Step-Daughters of England: British Women Modernists and the National Imaginary

2004 ◽  
Vol 23 (2) ◽  
pp. 377
Author(s):  
Eileen Barrett ◽  
Jane Garrity
Keyword(s):  
2021 ◽  
pp. 000276422110031
Author(s):  
E. Johanna Hartelius ◽  
Kaitlyn E. Haynal

Following the July 22, 2011, Oslo bombing and shootings at the Utøya youth camp Norway became embroiled in a conflict over commemorative ethics. The memorial initially selected in an international contest, Memory Wound by Jonas Dahlgren, drew opposition from victims’ families and local residents for its severe impact on the natural landscape. Plans for installation were cancelled in 2017. This controversy, we submit, must be contextualized in relation to the Norwegian justice system’s handling of Anders Breivik, the perpetrator whose criminal proceedings were kept relatively secluded. We demonstrate how the design of Memory Wound and the suppression of Breivik’s publicity reflect a symbolic logic traceable to a national imaginary of Norwegian exceptionalism. By interpretively aligning the use of negative space in Memory Wound with the muting of Breivik as a media event, we investigate the prescriptive force of symbols to inculcate world views. Specifically, we attend to the foreclosure of “prosthetic memory,” which through media circulation allows people to engage with memory that is not primarily theirs. We acknowledge the possibility of empathy across difference that Landsberg ascribes to prosthetic memory; however, we insist that the circumstances under which solidarity might be rejected must be considered. With a dual case study, we offer a perspective on enduring assumptions about cultural identity and the rise of rightwing extremism in Northern Europe.


2013 ◽  
Vol 21 (5) ◽  
pp. 958-978 ◽  
Author(s):  
Brian D. Shoup ◽  
Carolyn E. Holmes
Keyword(s):  

2018 ◽  
Vol 51 (4) ◽  
pp. 375-385
Author(s):  
Saglar Bougdaeva ◽  
Rico Isaacs

Nomads are positioned outside of the modern conception of nations, which is based on a traditional or modern hierarchical model (Kuzio, 2001) which tends to “dehistoricize and essentialize tradition” (Chatterjee, 2010: 169). Using an analysis of the narrative construction of nomadic Kalmyk nationhood, particularly through historiography and culture, this article demonstrates that in spite of nation-destroying efforts from the Tsarist Empire and the Soviet Union, the Kalmyk nation has been flexible with reinventing cultural strategies in charting the nomadic national imaginary from Chinggis Khan to the Dalai Lama. It argues that nomadic nationhood contains a deeply imaginary response to nomads’ cultural and intellectual milieu which provided a way of freeing itself from Tsarist and Soviet modular narratives of national imagination, demonstrating how nomadic nationhood exists as a non-modular form of nationhood.


2016 ◽  
Vol 6 (3) ◽  
pp. 581-599 ◽  
Author(s):  
Faye Ginsburg ◽  

Abstract This article covers a wide range of projects from the earliest epistemological challenges posed by video experiments in remote Central Australia in the 1980s to the emergence of indigenous filmmaking as an intervention into both the Australian national imaginary and the idea of world cinema. It also addresses the political activism that led to the creation of four national indigenous television stations in the early 21st century: Aboriginal People's Television Network in Canada; National Indigenous Television in Australia; Maori TV in New Zealand; and Taiwan Indigenous Television in Taiwan); and considers what the digital age might mean for indigenous people worldwide employing great technological as well as political creativity.


2008 ◽  
Vol 32 (1) ◽  
pp. 56-85 ◽  
Author(s):  
Mary Lee

2018 ◽  
Vol 23 ◽  
pp. 46-66
Author(s):  
Jaime Omar Salinas Zabalaga

This article discusses the film Vuelve Sebastiana (1953) by Jorge Ruiz, focusing on its ideological and aesthetic aspects. The analysis establishes connections between the idea of “nation” in the context of cultural transformation prompted by the economic and social policies of the National Revolution of 1952 and the way the Chipaya community is represented. The central argument is that "Vuelve Sebastiana" can be read not only in relation to the new national identity but as an expression of a new national imaginary regarding the indigenous communities of the Altiplano. The author proposes that "Vuelve Sebastiana" represents the nation through the temporal and spatial cartographies of a modern nation-building project, making visible some of its tensions and contradictions and allowing us to explore the imaginary that has redefined the relationship between the State and the indigenous communities of the Altiplano throughout the  second half of the 20th century.


Author(s):  
Koichi Kameda

This article interrogates the relationship between the development of national diagnostic technologies and the exercise of sovereignty, by analysing a Brazilian project to produce a nucleic acid test (NAT) for the country’s blood screening programme. The concept of ‘molecular sovereignty’ is proposed to demonstrate that exercising sovereignty demands not only technological resources but also a sufficiently powerful and national imaginary to support local knowledge production as a means of advancing national healthcare priorities. First, this research article contextualises the political importance of blood safety for Brazil during its transition to democracy in the 1980s and the creation of its universal healthcare system. Then, it investigates how adopting the NAT led the state to invest in the production of a national technology. Third, the article unpacks the diagnostic test to consider how certain aspects of the project might ultimately strengthen the ability of global capital to cross national boundaries and create new markets. Lastly, it discusses how the project ended up creating a centralised and ‘closed’ system to avoid leaving the country vulnerable to the entry of global diagnostic companies. This case demonstrates how the molecularisation of blood, through the construction of a unified healthcare system driven by the constitutional right to health, can be deployed to construct imagined communities on the scale of a nation.


2021 ◽  
Vol 2 (1) ◽  
pp. 39-48
Author(s):  
Georgina Tsolidis

Historically, Australianness has been defined in contradistinction to its location – a British bastion in the Asia-Pacific region.A fear of being swamped by the Chinese – the ‘yellow peril’ – prompted federation, and a restrictive migration policy aimed at making Australia white. Thus, sinophobia has been significant in the national imaginary. This paper discusses how contemporary representations of Chineseness may be echoing this historic narrative of fear about being overrun. This is explored in the context of China’s shifting global significance and Australia’s growing economic relationship with China.


2007 ◽  
Vol 122 (1) ◽  
pp. 59-72 ◽  
Author(s):  
Jeff Lewis ◽  
Sonya de Masi

Over the past three decades, the Indonesian tourist island of Bali has been appropriated into the Australian national imaginary. For Australians, Bali has become a neighbourhood playground and psycho-cultural land-bridge to Indonesia and the Asian region. With the emergence of a global ‘war on terror’, Bali has also become a primary battleground, dividing the symbolic claims of the Islamist militants against the Western economic and hedonistic empire. This divide becomes crystallised in the Australian news reporting of the Islamist attacks in Bali of 2002 and 2005. Our research has found a common frame of reference in the reporting of the attacks, most particularly as Australian journalists’ reference to a sense of national history, the ‘9/11 wars’ and Australia's adherence to US foreign policy and cultural hegemony. News reporting tended to subsume the details of ‘Islam’ and Islamic grievance within a more xenophobic rendering of Australian identity and an apocalyptic vision of good and evil.


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