Anthology Publication and the Woman Poet

2020 ◽  
pp. 35-70
Author(s):  
Alexandra Socarides
Keyword(s):  
Literary Culture ◽  
American Woman ◽  
Women Poets ◽  
Women's Poetry ◽  
Wide Audience ◽  
The Creation ◽  
The Moment ◽  
First Time

Chapter 1 investigates the moment at mid-century when American women’s poetry was, for the first time, being collected and marketed to a wide audience. By looking closely at the structures and visual components of the anthologies of the late 1840s, this chapter shows just how vexed the placement of the “American woman poet” into literary culture was. While women poets had been deployed in the service of a narrative about American literary culture earlier, it was with the creation of these anthologies that a whole host of conventions got embraced by writers and editors alike. By highlighting the diversity of approaches and poems contained within these anthologies, this chapter returns to the ways in which women’s poetry resisted being flattened into one kind of poem and women poets into one image.

The Rhetoric of Legitimation: Prefaces to Women's Poetry Collections from the Song to the Ming

NAN Nü ◽  
2006 ◽  
Vol 8 (2) ◽  
pp. 255-289 ◽  
Author(s):  
Sufeng Xu
Keyword(s):  
Literary Culture ◽  
Folk Songs ◽  
Women Poets ◽  
Women's Poetry ◽  
Late Imperial ◽  
Late Ming ◽  
Northern Song ◽  
Women's Culture

AbstractThis paper investigates the legitimation of women's literary culture in the late Ming by examining the rhetoric in male-authored prefaces to women's poetry collections produced from the Song to the Ming. It aims to show that the very strategy of associating women's poetry with the Shijing was not only a late imperial phenomenon as often assumed, but a general approach in Neo-Confucian scholarship beginning in the Northern Song. Furthermore, this article demonstrates that the late Ming preface-writers often associated folk songs and "licentious songs" (yin shi) with the Shijing to legitimize the unorthodox. It concludes that the anthologizing of women's poetry and the promotion of women's culture in the late Ming functioned more as opportunities or strategies for male literati to negotiate and sustain their unofficial power than as genuine efforts to construct a canon of women poets.

In Plain Sight

2020 ◽  
Author(s):  
Alexandra Socarides
Keyword(s):  
Nineteenth Century ◽  
Literary History ◽  
American Culture ◽  
Literary Culture ◽  
Emily Dickinson ◽  
Women Poets ◽  
Women's Poetry ◽  
Familiar Figure ◽  
American Literary History ◽  
Length Analysis

In Plain Sight explores how the poetry of nineteenth-century American women that was once so visible within American culture could have, with the exception of that by Emily Dickinson, so thoroughly disappeared from literary history. By investigating erasure not merely as something that was done to these women but as the result of the conventions that once made the circulation of their poetry possible in the first place, this book offers the first book-length analysis of the conventions of nineteenth-century American women’s poetry. In doing so, In Plain Sight makes visible a whole field of poetry that has been long forgotten. In order to recover this field instead of its individual women poets, each of the chapters focuses on a specific convention and its participation in the construction of literary history. Taken together they tell the complicated story of nineteenth-century American women’s poetry, tracing the spaces within literary culture where it lived and thrived, the spaces from which its authors were always in the process of vanishing. By inhabiting those spaces, we can see both the conventions that were taken up with such gusto that they made the woman poet a familiar figure to nineteenth-century readers and the specter of obscurity and unreadability that are embedded within them. By reclaiming these conventions as a constitutive part of nineteenth-century American women’s poetry, this book asks readers to take seriously the work these women produced and the role their work might play in remapping American literary history.

‘The well-known, old, but still unbeaten track’: Women Poets and Irish Periodical Culture in the Mid-Twentieth Century

2012 ◽  
Vol 42 (1) ◽  
pp. 32-52 ◽  
Author(s):  
Anne Mulhall
Keyword(s):  
Twentieth Century ◽  
Literary Culture ◽  
Woman Writer ◽  
Double Bind ◽  
Women Poets ◽  
Substantial Body ◽  
Growing Body ◽  
Critical Attention ◽  
Irish Women ◽  
Under Construction

While neglected Irish male poets of the mid century have seen some recuperation in recent decades, the work of Irish women poets still languishes in obscurity. A growing body of scholarship has identified the need to bring critical attention to bear on this substantial body of work. In this essay I explore the positioning of Irish women poets in mid-century periodical culture, to flesh out the ways in which the terms of this ‘forgetting’ are already established within the overwhelmingly masculinist homosocial suppositions and idioms that characterized contemporary debates about the proper lineage and aesthetic norms for the national literary culture that was then under construction. Within the terms set by those debates, the woman writer was caught in the double bind that afflicted any woman wishing to engage in a public, politicized forum in post-revolutionary Ireland. While women poets engage in sporadic or oblique terms with such literary and cultural debates, more often their voices are absent from these dominant discourses – the logic of this absence has continued in the occlusion of these women poets from the national poetic canon.

TOWARDS THE QUESTION OF SPECIALIZED FEEDS FOR TENCHES (TINCA TINCA)

2017 ◽  
pp. 89-97
Author(s):  
Elena Mikhaylovna Chervonenko ◽  
Lina Yurievna Lagutkina
Keyword(s):  
Growth Rate ◽  
Fish Growth ◽  
Animal Origin ◽  
State Technical ◽  
Tinca Tinca ◽  
Daily Growth ◽  
Volga River ◽  
The Moment ◽  
First Time ◽  
Technical Centre

The article describes the process of tench growing (male and female species removed from set gear in the Volga river in the Astrakhan region) using experimental feedstuff "T", taking into account the fact that problems with artificial growing tench ( Тinca tinca ) appear first in the process of feeding when wild sires change to artificial food. The research took place on the base of the department of aquaculture and water bioresources of Astrakhan State Technical University in innovation centre "Bioaquapark - scientific and technical centre of aquaculture" in 2015. Special feed including components of animal origin - mosquito grab and sludge worm as an effective substitute to fish flour, as well as components of vegetable origin (carrot, parsley, pumpkin, wheatgrass) for domestication of tenches are offered for the first time. Food technology has been described. The exact composition of the formula, which is being licensed at the moment, is not disclosed. Feed "T", which has undergone biological analysis and is in accordance with organoleptic and physical standards was used for feeding tench female and male species during domestication period (60 days), along with food "Coppens" (Holland). Feed efficiency was determined according to survival and daily fish growth. Growth rate of females appeared more intensive than growth rate of males fed with experimental food "T". Daily growth changed depending on the types of food: from 0.3 ("Coppens") to 0.47 (experimental food) in females, from 0.25 ("Coppens") to 0.39 (experimental food) with males. Ability to survive among tench species fed with "Coppens" and experimental food made 60% and 100%, correspondingly. Nutricion of tench species with experimental food encouraged their domestication, which allowed using tench species in further fish breeding process in order to get offspring. The project was supported by the Innovation Promotion Fund in terms of the project "Development and implementation of the technique for the steady development of aquaculture: food "TechSA".

Reflections on the Meaning of Study Abroad

1995 ◽  
Vol 1 ◽  
pp. 96-103
Author(s):  
Elizabeth Shannon
Keyword(s):  
Study Abroad ◽  
Nursery School ◽  
Multiple Identities ◽  
Danger Zone ◽  
Host Family ◽  
The People ◽  
Life Itself ◽  
The Moment ◽  
First Time ◽  
The Stranger

Study abroad begins long before students leave their own shores. The moment that children enter daycare, nursery school, or kindergarten for the first time, they are in foreign territory, and all their antennae are out, testing, absorbing, learning. They begin to develop the first of their many multiple identities. They are no longer "Johnny" or "Sarah" whom everyone knows and loves at home, but Johnny or Sarah whom no one knows nor initially cares about, and they have to figure out what kind of a new identity they will develop so the danger zone becomes as safe as home.  Leaving familiar surroundings- the sounds, smells, safety, and food of home- and realizing, quite abruptly, that they must learn to adapt to the demands and needs of strangers, is the first and the most challenging "trip abroad" they will ever take. They will use the same set of skills, more mature, more polished (we hope) when they arrive on a foreign campus and move in with a host family or into an international dormitory.  Learning to make the journey with ease, whether it is on the first day of school or the day a plane drops one in a foreign field, is a necessary accomplishment. We have to make friends out of our peers; we have to gain the respect of our teachers; we have to develop curiosity and concern about the people around us. The stranger they seem, the more there is to learn. To fear diversity is to fear life itself. As the world becomes smaller and more integrated, the more crucial this accomplishment grows. 

The Small State Challenge

2018 ◽  
Author(s):  
Jack Corbett ◽  
Wouter Veenendaal
Keyword(s):  
Comparative Politics ◽  
Institutional Design ◽  
Small States ◽  
Small State ◽  
Informal Politics ◽  
Different Types ◽  
Approach Method ◽  
Key Terms ◽  
First Time

Chapter 1 introduces the main arguments of the book; outlines the approach, method, and data; defines key terms; and provides a chapter outline. Global theories of democratization have systematically excluded small states, which make up roughly 20 per cent of countries. These cases debunk mainstream theories of why democratization succeeds or fails. This book brings small states into the comparative politics fold for the first time. It is organized thematically, with each chapter tackling one of the main theories from the democratization literature. Different types of data are examined—case studies and other documentary evidence, interviews and observation. Following an abductive approach, in addition to examining the veracity of existing theory, each chapter is also used to build an explanation of how democracy is practiced in small states. Specifically, we highlight how small state politics is shaped by personalization and informal politics, rather than formal institutional design.

Conclusion

2018 ◽  
Author(s):  
Rachel Crossland
Keyword(s):  
Literature And Science ◽  
Evaluative Criteria ◽  
Specific Potential ◽  
The Creation ◽  
The Moment ◽  
Further Development

The conclusion returns to some of the ideas raised in the Introduction, specifically Gillian Beer’s suggestion that literature and science ‘share the moment’s discourse’. It argues for the relevance of this model to different periods and disciplines, while also suggesting some specific potential areas for further development in relation to the present study, including generalist periodicals. It also considers some of the evaluative criteria that have previously been suggested for studies in the field of literature and science, and raises some questions as to the direction in which that field of research should now move. The study concludes finally by suggesting that literature and science, as well as a range of other disciplines, some of which are included here, do more than share the moment’s discourse—they share in the creation, development, and modification of that discourse because they share the moment itself.

Rabelaisian Comedy and Satire

2018 ◽  
Author(s):  
Nicholas McDowell
Keyword(s):  
Literary Culture ◽  
Critical Discussion ◽  
Francois Rabelais ◽  
Literary Style ◽  
English Prose ◽  
The Moment

This chapter discusses the influence of François Rabelais in English literary culture. It looks at this impact on earlier English prose narrative and fiction of Rabelais' loosely related tales of gluttonous, bibulous giants and their fantastic adventures, collectively known as Gargantua and Pantagruel (1532–64). ‘Rabelaisian’ is of course an adjective which in both criticism and common linguistic currency has become detached from its literary and authorial origins to become an alternative term for the ‘bawdy’, the ‘vulgar’, and the ‘earthily humorous’. The chapter shows the process beginning from the moment the term is coined to describe an author's character rather than appraise their literary style, evoking a sensibility healthily drawn to festivity and indulgence but also somewhat at odds with Christian decency. The generality of the term has doubtless contributed to the vagueness of much critical discussion.

scholarly journals Period-Life of a Branching Process with Migration and Continuous Time

Mathematics ◽  
2021 ◽  
Vol 9 (8) ◽  
pp. 868
Author(s):  
Khrystyna Prysyazhnyk ◽  
Iryna Bazylevych ◽  
Ludmila Mitkova ◽  
Iryna Ivanochko
Keyword(s):  
Random Process ◽  
Generating Function ◽  
Continuous Time ◽  
Branching Process ◽  
Probability Generating Function ◽  
Time Interval ◽  
The Moment ◽  
First Time ◽  
Critical Branching Process ◽  
Number Of Particles

The homogeneous branching process with migration and continuous time is considered. We investigated the distribution of the period-life τ, i.e., the length of the time interval between the moment when the process is initiated by a positive number of particles and the moment when there are no individuals in the population for the first time. The probability generating function of the random process, which describes the behavior of the process within the period-life, was obtained. The boundary theorem for the period-life of the subcritical or critical branching process with migration was found.

The abolition of the liturgical chorēgia and the creation of the agōnothesia in Athens: new considerations on a debated issue

2020 ◽  
Vol 140 ◽  
pp. 34-68
Author(s):  
Delphine Ackermann ◽  
Clément Sarrazanas
Keyword(s):  
Fourth Century ◽  
Democratic Government ◽  
Ancient Source ◽  
The Creation ◽  
The Government ◽  
First Time ◽  
New Look

Abstract:No ancient source indicates when the agōnothesia, attested for the first time in 307/6 BC, was introduced in Athens. Scholars have long attributed its creation, along with the abolition of the liturgical chorēgia, to the government of Demetrius of Phalerum (317–307 BC), motivated by oligarchic ideology and a desire to preserve the wealth of rich citizens. This traditional thesis has recently been challenged, with some scholars attributing the creation of the agōnothesia to the restored democratic government of 307 BC and others to the government of Phocion (322–318 BC). A new look at epigraphical and literary documents hitherto neglected or imperfectly understood (especially from the Attic demes) allows the authors to establish that the liturgical chorēgia disappeared at the beginning of the government of Demetrius of Phalerum, around 316 BC. The institution of the agōnothesia had a precedent (hitherto overlooked) in Lycurgan Athens with the new festival of the Amphiaraia of 331 BC. Both measures were in fact consensual and must not be interpreted as strictly oligarchic in inspiration. The creation of the agōnothesia was above all a pragmatic response on Athens’ part to the major changes that occurred in the agonistic world in the late fourth century.

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