scholarly journals The Russian Past and the Socialist Future in the Thought of Peter Lavrov

Slavic Review ◽  
1971 ◽  
Vol 30 (1) ◽  
pp. 28-44 ◽  
Author(s):  
Alan Kimball

The major ideological challenge faced by Russian revolutionists in the half century prior to 1917 was to find a way to adapt the principal tenets of West European socialism to Russia. The difficulty of answering this challenge lay in Russia's unique historical development and the consequent differences between Russia and the West. The proper adaptation of socialism required an understanding of these differences and their significance.

Author(s):  
Hans Boutellier

Central to the morality of any culture are its norms and values on gender, especially on sexual affairs and personal relations. In most Western societies over the last half-century, there has emerged, for example, a wide acceptance of homosexual relations. There is also agreement on the absolute right of self-determination for women. Although there might be a discrepancy between values and reality, this constitutional equality is absent in other parts of the world. Nor has it always been the case in the West. This chapter focuses on the changing views on sexual violence and harassment and the consequences for sexual violence. Studying historical development in sexuality reveals a lot about the morality of a culture. Central to these analyses is the shift from external norms to the idea of mutual consent. It is the only criterion that fits in a secular and liberal context, in which people are autonomous and self-determining.


ARTMargins ◽  
2013 ◽  
Vol 2 (3) ◽  
pp. 31-62
Author(s):  
Daniel R. Quiles

This article addresses David Lamelas's 1970 work Publication, arguing that it represents a subtle critique of the internationalization of conceptual art by a recent entrant into the West European milieu. Exhibited at Nigel Greenwood Gallery in London after the artist's 1968 relocation from Argentina, Publication consists of thirteen written responses to three statements about the possible use of “language as an Art Form” that were sent by Lamelas to international figures in conceptual art such Daniel Buren, Gilbert and George, Lucy Lippard, and Lawrence Wiener. A close reading of this and others of Lamelas's experiments works leading up to this moment reveals affinities with earlier artistic experiments in Buenos Aires, the artist's original context, that have anything but membership in a preexisting movement or the adoption of an established genre as their goal. Between the years 1965 and 1968, Lamelas was part of a group of artists associated with the Torcuato di Tella Institute and the writer Oscar Masotta, who advocated an analytical and antagonistic “dematerialization,” in which prevailing tendencies were to be systematically examined, voided from within, and superseded. In Buenos Aires, Lamelas experimented with breaking his works into sections as a way of calling attention to given objects of attention—a practice of “signaling” that is also present in Publication. Invariably, these works were positioned in critical relationship to those of his peers, applying Masotta's model to each new milieu. In what follows, I compare select works of Lamelas with his contemporaries in Buenos Aires and abroad between 1964 and 1970, contending that Publication represents one of the first appearances of a specifically Argentine, and highly critical, mode of conceptualism in the international art field.


2018 ◽  
Vol 21 (6) ◽  
pp. 1075-1086 ◽  
Author(s):  
Ben Williams ◽  
Nittanjyot Mann ◽  
Jessica L. Neumann ◽  
Richard W. Yarnell ◽  
Philip J. Baker

Author(s):  
A. A. Orlov

Specifics of present moment of historical development is cardinal change of a geopolitical picture of the world. The period of partnership between Russia and the West came to an end. Partnership is succeeded by new structure of the international relations which will be constructed on much more pragmatic basis. At the same time it is obvious that the unipolar world was absolutely not effective. This world finally disbalanced all system of the international relations that was expressed in the number of the regional and local conflicts unprecedented before, and in return in the last two years of direct confrontation between Russia and the West.


2020 ◽  
Vol 6 (3) ◽  
pp. 30-37
Author(s):  
A.V. Kamenets ◽  
◽  
L.V. Molina ◽  
◽  

this article discusses the key ideas of the philosophy of the Enlightenment (applying democratic attitudes, referring to real-life problems and issues, promoting humaneness and humanism) that have influenced the Russian musical culture. A connection is traced between the worldview of the West-European philosophers of the Enlightenment and the works of European composers and musicians that influenced the Russian musical culture in the 18th and 19th centuries. The article highlights how the philosophy of the Enlightenment affected the development of the operatic and singing art in Russia and how it in many ways dictated subsequent trends in the Russian music.


Author(s):  
Serhiy Blavatskyy

It has been attempted to make an empirical study of the framing of the Jewish pogroms upon the Ukrainian terrains in 1919 in the Ukrainian press in the West European languages in Europe (1919―1920s). For the first time, in the communication and media studies discourses, there have been elicited new, previously unknown, findings of specificity of the framing of the Jewish pogroms in the Ukrainian foreignlanguage periodicals. Those were: «Bulletiner fra det Ukrainske Pressburo» (Copenhagen, 1919—1920s), «La Voce dell “Ucraina”» (Roma, 1919—1920s), «The Ukraine» (London, 1919—1920s), «Bureau Ukrai nien de Presse: Bulletin d’Informations» (Paris, 1919—1920s), «France et Ukraine» (Paris, 1920), «L’Europe Orientale» (Paris, 1919—1920s), «Die Ukraine» (Berlin, 1918—1926s). First, it has been elucidated that the «attribution of responsibility» frame was dominant in the content of the Ukrainian foreign-language press in Western Europe. Second, the conclusion about dialectic of the frames of «attribution of responsibility» and «morality» in the coverage of the Jewish pogroms upon the Ukrainian terrains has been made. In this regard, we conclude that the «morality» frame was connected with the internationalization of this problematic in the geopolitical discourse of international relations of the postwar period. On the contrary, the frame of «attribution of responsibility» was linked to localization of the Jewish question in the multilateral conflict on the Ukrainian territories in 1919. The main conclusion of this paper is that the coverage of the Jewish pogroms in the Ukrainian foreign-language press in Europe was made primarily in counterpropaganda purposes. The follow-up studies are to make a comparative study of the stereotypes about Jews’ perception in the Ukrainian-language press both in Ukraine and abroad (in Europe or the USA), as well as in the West European and American press of the Ukrainian Revolution period (1917―1921s). Thus, these future studies will either refute or confirm the validity of the findings and conclusions of this research. Keywords: framing, the Jewish pogroms, the Ukrainian terrains, the foreign-language press, Europe.


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