Ikaros and Perdix on a Fifth-Century Vase?

1928 ◽  
Vol 48 (1) ◽  
pp. 9-10
Author(s):  
H. J. Rose
Keyword(s):  
Fifth Century ◽  
The Other ◽  
General Attitude ◽  
The Subject

In discussing Ikaros as represented on vase-paintings, Prof. J. D. Beazley has, I think, omitted one consideration which throws further light on a detail of the subject and strengthens his contention as regards the interpretation of a painting. He shows a picture from what he describes as ‘a small red-figured lekythos, of about 470 B.C.,’ which represents a winged youth either rising or sinking; he interprets him as sinking, which indeed the general attitude suggests, and calls attention to the presence just above him of a bird, which ‘is flying almost straight down.… The bird acts as the directional arrow in cartography.’ He therefore concludes that the artist has chosen for his subject the fall of Ikaros during the escape from Crete.That the bird is not there merely to fill up space I heartily agree; Greek artists of the fifth century were not fond of such tricks, having little or no horror uacui and possessing the precious talent of stopping when they had nothing more to say. That it incidentally shows the direction in which the chief figure moves I am perfectly ready to believe; it is a convention conceivable in itself and made reasonably probable—I do not think it is actually proved—by the other examples cited. But surely it is still better if the bird is part of the story, and this I believe it is.

The Sanctuary and Altar of Chryse in Attic Red-Figure Vase-Paintings of the Late Fifth and Early Fourth Centuries B.C.

1950 ◽  
Vol 70 ◽  
pp. 35-41 ◽  
Author(s):  
Edna M. Hooker
Keyword(s):  
Fifth Century ◽  
The Other ◽  
The Subject

Two vases exist on which the sanctuary of Chryse is definitely identified by inscriptions. The first is an Attic red-figure stamnos, Louvre G413, attributed to Hermonax, on which is depicted Philoktetes being bitten by the snake at the altar of Chryse. The second is an Attic red-figure bell-krater, Vienna Inv. 1144, of the late fifth century B.C., which depicts Herakles sacrificing at the altar of Chryse. With the first vase may be associated an Attic red-figure calyx-krater, Louvre G342, attributed to the Altamura Painter, which bears no inscriptions, but undoubtedly represents the same scene; and with the second may be grouped four other vases of the late fifth and early fourth centuries B.C., which resemble it sufficiently closely to suggest that they too represent the sanctuary of Chryse. The interpretation of the two Louvre vases has never been in doubt, since they obviously illustrate the story of the biting of Philoktetes by the snake in the sanctuary of Chryse, but the interpretation of the other group of vases has been the subject of some dispute. In this article, therefore, I propose to discuss the connection of these vases with one another and with the two Louvre vases, and to examine their relation to the literary treatment of the legends concerning this sanctuary.

Greek Inscriptions at Cairness House

1934 ◽  
Vol 54 (2) ◽  
pp. 140-162 ◽  
Author(s):  
Marcus N. Tod
Keyword(s):  
Present Article ◽  
Fifth Century ◽  
The Other ◽  
Short Account ◽  
Late Professor ◽  
The Subject

Professor J. D. Beazley recently discussed in this Journal (xlix. 1 ff.) a fifth-century Attic relief now preserved in Cairness House, Lonmay, Aberdeenshire. He appended a short account, partly from the pen of Colonel C. T. Gordon, of General Thomas Gordon (1788–1841), who brought to this country that relief and various other antiquities, and of the dispersion of the collection in 1850. The relief, however, remained at Cairness, together with two inscribed stelae, one of which has not been published hitherto, while the other has been regarded as lost. These form the subject of the present article.My warm thanks are due to the late Professor J. Harrower for calling my attention to the inscriptions and supplying me with excellent photographs of them, as also to Colonel Gordon for granting me permission to publish them and for his hospitality at Cairness, where he kindly gave me every facility for examining the stones with a view to verifying and completing the texts I had already deciphered from the photographs.

The Chatsworth Head

1938 ◽  
Vol 58 (1) ◽  
pp. 90-95
Author(s):  
A. J. B. Wace
Keyword(s):  
Fifth Century ◽  
The Other ◽  
Asia Minor ◽  
Work Of Art ◽  
Other Hand ◽  
Western Asia ◽  
History Of ◽  
The Subject ◽  
To Come

Mrs. Strong in her publication of this head has described it fully and has discussed its place, as a work of art, in the history of Greek scuplture, and it is not my intention to discuss the head from those aspects. It is to be dated, as she has shown, to the second quarter of the fifth century, probably between 470 and 460. It probably represents an Apollo, and chronologically belongs to the group which includes the originals of the Cassel Apollo and the Terme Apollo, both marble copies of bronze originals. As to its stylistic kinship with these or other works, any discussion would be fruitless, for it would be impossible to arrive at any degree of probability in attempting to attribute either the Chatsworth head or the two Apollos mentioned to any one of the Greek artists of that age whose names are known, for we have little or no evidence for their style.The head was acquired by the sixth Duke of Devonshire at Smyrna from H. P. Borrell in 1838, and, according to a note from the vendor, was reported to have been found at Salamis in Cyprus. It would be a natural presumption that a head in the market at Smyrna would have been more likely to come from one of the Greek sites of Western Asia Minor. On the other hand, the mere fact that an unlikely, rather than a likely, provenance was given to the head is in its favour, for there would presumably be no reason to give it an unlikely provenance unless it was correct. So the head may really have come from Salamis in Cyprus. Further excavation at that site may throw more light on the subject. In any case, in the later years of the decade 470-460 B.C. there was a renaissance of Greek influence, especially Attic, in Cyprus after the battle of the Eurymedon.

The Strategi at Athens in the Fifth Century. When Did They Enter on Office?

1939 ◽  
Vol 59 (1) ◽  
pp. 45-64
Author(s):  
H. B. Mayor
Keyword(s):  
Nineteenth Century ◽  
Fifth Century ◽  
The Other ◽  
Considerable Controversy ◽  
The Subject ◽  
Orthodox Theory ◽  
Orthodox View

It has been assumed for many years that the Strategi, though elected earlier in the year, did not enter office till the first day of Hecatombaeon (July or August), at the same time as the other yearly magistrates. There was considerable controversy about this in the nineteenth century, but the question was thought to be finally settled then, and it may seem presumptuous to reopen it so long after. But two important discoveries have been made since the ‘orthodox’ theory was generally adopted; and together they involve certain difficulties, which suggest that the whole question should be reconsidered. These are, first, the recovery of the Ἀθηναίων Πολιτεία, which fixes the date of the election in the Seventh Prytany (44 § 4); and, second, Merritt's work on the Attic Calendar, which supersedes Keil's system of chronology, and fixes the beginning of the Seventh Prytany in the second week of February.Both these authorities were unknown to Beloch, whose arguments in favour of the ‘orthodox’ view (Attische Politik seit Perikles) have been generally accepted as the last word on the subject. Beloch's name deservedly carries weight, but his conclusions have perhaps been adopted over-readily by many who have, not studied the evidence on which they are based. It will suffice here to say that most of his arguments are devoted to showing that the election took place in April—a date now disproved by the Ἀθηναίων Πολιτεία—while his arguments with regard to the time of entering on office are slight and unconvincing.

The Boston relief and the religion of Locri Epizephyrii

1974 ◽  
Vol 94 ◽  
pp. 126-137 ◽  
Author(s):  
Christiane Sourvinou-Inwood
Keyword(s):  
Subject Matter ◽  
Fifth Century ◽  
The Other ◽  
Young Leave ◽  
Plate Xiii ◽  
Antiquities Market ◽  
Central Representation ◽  
The Subject ◽  
The City ◽  
Artistic Quality

The three-sided Boston relief (Plate XIIIa), which is to be dated in the second quarter of the fifth century, has been the object of a long controversy with regard both to its subject matter and to its authenticity, which has been doubted by some scholars. The authenticity of the monument will be taken for granted here, since the work of Jucker, and especially the recent exhaustive stylistic and scientific study by Ashmole and Young leave no possible room for doubting it. Another aspect of the relief which I will take for granted in this paper is the artistic milieu which created it, since it has been convincingly shown that it is of South Italian, and more specifically Epizephyrian Locrian, origin. The object of the present paper is to discuss the iconography of the monument, especially with reference to the cult and religious environment of the city in which it was produced.The interpretation of the central scene and the two side-panels of the Boston relief is still a matter of controversy, although many hypotheses have been put forward since the monument first appeared in the antiquities market. Discussions of the iconography of this relief tend more often than not to connect the problem, in some way or other, with the subject matter of the Ludovisi throne (Plate XIIIb), another three-sided relief belonging to the artistic environment of Locri Epizephyrii, but of a much higher artistic quality. The interpretation of the scenes on the Ludovisi throne has not provoked the same amount of controversy, and it would, I think, be a fair statement that the interpretation of the central representation as the birth of Aphrodite is now generally accepted—more accurately, it is the new-born Aphrodite being assisted out of the sea, and to the shore, by the Moirai or the Horai. On each of the side-panels a female figure is shown, a naked pipe-player on one, a heavily draped young matron burning incense in a thymiaterion on the other. They have been interpreted as hetaira and young bride or wife, two contrasting figures associated with Aphrodite's Locrian cult.

Golgi Apparatus and Melanogenesis: Ultrastructural Study of a Human Cellular Blue Nevus (Melanocytoma)

1973 ◽  
Vol 31 ◽  
pp. 380-381
Author(s):  
S.R. Allegra
Keyword(s):  
Endoplasmic Reticulum ◽  
Golgi Apparatus ◽  
Ultrastructural Study ◽  
The Other ◽  
Blue Nevus ◽  
Normal Complement ◽  
Golgi Vesicles ◽  
Golgi System ◽  
The Subject ◽  
Cellular Blue Nevus

The respective roles of the ribo somes, endoplasmic reticulum, Golgi apparatus and perhaps nucleus in the synthesis and maturation of melanosomes is still the subject of some controversy. While the early melanosomes (premelanosomes) have been frequently demonstrated to originate as Golgi vesicles, it is undeniable that these structures can be formed in cells in which Golgi system is not found. This report was prompted by the findings in an essentially amelanotic human cellular blue nevus (melanocytoma) of two distinct lines of melanocytes one of which was devoid of any trace of Golgi apparatus while the other had normal complement of this organelle.

“Channeling” the powers of God’s Word

2010 ◽  
Vol 4 (2) ◽  
pp. 135-156 ◽  
Author(s):  
Dorothea E. Schulz
Keyword(s):  
The Other ◽  
Border Zone ◽  
Focus Attention ◽  
Spiritual Power ◽  
New Materials ◽  
God's Word ◽  
Audio Recordings ◽  
Heated Debate ◽  
The Subject ◽  
The One

Starting with the controversial esoteric employment of audio recordings by followers of the charismatic Muslim preacher Sharif Haidara in Mali, the article explores the dynamics emerging at the interface of different technologies and techniques employed by those engaging the realm of the Divine. I focus attention on the “border zone” between, on the one hand, techniques for appropriating scriptures based on long-standing religious conventions, and, on the other, audio recording technologies, whose adoption not yet established authoritative and standardized forms of practice, thereby generating insecurities and becoming the subject of heated debate. I argue that “recyclage” aptly describes the dynamics of this “border zone” because it captures the ways conventional techniques of accessing the Divine are reassessed and reemployed, by integrating new materials and rituals. Historically, appropriations of the Qur’an for esoteric purposes have been widespread in Muslim West Africa. These esoteric appropriations are at the basis of the considerable continuities, overlaps and crossovers, between scripture-related esoteric practices on one side, and the treatment by Sharif Haidara’s followers of audio taped sermons as vessels of his spiritual power, on the other.

The problem of woman’s emansipation in the feuilleton “Amazonia: a very inept story” by Mykola Chirsky

2020 ◽  
pp. 71-76
Author(s):  
Iryna Rusnak
Keyword(s):  
Scientific Understanding ◽  
The Other ◽  
Literary Studies ◽  
Ethical Guidelines ◽  
Compositional Structure ◽  
Urgent Task ◽  
The Subject ◽  
The One ◽  
Artistic Heritage

The author of the article analyses the problem of the female emancipation in the little-known feuilleton “Amazonia: A Very Inept Story” (1924) by Mykola Chirsky. The author determines the genre affiliation of the work and examines its compositional structure. Three parts are distinguished in the architectonics of associative feuilleton: associative conception; deployment of a “small” topic; conclusion. The author of the article clarifies the role of intertextual elements and the method of constantly switching the tone from serious to comic to reveal the thematic direction of the work. Mykola Chirsky’s interest in the problem of female emancipation is corresponded to the general mood of the era. The subject of ridicule in provocative feuilleton is the woman’s radical metamorphoses, since repulsive manifestations of emancipation becomes commonplace. At the same time, the writer shows respect for the woman, appreciates her femininity, internal and external beauty, personality. He associates the positive in women with the functions of a faithful wife, a caring mother, and a skilled housewife. In feuilleton, the writer does not bypass the problem of the modern man role in a family, but analyses the value and moral and ethical guidelines of his character. The husband’s bad habits receive a caricatured interpretation in the strange behaviour of relatives. On the one hand, the writer does not perceive the extremes brought by female emancipation, and on the other, he mercilessly criticises the male “virtues” of contemporaries far from the standard. The artistic heritage of Mykola Chirsky remains little studied. The urgent task of modern literary studies is the introduction of Mykola Chirsky’s unknown works into the scientific circulation and their thorough scientific understanding.

MUNDANE MIRACLES IN AWADH. ENCOUNTERS WITH THE REVEALED AND THE HIDDEN

2020 ◽  
pp. 130-140
Author(s):  
Maxim B. Demchenko ◽  
Keyword(s):  
The Other ◽  
Local People ◽  
Natural Phenomena ◽  
Mughal Empire ◽  
The Public ◽  
British Raj ◽  
The Subject ◽  
Other World ◽  
Better Than

The sphere of the unknown, supernatural and miraculous is one of the most popular subjects for everyday discussions in Ayodhya – the last of the provinces of the Mughal Empire, which entered the British Raj in 1859, and in the distant past – the space of many legendary and mythological events. Mostly they concern encounters with inhabitants of the “other world” – spirits, ghosts, jinns as well as miraculous healings following magic rituals or meetings with the so-called saints of different religions (Hindu sadhus, Sufi dervishes),with incomprehensible and frightening natural phenomena. According to the author’s observations ideas of the unknown in Avadh are codified and structured in Avadh better than in other parts of India. Local people can clearly define if they witness a bhut or a jinn and whether the disease is caused by some witchcraft or other reasons. Perhaps that is due to the presence in the holy town of a persistent tradition of katha, the public presentation of plots from the Ramayana epic in both the narrative and poetic as well as performative forms. But are the events and phenomena in question a miracle for the Avadhvasis, residents of Ayodhya and its environs, or are they so commonplace that they do not surprise or fascinate? That exactly is the subject of the essay, written on the basis of materials collected by the author in Ayodhya during the period of 2010 – 2019. The author would like to express his appreciation to Mr. Alok Sharma (Faizabad) for his advice and cooperation.

De-Finition

2019 ◽  
Vol 95 (2) ◽  
pp. 231-245
Author(s):  
Erik Ode
Keyword(s):  
Educational Research ◽  
The Other ◽  
Political Perspective ◽  
The World ◽  
The Subject ◽  
Scientific Terms

Abstract De-Finition. Poststructuralist Objections to the Limitation of the Other The metaphysic tradition always tried to structure the world by definitions and scientific terms. Since poststructuralist authors like Derrida, Foucault and Deleuze have claimed the ›death of the subject‹ educational research cannot ignore the critical objections to its own methods. Definitions and identifications may be a violation of the other’s right to stay different and undefined. This article tries to discuss the scientific limitations of the other in a pedagogical, ethical and political perspective.

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