Post-war and Pre-war

2008 ◽  
Vol 17 (2) ◽  
pp. 263-273
Author(s):  
SALLY MARKS

In the aftermath of the 11 September 2001 terrorist attack on the United States, a few book editors seeking a silver lining, however slight, suggested that the global shock might generate a revival of international history. As time passed, works gendering (or engendering) the landscape or re-imagining the city remained dominant in the historical profession. Some international historians addressing very recent periods found a bandwagon and focused on cultural diplomacy, which was largely a post-1945 innovation, but the rest of the field continued to languish. Only time will tell if the optimism of the editors was justified, but whether or not ‘9/11’ (as Americans term it) had any causal role, we now have four studies directed to the international history of Europe in the inter-war era.

Istoriya ◽  
2021 ◽  
Vol 12 (11 (109)) ◽  
pp. 0
Author(s):  
Vladimir Pechatnov

Based on previously unearthed documents from the Russia’s State Historical Archive and the Archive of Foreign Policy of the Russian Empire the article explores the history of the first Russian Orthodox parish in New York City and construction of Saint-Nickolas Russian Orthodox Cathedral in the city. It was a protracted and complicated interagency process that involved Russian Orthodox mission in the United States, Russia’s Foreign Ministry and its missions in the United States, the Holy Governing Synod, Russia’s Ministry of Finance and the State Council. The principal actors were the bishops Nicholas (Ziorov) and especially Tikhon (Bellavin), Ober-Prosecutor of the Holy Governing Synod Konstantine Pobedonostsev and Reverend Alexander Khotovitsky. This case study of the Cathedral history reveals an interaction of ecclesiastical and civil authorities in which private and civic initiative was combined with strict bureaucratic rules and procedures.


2019 ◽  
Vol 1 ◽  
pp. 1-1
Author(s):  
John J. Swab

<p><strong>Abstract.</strong> Fire insurance maps produced by the American firm the Sanborn Map Company have long served as cartographic guides to understanding the history of urban America. Primarily used by cultural and historical geographers, historians, historic preservationists, and environmental consultants; historians of cartography have little explored the history of this company. While this scholarship has addressed various facets of Sanborn’s history (Ristow, 1968), no scholarly piece has explored the lived experience of being a Sanborn surveyor. This lack of scholarship comes not from any significant oversight but rather from the fact that the contributions of most Sanborn surveyors were anonymous and little recorded on the maps themselves. Moreover, the company itself has done little to save its own history, thus little is known of their individual stories and experiences. The exception to this is perhaps the most famous Sanborn surveyor of all: Daniel Carter Beard.</p><p>Over the course of his nine-decade life, Daniel Carter Beard held several prominent positions including the co-founder of the Boy Scouts of America and the lead illustrator for many of Mark Twain’s novels. However, he got his start as a surveyor for the Sanborn Map Company in the 1870s, just a few years after its founding. His papers, housed at the Manuscript Division of the Library of Congress, includes a variety of ephemera from his time with the Sanborn Map Company.</p><p>Trained in civil engineering, Beard got his start as a surveyor for the Cincinnati (Ohio) Office of Platting Commission, creating the first official plat map for the city. He was hired by Sanborn in 1874 and served as a surveyor until 1878, traveling extensively over the eastern half of the United States, parlaying his skills into creating fire insurance maps for Sanborn. Thus, this paper speaks to two main themes. The first theme traces the route of Beard during his early years with the company across the eastern half of the United States, documenting both the places he visited and the challenges he faced as a Sanborn surveyor. The second theme, interwoven through the paper, is an analysis of the innerworkings of Sanborn’s administrative structure and its relationship with the larger fire insurance market during the 1870s. Altogether, these documents present unique insight into the organization of the Sanborn Map Company and how it produced its maps during the second-half of the 19th century.</p>


Author(s):  
Jocelyn Szczepaniak-Gillece

Many moments in the history of American exhibition illuminate the entanglement of hearing and discipline. But few point as clearly at the intertwining of listening, class, architecture, language, taste, and technology—all of which culminate in a particular dispositif of institutional indoctrination via sensory discipline—as the art house theatre and its promise of aspirational uplift for the price of good audience behavior. This chapter considers the relationship between exhibition, subtitling, sense-making lingual sound, cinephilia, spectatorship, and discipline in the late-1950s and early-1960s art house cinemas across the United States. It argues that spectators were trained for import film watching by the practice of subtitling foreign, especially European, cinema. Listening, watching, and interpreting the balance between the two thus constituted a network of proper attention that helped indoctrinate post-war spectators into post-war American taste and leisure culture.


Author(s):  
Philip M. Ferguson

This chapter uses the stories of three families, the ‘Kallikaks’, the Kennedys and the Fergusons, to narrate the key stages of the history of intellectual disability in the twentieth century. The so-called‘Kallikaks’ were used as part of the vicious eugenic libel against the intellectually disabled population that stoked the cruel mass institutionalization programmes of the early century. This section tells the story of Emma Wolverton, one of those on whose life stories the mythical Kallikaks were based and created to spread fear and drive segregational policy. The story of the famous Kennedy family shows the post-war journey of the intellectually disabled person from a hidden site of shame to the policy reforms of the community return. Finally, the story of the author’s own family shows some of the great post-reform liberating shifts towards a life of choice and inclusion that have taken place, and alerts us to the brooding threats that still lurk.


Politics ◽  
2021 ◽  
pp. 026339572110427
Author(s):  
Katharine Hall

Recent scholarship on war and policing has begun to theorize the two in more intimate relation with each other, especially through connections to racialized violence and governance. Drawing on this body of work, and the concept of martial politics specifically, I examine how logics of war operate within domestic spaces and reproduce racialized conceptualizations of threat. I focus on a confrontation between the MOVE organization and the city of Philadelphia in 1985, which led to police firing 10,000 rounds of ammunition into a house where MOVE members and their children were living, and to the extensive use of military-grade explosives, culminating in the police dropping a bomb from a helicopter onto the house. The bomb ignited a fire that killed six adult MOVE members and five children, and destroyed 61 houses. I examine the decision of the city to bomb MOVE and consider the role that conceptions of war and threat played in shaping the event. This case shows not just the migration of military techniques into domestic spheres (and a long history of this in the United States), but more significantly, it reveals how violence and war-making have always been a foundation of liberal governance.


2019 ◽  
Vol 9 (4) ◽  
pp. 148-155
Author(s):  
Vasily D. FILIPPOV

Two projects of the Linear City, which appeared at the beginning of the 20th century, in the United States, regardless of the project implemented earlier in Spain by Arturo Soria, are described. The technical and town-planning features of the Roadtown project by Edgar Chembless and the social ideas underlying it are given. The reasons for the failure of this project, as well as similar projects that appeared later, are analyzed. The history of the project of Milo Hastings and his idea of a linear concentration of dwellings in the city are given. Although this project was also not implemented, the reasons why its town-planning ideas found application in the post-war construction of the American suburb and social ideas in the New Deal of President Franklin Roosevelt are shown.


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