The Pacific Dependencies of the United States. By John Wesley Coulter. New York: Macmillan, 1957. xv, 388. $6.75.

1958 ◽  
Vol 17 (3) ◽  
pp. 497-497
Author(s):  
David M. Schneider
2016 ◽  
Vol 148 (5) ◽  
pp. 616-618 ◽  
Author(s):  
E.R. Echegaray ◽  
R.N. Stougaard ◽  
B. Bohannon

AbstractEuxestonotus error (Fitch) (Hymenoptera: Platygastridae) is considered part of the natural enemy complex of the wheat midge Sitodiplosis mosellana (Géhin) (Diptera: Cecidomyiidae). Although previously reported in the United States of America, there is no record for this species outside the state of New York since 1865. A survey conducted in the summer of 2015 revealed that E. error is present in northwestern Montana and is likely playing a role in the suppression of wheat midge populations.


Dearest Lenny ◽  
2019 ◽  
pp. 9-23
Author(s):  
Mari Yoshihara

Leonard Bernstein’s early career was shaped by the global politics of World War II and its aftermath as well as his interest in the world beyond the United States, his understanding of war, and his dedication to peace. It was also propelled by the United States government’s investment in his background, qualities, and success in its war effort and postwar public relations. The initial encounter of Kazuko Amano (born Ueno) with Bernstein was enabled by the cultural policy of US occupation forces. After her initial fan letter to Bernstein in 1947, she followed his rising career through recordings, broadcasts, and performances and became Japan’s most loyal fan of the maestro, who quickly became an American icon with his appointment as the music director of the New York Philharmonic and the huge success of West Side Story.


Author(s):  
S.O. Buranok ◽  

The article is devoted to the problem of formation of approaches and assessments of the Chinese crisis of 1931 in the US press; it is based on the materials of both Democratic and Republican press of the USA. The materials of the American press of 1931 dedicated to the search for the most efficient optimal strategy of building relations with China and Japan demonstrate a steady interest of American mass media towards negative and positive experience of Asianpolicy. In the course of a difficult search of an optimal view on crisis, several polar points of view were formulated in the American press. A study of daily newspapers and analytical magazines in the United States shows that in the fall of 1931 two approaches to the «Chinese incident» were formed: isolationist and internationalist. In the fall of 1931, the US periodicals did not yet have the idea of “saving China”, which became popular during the second Sino-Japanese war. The journalists and editors viewed a tacit and indirect support for the Japanese claims as only significant model for solving the «China problem». Thus, the study of the positions of the major American press and the most prominent journalists is important for understanding how the USA, after the Chinese crisis, gradually realized its place in the new system of international relations. In addition, the press shows how the United States planned to develop interaction with the warring states in the Pacific Ocean.


2016 ◽  
Vol 23 (3) ◽  
pp. 229-256
Author(s):  
K. Ian Shin

Interest in Chinese art has swelled in the United States in recent years. In 2015, the collection of the late dealer-collector Robert Hatfield Ellsworth fetched no less than $134 million at auction (much of it from Mainland Chinese buyers), while the Metropolitan Museum of Art drew over 800,000 visitors to its galleries for the blockbuster show “China: Through the Looking Glass”—the fifth most-visited exhibition in the museum’s 130-year history. The roots of this interest in Chinese art reach back to the first two decades of the 20th Century and are grounded in the geopolitical questions of those years. Drawing from records of major collectors and museums in New York and Washington, D.C., this article argues that the United States became a major international center for collecting and studying Chinese art through cosmopolitan collaboration with European partners and, paradoxically, out of a nationalist sentiment justifying hegemony over a foreign culture derived from an ideology of American exceptionalism in the Pacific. This article frames the development of Chinese art as a contested process of knowledge production between the United States, Europe, and China that places the history of collecting in productive conversation with the history of Sino-American relations and imperialism.


1994 ◽  
Vol 63 (1) ◽  
pp. 31-49 ◽  
Author(s):  
Janet F. Fishburn

Gilbert Tennent (1703–1764), an “Ulster Scot” born the same year as John Wesley, is usually remembered as a leader of revivals during the “Great Awakening” in the middle-colonies. John Witherspoon (1723–1794), a “champion of orthodoxy” from Edinburgh called to be the President of the College of New Jersey, is usually treated as a “founding father” of the Presbyterian Church in the United States. However, many events leading up to the first General Assembly in 1788 reflect the influence of Gilbert Tennet, the moderator of the newly re-united Synods of Philadelphia and New York in 1758.


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