scholarly journals Editorial: Public and private finance and financial markets during the second wave of the Covid-19 pandemic

Author(s):  
Marco Venuti

The third issue of the journal Risk Governance and Control: Financial Markets and Institutions provides contributions to the exploration of subjects related to public and private finance and the functioning and investment techniques of financial markets. These are all topical issues that may give rise to further research in order to understand better how countries, markets and companies are facing the challenges due to the Covid-19.

Author(s):  
Adam Samborski

The issues of proper formation of institutions are extremely important both at the level of the economy and at the level of individual organizations. These problems are addressed in the papers published in the current issue of the journal „Risk Governance and Control: Financial Markets & Institutions” (volume 11, issue 3).


Author(s):  
Elizaveta Kravchenko

The recent issue of the journal Risk Governance and Control: Financial Markets & Institutions is devoted to the issues of risk measurement, microinsurance, low-income markets, risk management practices, audit fees, etc.


Author(s):  
Ivo Pezzuto

The fourth issue of the Risk Governance and Control: Financial Markets & Institutions journal (volume 10, issue 4) explores a number of stimulating subjects related to the future of finance, banking, and financial systems such as the impact of big banks’ digitalization and mergers and acquisitions (M&A) strategies on the sustainability of local banks’ business models and on their relationship with the territory; the factors affecting portfolio investment decisions in the emerging markets, or central banks’ mission to assure stability to the purchasing power of their currencies.


Author(s):  
Giorgia Mattei

In the first issue of the journal Risk Governance and Control: Financial Markets & Institutions in 2021 contributions are published that studied industries that provide finance from a different point of view and papers related to human capital with various declensions.


Author(s):  
Yulia Lapina

The recent issue of the journal Risk Governance and Control: Financial Markets & Institutions is devoted to the issues of fixed investments, risk management practices, inflation uncertainty, budgetary discipline, debtor’s right etc.


Author(s):  
Mireille Chidiac El Hajj ◽  
Giorgia Mattei

The Journal's aim is to publish high quality, rigorous and original research papers concerning broad areas of risk governance. Its areas of interest include but are not limited to financial markets and institutions, risk management, economics, econometrics and finance economics, econometrics finance, market risk, credit risk, investment risk, liquidity risk, equity risk, etc.


Author(s):  
Jakob de Haan ◽  
Sander Oosterloo ◽  
Dirk Schoenmaker

Author(s):  
Jakob de Haan ◽  
Sander Oosterloo ◽  
Dirk Schoenmaker

2015 ◽  
Vol 32 (1) ◽  
pp. 40-77
Author(s):  
Peter Mercer-Taylor

The notion that there might be autobiographical, or personally confessional, registers at work in Mendelssohn’s 1846 Elijah has long been established, with three interpretive approaches prevailing: the first, famously advanced by Prince Albert, compares Mendelssohn’s own artistic achievements with Elijah’s prophetic ones; the second, in Eric Werner’s dramatic formulation, discerns in the aria “It is enough” a confession of Mendelssohn’s own “weakening will to live”; the third portrays Elijah as a testimonial on Mendelssohn’s relationship to the Judaism of his birth and/or to the Christianity of his youth and adulthood. This article explores a fourth, essentially untested, interpretive approach: the possibility that Mendelssohn crafts from Elijah’s story a heartfelt affirmation of domesticity, an expression of his growing fascination with retiring to a quiet existence in the bosom of his family. The argument unfolds in three phases. In the first, the focus is on that climactic passage in Elijah’s Second Part in which God is revealed to the prophet in the “still small voice.” The turn from divine absence to divine presence is articulated through two clear and powerful recollections of music that Elijah had sung in the oratorio’s First Part, a move that has the potential to reconfigure our evaluation of his role in the public and private spheres in those earlier passages. The second phase turns to Elijah’s own brief sojourn into the domestic realm, the widow’s scene, paying particular attention to the motivations that may have underlain the substantial revisions to the scene that took place between the Birmingham premiere and the London premiere the following year. The final phase explores the possibility that the widow and her son, the “surrogate family” in the oratorio, do not disappear after the widow’s scene, but linger on as “para-characters” with crucial roles in the unfolding drama.


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