"Windows" and/or "Mirrors" in the Creation of Sexual/Personal Identity through Multicultural Women's Poetry

2000 ◽  
Vol 54 (1) ◽  
pp. 41
Author(s):  
Annette Bennington McElhiney
Keyword(s):  
Personal Identity ◽  
Women's Poetry ◽  
The Creation

Anthology Publication and the Woman Poet

2020 ◽  
pp. 35-70
Author(s):  
Alexandra Socarides
Keyword(s):  
Literary Culture ◽  
American Woman ◽  
Women Poets ◽  
Women's Poetry ◽  
Wide Audience ◽  
The Creation ◽  
The Moment ◽  
First Time

Chapter 1 investigates the moment at mid-century when American women’s poetry was, for the first time, being collected and marketed to a wide audience. By looking closely at the structures and visual components of the anthologies of the late 1840s, this chapter shows just how vexed the placement of the “American woman poet” into literary culture was. While women poets had been deployed in the service of a narrative about American literary culture earlier, it was with the creation of these anthologies that a whole host of conventions got embraced by writers and editors alike. By highlighting the diversity of approaches and poems contained within these anthologies, this chapter returns to the ways in which women’s poetry resisted being flattened into one kind of poem and women poets into one image.

The Aspirational Labor of an Academic

2017 ◽  
Author(s):  
Brooke Erin Duffy
Keyword(s):  
Social Media ◽  
Personal Identity ◽  
Social Practices ◽  
Creative Industries ◽  
Cultural Work ◽  
Ivory Tower ◽  
Work Output ◽  
Striking Resemblance ◽  
The Social ◽  
The Creation

This concluding chapter explains how the ideologies and social practices propelling the social media sphere bear a striking resemblance to contemporary academe. With its staid, ivory tower facade, the academy might seem far removed from the creative industries, a cluster of professions marked by an aura of bohemian cool. But it is much less of a conceptual leap to understand the creation and dissemination of knowledge as a form of cultural work. And many of the same venerated ideals—autonomy, flexibility, the perennial quest to “do what one loves”—seem to animate workers in both arenas. Indeed, academia is unique among professions that fuse the personal identity of their workers so intimately with the work output, which might well be said of the creative industries.

scholarly journals Женский голос в современной польской поэзии

2021 ◽  
Author(s):  
О. В. Гусева ◽  
Keyword(s):  
Women's Writing ◽  
Rapid Development ◽  
17Th Century ◽  
Women's Poetry ◽  
Polish Literature ◽  
Important Phenomenon ◽  
History Of ◽  
The Creation ◽  
Characteristic Features ◽  
Women’S Writing

Women have been involved in the creation of Polish literature since the 17th century. A new page in the history of Polish literature, which came after 1989, is associated with the rapid development of feminism. An important phenomenon of poetry at the beginning of the XXI century was the abundance of female names: at this time, the authors of the older generation, such as V. Szymborska, E. Lipska, K. Miłobędzka, J. Hartwig, continue to create, but new names also appear: J. Mueller, M. Cyranowicz, J. Bargielska, M. Podgórnik, M. Lebda, J. Fiedorchuk, M. B. Kielar. Contemporary Polish women’s poetry is very soulful, sensual and deep, it is filled with empathy, and at the same time it is subjective. Corporeality and frankness become one of the characteristic features of women’s writing: women’s poetry tells more openly and directly about the most intimate experiences.

Body doubles: the performance of Basqueness by Carmelo Gómez and Silvia Munt

2016 ◽  
Author(s):  
Rob Stone
Keyword(s):  
Personal Identity ◽  
National Identities ◽  
The Creation

This chapter examines the re-construction of regional and national identities through acting. In doing so, it dissects the performances of Carmelo Gómez and Silvia Munt, two actors made famous for their multiple and iconic Basque roles. By closely examining their performances, the chapter argues that the actors’ false identities articulate a Basqueness that is at once desirable and desiring, fraught with unattainability; that is, the creation of Basque archetypes by non-Basque actors may ultimately render nonexistent whatever potential promise or threat they contain. Going against the presumption that an actor may be able to breach the gap between his or her personal identity and that of the character, the chapter argues instead that their performances will always be inauthentic, that audiences assume this fact, and that this shades cinematic acting in very important ways.

Marginalization as creative endeavour

2019 ◽  
Vol 33 (2) ◽  
pp. 131-145
Author(s):  
Lida V. Nedilsky ◽  
Joseph Tse-Hei Lee
Keyword(s):  
Personal Identity ◽  
Creative Work ◽  
Scholarly Work ◽  
Special Issue ◽  
Getting Lost ◽  
The Creation ◽  
Racial Ethnic ◽  
Do So

Creative work is best understood as a process of getting lost. Scholarly work is a creative endeavour. And an endeavour requires total attention. On a superficial level, total attention is a demonstration of scholarly seriousness and discipline. On a deeper level, total attention is a necessary effort for successful scholarship. Yet, do we as scholars see getting lost as a necessary precondition for total attention? The authors whose works are showcased in this special issue of China Information add to our appreciation of marginalization as creative endeavour. They do so by means of scholarship highlighting the creation of marginal existence through the application of labels and locators that stick and shift. They do so, moreover, because of their willingness to share their particular experience of getting lost. That experience includes challenges to professional and personal identity when their own status – whether religious, racial, ethnic, or sexual – is called into question.

scholarly journals SENSASI COLOR SPLASH DALAM KARYA FOTOGRAFI EKSPRESI

INVENSI ◽  
2017 ◽  
Vol 1 (2) ◽  
pp. 52-65
Author(s):  
Syafriyandi Syafriyandi
Keyword(s):  
Personal Identity ◽  
General Public ◽  
Fine Art ◽  
A Value ◽  
Personal Experiences ◽  
The Subject ◽  
The Creation

Fotografi ekspresi merupakan ungkapan jiwa yang mengutamakan ekspresi jati diri pribadi seseorang yang akan diekspresikan dalam karya seni murni. Ide penciptaan karya fotografi ini berawal dari problematika yang sering dijumpai dalam karya fotografi yang tidak mampu memberikan kesan ataupun sensasi yang merespon emosional kepada khalayak ramai. Dari sebab itu timbul kegelisahan penulis untuk menciptakan karya fotografi dengan subjek color splash dengan action figure, dengan adanya warna yang diolah kreatif menjadi color splash yaitu sebuah cipratan warna yang membentuk kedinamisan pola yang tidak terduga yang mampu memunculkan sebuah sensasi yang mengunsung suatu nilai yang pada ujungnya mampu memberikan impresi di dalam perasaan yang merespon emosional ataupun daya ganggu yang dapat diintepretasikan oleh khalayak ramai sesuai dengan pengalaman-pengalaman pribadi. Metode dalam penciptaan ini diawali dengan penggalian ide dan konsep yang dilanjutkan dengan setudi referensi dan eksplorasi yang kemudian diakhiri dengan keputusan eksekusi. Dari penciptaan karya ini sesuatu hal yang didapat yaitu pengaruh warna di setiap karya, dengan menghadirkan warna yang diolah kreatif menjadi suatu bentuk yang artistik didalam sebuah karya, dapat mengatasi sebuah karya agar tidak lagi menjadi suatu karya foto yang berhenti menjadi gambar indah saja. Tetapi dengan adanya warna didalam sebuah karya foto akan memberikan sensasi yang dapat merespon emosional penikmat karya. Photographic expression is an expression of the soul that promotes expression of one's personal identity to be expressed in a fine art. The idea of the creation of this photography project started from the problems that are often encountered in photographic work can not afford to give the impression or sensation that responds emotionally to the general public. From hence arises the anxiety authors to create works of photography with the subject color splash with action figures, with their color-treated creatively into color splash is a splash of color that make up the dynamic of a pattern that is not unexpected that is able to bring a sensation mengunsung a value which in the end able to give the impression in the sense that respond to emotional or interrupt power to Interpret the general public in accordance with personal experiences. The method in this creation begins with extracting ideas and concepts followed by the reference of the studies and exploration that later ended with the execution of the decision. From the creation of this work were obtained something that is the influence of color on each work, by presenting creative color processed into a form that is artistic in a work, can cope with a work so it will not be a work of photo stop being a wonderful image only. but with the absence of color in a photo work will give the sensation that can respond to an emotional audience of work.

The role of affect in feelings of obligation

2020 ◽  
Vol 43 ◽  
Author(s):  
Stefen Beeler-Duden ◽  
Meltem Yucel ◽  
Amrisha Vaish
Keyword(s):  
Positive Emotions ◽  
The Creation ◽  
Sense Of Obligation

Abstract Tomasello offers a compelling account of the emergence of humans’ sense of obligation. We suggest that more needs to be said about the role of affect in the creation of obligations. We also argue that positive emotions such as gratitude evolved to encourage individuals to fulfill cooperative obligations without the negative quality that Tomasello proposes is inherent in obligations.

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