scholarly journals Understanding Progress as Process: Documentation of the History of Post-War Science and Technology in the United States

1986 ◽  
Vol 27 (4) ◽  
pp. 899
Author(s):  
Peter B. Hirtle ◽  
Clark A. Elliott
Author(s):  
Jocelyn Szczepaniak-Gillece

Many moments in the history of American exhibition illuminate the entanglement of hearing and discipline. But few point as clearly at the intertwining of listening, class, architecture, language, taste, and technology—all of which culminate in a particular dispositif of institutional indoctrination via sensory discipline—as the art house theatre and its promise of aspirational uplift for the price of good audience behavior. This chapter considers the relationship between exhibition, subtitling, sense-making lingual sound, cinephilia, spectatorship, and discipline in the late-1950s and early-1960s art house cinemas across the United States. It argues that spectators were trained for import film watching by the practice of subtitling foreign, especially European, cinema. Listening, watching, and interpreting the balance between the two thus constituted a network of proper attention that helped indoctrinate post-war spectators into post-war American taste and leisure culture.


Author(s):  
Philip M. Ferguson

This chapter uses the stories of three families, the ‘Kallikaks’, the Kennedys and the Fergusons, to narrate the key stages of the history of intellectual disability in the twentieth century. The so-called‘Kallikaks’ were used as part of the vicious eugenic libel against the intellectually disabled population that stoked the cruel mass institutionalization programmes of the early century. This section tells the story of Emma Wolverton, one of those on whose life stories the mythical Kallikaks were based and created to spread fear and drive segregational policy. The story of the famous Kennedy family shows the post-war journey of the intellectually disabled person from a hidden site of shame to the policy reforms of the community return. Finally, the story of the author’s own family shows some of the great post-reform liberating shifts towards a life of choice and inclusion that have taken place, and alerts us to the brooding threats that still lurk.


Author(s):  
Alberto Bologna

Pier Luigi Nervi (1891-1979) is the most famous Italian engineer from the twentieth century. In 1952, having reached the peak of his career as a designer and entrepreneur in Italy, Nervi decided to enter the academic and professional world in the United States. Thus he undertook a path that would lead him to achieve fame in America: he promoted the circulation of his writings and works in the top American journals, strengthened his friendship with colleagues such as Pietro Belluschi, Marcel Breuer, Mario Salvadori and José Luis Sert, and held conferences in the most prestigious US universities. In 1962 Harvard University awarded him the Charles Eliot Norton chair. Between 1958 and 1976, thanks to the fame he had won, Studio Nervi succeeded in obtaining and managing important consultancy assignments for the construction of large structures in the United States. This book analyses how Nervi managed to export an idea of construction, characterized by unmistakably original buildings, of great commercial success. The twenty years of Studio Nervi's business in the United States embrace an important part of the history of the relations between post-war Italian engineering culture and American architectural and construction praxis as well as between academia and profession, and, not least, between clients and design studios.


2008 ◽  
Vol 17 (2) ◽  
pp. 263-273
Author(s):  
SALLY MARKS

In the aftermath of the 11 September 2001 terrorist attack on the United States, a few book editors seeking a silver lining, however slight, suggested that the global shock might generate a revival of international history. As time passed, works gendering (or engendering) the landscape or re-imagining the city remained dominant in the historical profession. Some international historians addressing very recent periods found a bandwagon and focused on cultural diplomacy, which was largely a post-1945 innovation, but the rest of the field continued to languish. Only time will tell if the optimism of the editors was justified, but whether or not ‘9/11’ (as Americans term it) had any causal role, we now have four studies directed to the international history of Europe in the inter-war era.


2021 ◽  
Vol 13(49) (3) ◽  
pp. 121-142
Author(s):  
David Reichardt

This article looks deeply into the historical parallels between the American and European experiences of state integration, which have resulted in the United States of America and the European Union, respectively. It first defines the key international relations concept of state integration and compares American and European thought on the idea. It then turns to examine some of the highpoints in the history of integration in the American and European cases. Given the remarkable historical commonalties between the two processes, the article puts forward the idea of the American experience as a chief inspiration and source for European integration. It concludes by suggesting that without the historical example of the United States, as well as massive American post-war assistance to Europe, it is highly doubtful that European integration would have commenced when and as it did.


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