic verses written by an unknown author in the 1670s. In these verses, the territorial coats of arms were described and their interpretation was given. Variants of the coats of arms presented in the "Titulyarnik" continued to exist in the period of the Russian Empire.


Author(s):  
Martin Brecht

ABSTRACTThe essay reminds us of the effects of Paul Speratus, that early follower of Luther who died 450 years ago and who, probably unjustly, has enjoyed little attention in recent decades. At the beginning of 1522, the former Würzburg cathedral preacher was excommunicated by the theology faculty of the University of Vienna, because of a sermon that he had preached in St. Stephan’s Cathedral in Vienna - one of the first that argued against clerical vows of celibacy. From that time, Speratus aligned himself with the faction of reform-minded critics of scholasticism. Nevertheless, he found a new position as pastor in Iglau (Moravia), from which, however, King Ludwig of Hungary attempted to drive him. The congregation initially banded together in defense of their pastor, but under the pressure of the cross it did not persevere. Speratus had to yield and turned toward Wittenberg. There he gained attention as the translator of three writings of Luther, among others the Formula Missae|. In addition, he wrote the lyrics of the great Reformation hymn, Es ist das Heil uns kommen her|. A later song about the Augsburg Diet of 1530 expressed the problem of resistance. After 1524, Speratus took his final post, as court preacher in the young Duchy of Prussia and evangelical Bishop of Pomerania. His contribution to the history of the Prussian Reformation is deserving of a new evaluation.


2021 ◽  
pp. 47-72
Author(s):  
Jed Rasula

Beginning with a profile of encyclopedic aspirations in Don DeLillo’s novel Underworld, this chapter extends the analysis through Moby-Dick by Herman Melville and The Magic Mountain by Thomas Mann. These are among numerous instances of cultural and intellectual audacity characterized as the encyclopedic novel after the publication of Gravity’s Rainbow by Thomas Pynchon. The analysis expands by recounting the history of the encyclopedia as a form emerging from the earlier genre of the anatomy. This legacy, pioneering the cross-referencing system familiar from reference works in general, is now thoroughly integrated into our computational search engines. The novels characterized as encyclopedic, however, turn out to resist the sense of instantaneity and rapidity evident in digital platforms, going so far as to find value in indigence, revealed as the art of non-compliance with compulsory forms of “progress.”


Sign in / Sign up

Export Citation Format

Share Document