The Wishing Bone Cycle: Narrative Poems from the Swampy Cree Indians

1985 ◽  
Vol 9 (1) ◽  
pp. 116
Author(s):  
Richard J. Preston ◽  
Howard A. Norman
Keyword(s):  
Swampy Cree ◽  
Narrative Poems

Motion in Classical Literature

2020 ◽  
Author(s):  
G. O. Hutchinson
Keyword(s):  
Visual Art ◽  
Ancient Philosophy ◽  
Classical Literature ◽  
Literary Works ◽  
Group Motion ◽  
Ancient Literature ◽  
Narrative Poems ◽  
Oedipus At Colonus

Ancient literature is full of people, gods, and animals in impressive motion. But while the importance of space has been realized recently, motion has had little attention, for all its prominence in literature, and its interest to ancient philosophy. Motion is bound up with decisions, emotions, character; its specific features are expressive. The book starts with motion in visual art: this leads to the characteristics of literary depiction. Literary works discussed are: Homer’s Iliad; Ovid’s Metamorphoses; Tacitus’ Annals; Sophocles’ Philoctetes and Oedipus at Colonus; Parmenides’ On Nature; Seneca’s Natural Questions. The two narrative poems here diverge rewardingly, as do philosophical poetry and prose; in the prose narrative, as in the philosophical poem, the absence of motion, and metaphorical motion, are important; the dramas scrutinize motion verbally and visually. Each discussion pursues the general roles of motion in a work, with detail on its language of motion; then passages are analysed closely, to show how much emerges when this aspect is scrutinized. A conclusion brings works and passages together. It considers the differences made by genre and by the time of writing. Among aspects of motion which emerge as important are speed, scale, shape of movement, motion and fixity, movement of one person and a group, motion willed and imposed, motion in images and unrealized possibilities. A companion website makes it easier to see passages and analyses together; it offers videos of readings to convey the vitality and subtlety with which motion is portrayed.

Book review: Elizabethan Narrative Poems: The State of Play

2020 ◽  
Vol 103 (1) ◽  
pp. 91-94
Author(s):  
Agnès Lafont
Keyword(s):  
The State ◽  
Narrative Poems

Book Review: Narrative Poems

1930 ◽  
Vol 112 (10) ◽  
pp. 246-246
Keyword(s):  
Narrative Poems

scholarly journals Leonid Dolgopolov’s Unpublished PhD Thesis on Alexander Blok’s Narrative Poems ‘Retribution’ and ‘The Twelve’

Literary Fact ◽  
2021 ◽  
pp. 131-145
Author(s):  
Vassili E. Molodiakov
Keyword(s):  
Literary History ◽  
Point Of View ◽  
Russian Revolution ◽  
Literary Achievement ◽  
Political Views ◽  
Russian Symbolism ◽  
The First World War ◽  
History Of ◽  
Narrative Poems ◽  
Phd Thesis

Russian Modernism scholar Leonid Konstantinovich Dolgolopov (1928 –1995), known for his studies on Alexander Blok and Andrei Bely, completed his PhD thesis on Blok’s narrative poems “Retribution” and “The Twelve” in 1960, received his degree in 1962, but never published the text (now in the author’s possession). Its major parts were published as papers, its principal propositions and conclusions were developed in Dolgopolov’s later research works, but the thesis was never printed as a whole, and, from the author’s point of view, is worth being published as a valuable source for history of literary studies on Russian Symbolism as well as an original work useful and readable even now. The article presents Dolgopolov’s unpublished PhD thesis. Chapter One deals with “Retribution” and presents a comprehensive study of the poem’s plan, plot, and literary history, its genre peculiarities and historical scenes. Chapter Two analyzes evolution of Blok’s political views during the First World War and the Russian Revolution of 1917 and also its reflection in Blok’s lyric poems of this period. Chapter Three is the first of Dolgopolov’s numerous studies on “The Twelve”, the work he considered to be Blok’s highest literary achievement. Dolgopolov analyzed the poem’s ideas and images (especially Jesus Christ), its formal and rythmic novelty, its place among other contempopary poetical works on Russian revolution.

Review: The Swampy Cree: A Study in Acculturation

1970 ◽  
Vol os-17 (1) ◽  
pp. 37-38
Author(s):  
Jacob A. Loewen
Keyword(s):  
Swampy Cree

1814-1819: Shift of Focalization in Byron's Narrative Poems

1991 ◽  
Vol 19 ◽  
pp. 80-89 ◽  
Author(s):  
Jean-Paul Forster
Keyword(s):  
Narrative Poems

Story or narrative poems, classic poems and poems from different cultures and traditions

2019 ◽  
pp. 226-236
Author(s):  
Margaret Mallett ◽  
Prue Goodwin ◽  
David Mallett
Keyword(s):  
Narrative Poems ◽  
Different Cultures

The Sonnets and Narrative Poems

2017 ◽  
pp. 57-77
Author(s):  
Pamela Royston Macfie
Keyword(s):  
Narrative Poems

Byron and Weltliteratur

2018 ◽  
pp. 19-39
Author(s):  
Nicholas Halmi
Keyword(s):  
Social Life ◽  
World Literature ◽  
Cross Cultural ◽  
Cultural Engagement ◽  
Narrative Poems ◽  
The Individual ◽  
Relationship Of ◽  
The Relationship

The ageing Goethe was fascinated with Byron whom he called the greatest poetic talent. Though suspicious of Byron’s Philhellenism, Goethe found in Byron an openness to encounter non-English cultures, an attentiveness to national histories and in interest in the relationship of the individual to social life. Byron’s self-contextualising, self-historicising narrative poems constitute a parallel to Goethe’s own literary campaigns for cross-cultural engagement in the 1810s and 1820s and, despite Byron’s alienation from England, offer hope for the prospects of what Goethe was to call “world literature”.

1. Poet and playwright

2017 ◽  
pp. 1-16
Author(s):  
Jonathan F. S. Post
Keyword(s):  
Samuel Daniel ◽  
Narrative Poems

‘Poet and playwright’ explains that, in many regards, the single most important point about Shakespeare’s double life as poet and playwright is how fruitful this generic crisscrossing was for him artistically. His poems and sonnets have an earthy, psychological, and theatrical element to them rarely found among his more exclusively elite poetic contemporaries like Spenser and Samuel Daniel. Shakespeare wrote poems to connect with the elite and the financial rewards that might come from patronage. He wrote drama to survive. However, from the period 1593-1623, the narrative poems constituted an astonishing 40 per cent of all Shakespeare’s published works.

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