scholarly journals The standard narrative of early modern philosophy: The main flaws and Kant’s influence

2021 ◽  
Vol 64 (3) ◽  
pp. 113-126
Author(s):  
Milica Smajevic-Roljic

During the twentieth century, a standard narrative of early modern philosophy was established in the English-speaking world, according to which all authors of this period were divided into two schools of thought: rationalist and empiricist. The main goal set in this text is to examine the central features of this narrative to show its incompleteness and inadequacy in presenting the relations that existed between the figures of the seventeenth and eighteenth centuries. We will see that convincing critiques of this theory have been made in the last few decades, which point out its main flaws. The second goal of this paper is to show, by analyzing the texts of Immanuel Kant, that he is not responsible for the creation and dissemination of this narrative, although in the secondary literature the opposite is often claimed.

Author(s):  
Inga Römer

The present study claims that Levinas’s engagement with early modern philosophy can be understood as an attempt to appropriate the tradition of modern rationalism by transforming it on the basis of its own internal limits. The article shows this by analysis especially of Levinas’s interpretations of Hobbes, Descartes, Spinoza, and Kant but also of Rousseau, Berkeley, Malebranche, Leibniz, and Pascal. Levinas’s appropriation of early modern rationalism is a transformation from a rationality of ontology and totality to an ethical rationality, anchored in the desire of the infinite and threatened by the rationality of totality. In Levinas’s eyes, it is Immanuel Kant who proves that this particular rationality of a practical infinite does not have its only origin in a religious tradition (that of the Talmud), but it also has another origin in the philosophical tradition of rationalism itself.


Author(s):  
Marjorie Levinson

The Introduction explains the combination of a narrative arc and conceptual structure in the organization of the book. The former, primarily diachronic, discussion is concerned with the development of the field of Romanticism since the 1980s, presented through both a review of scholarship and exemplary readings of well-known lyric poems. The latter, predominantly synchronic, presentation entails an argument for the analytical value of field theories of form—that is, frameworks drawn from early modern philosophy (Spinoza) and postclassical life- and physical sciences, especially models of self-organization. As an alternative to the external, retrospective perspective provided by, for example, Rita Felski in The Limits of Critique, it draws on the work of Martin Heidegger, Pierre Macherey, and the poet-critic J. H. Prynne to offer a conjunctural approach.


Author(s):  
Michael Moriarty

Although the concept “baroque” is less obviously applicable to philosophy than to the visual arts and music, early modern philosophy can be shown to have connections with baroque culture. Baroque style and rhetoric are employed or denounced in philosophical controversies, to license or discredit a certain style of philosophizing. Philosophers engage with themes current in baroque literature (the mad world, the world as a stage, the quest for the self) and occasionally transform these into philosophical problems, especially of an epistemological kind (are the senses reliable? how far is our access to reality limited by our perspective?) Finally, the philosophies of Malebranche and Berkeley, with their radical challenges to so-called common sense, and their explanation of conventional understandings of the world as based on illusion, have something of the disturbing quality of baroque art and architecture.


1970 ◽  
Vol 4 ◽  
pp. 32-47
Author(s):  
H. B. Acton

It is easy to understand why Hegel's philosophy should be little studied by English-speaking philosophers today. Those who at the beginning of the twentieth century initiated the movement we are now caught up in presented their earliest philosophical arguments as criticisms of the prevailing Anglo-Hegelian views. It may now be thought illiberal to take much interest in this perhaps excusably slaughtered royal family, and positively reactionary to hanker after the foreign dynasty from which it sometimes claimed descent. Hegel was a systematic philosopher with a scope hardly to be found today, and men who, as we say, wish to keep up with their subject may well be daunted at the idea of having to understand a way of looking at philosophy which they suspect would not repay them for their trouble anyway. Furthermore, since Hegel wrote, formal logic has advanced in ways he could not have foreseen, and has, it seems to many, destroyed the whole basis of his dialectical method. At the same time, the creation of a science of sociology, it is supposed, has rendered obsolete the philosophy of history for which Hegel was at one time admired. In countries where there are Marxist intellectuals, Hegel does get discussed as the inadvertent forerunner of historical and dialectical materialism. But in England, where there is no such need or presence, there do not seem to be any very strong ideological reasons for discussing him. In what follows I shall be asking you to direct your thoughts to certain forgotten far-off things which I hope you will find historically interesting even if you do not agree with me that they give important clues for an understanding of human nature and human society.


1993 ◽  
Vol 39 (4) ◽  
pp. 587-605 ◽  
Author(s):  
J. Christian Wilson

In the latter half of the nineteenth century no New Testament scholar in the English speaking world was more respected than J. B. Lightfoot. His New Testament commentaries and his magisterial five volume work on the Apostolic Fathers were models of the scholarly thoroughness of British erudition coupled with the humility of Anglican piety. Their influence would reach well into the twentieth century.


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