The Cycle of Agathias

1966 ◽  
Vol 86 ◽  
pp. 6-25 ◽  
Author(s):  
Averil Cameron ◽  
Alan Cameron

Following the example of Meleager and Philip of Thessalonica, Agathias of Myrina, poet, lawyer and continuator of the Wars of Procopius, compiled in the sixth century A.D. an anthology of epigrams, generally known as the Cycle (κύκλος) which, together with those of Meleager and Philip, was incorporated into the later anthology of Constantine Cephalas and partially survives in the Palatine and Planudean anthologies. But unlike Meleager and Philip, Agathias included only the work of contemporaries, representatives of that Indian summer of Greek poetry which illuminates the age of Justinian. And it has always been assumed that the Cycle was published during Justinian's reign, and that the (unnamed) Emperor to whom Agathias' (surviving) preface is addressed is Justinian himself.But the arguments on which this dating is based are as flimsy as could well be imagined, and neglect moreover a number of material pieces of evidence which point decisively to a later date. P. Waltz, editor of the (alas unfinished) Budé Anthology, observes that the allusions to Italy and Rome in Agathias' preface (AP iv 3) ‘permettent d'en dater la publication des années qui suivent la reprise de Rome par Narsès’ in 553. Not a very helpful terminus post quem. In 553 Agathias was hardly more than 20. No one, surely, would wish to suggest that he published the Cycle before he was out of his teens.

1970 ◽  
Vol 20 (1) ◽  
pp. 119-129 ◽  
Author(s):  
Alan Cameron

The latest volume of the Antinoopolis Papyri (iii [1967], no. 115) contains fragments of some 40 iambic lines in praise of a certain Archelas. The papyrus is dated by J. W. B. Barns, the editor of the piece, to the sixth century A.D., and the poem itself can be no older, since corrections and alterations show it to be an author's draft. According to Barns it is ‘an iambic encomium of a type not uncommon in late Greek occasional poetry from Egypt’ (p. 20). I would suggest rather that the surviving lines come in fact from an iambic preface to a hexameter encomium.In the fourth, fifth, and sixth centuries it was standard, if not universal, practice to preface a hexameter poem with an iambic prologue. Since details are not readily available, and are relevant to my argument, I tabulate them here. First the four examples that have come to us by manuscript tradition, as it happens the same manuscript (Palatinus 23), and all dating from the second half of the sixth century.


2020 ◽  
Vol 4 (1) ◽  
pp. 114-132
Author(s):  
Raphael Schwitter

The Epithalamium Fridi is a sixth-century Virgilian cento that commemorates the marriage of the Vandal noble Fridus with his unnamed bride. Its author, the African poet Luxurius, engages in versatile poetic play fusing Virgil with multiple epithalamial models such as Statius, Claudian, and Ausonius. Through the dynamics of triangular intertextuality the centonist is able to strengthen the wedding poem's generic bonds and to connect himself and his work firmly to the classical Roman tradition. At the same time, echoes of distinctive African idiosyncrasies as prefigured by Dracontius highlight the hybrid character of sixth-century Romano-Vandal elite culture and its celebration of what appears to be a distinctive African Romanness.


2017 ◽  
Vol 24 (2) ◽  
pp. 678-700
Author(s):  
V Christides

Based on two important hagiographical works written in Greek, the Martyrdom of St. Arethas and his companions and the Acts of St. Gregentius, the aim of this paper is to continue my preliminary study of the countries around the Red Sea in pre-Islamic times, especially in the sixth century A.D. The most valuable information in the Martyrdom concerns the hazardous voyage of the Ethiopian army from the main port of Adulis across the Red Sea to South Arabia (ca 525 A.D.). This work illuminates aspects of that expedition which do not appear in such detail in any other source. In addition, it describes the ports of the Red Sea in the sixth century, i.e., Klysma, Bereniki, Adulis, etc., corroborating the finds of archaeology and epigraphy. Concerning the controversial Acts of St. Gregentius, the present author has tried to discuss only some vital information reflecting the social structure of South Arabia during its Ethiopian occupation until the Persian conquest of it (ca 525 A.D. – ca 570 A.D.), and attempted to trace the origin of just one law (the treatment of animals) among those supposedly imposed on the Himyarites by the so-called archbishop Gregentius.


2013 ◽  
Vol 4 (3) ◽  
pp. 401-416
Author(s):  
Shira L. Lander

Historians of the ancient synagogue often use the term “conversion” to describe any kind of adaptation of a building once designated as a synagogue into a church. This label oversimplifies and misconstrues complex processes, both rhetorical and architectural, that were at work in transforming the landscape of the late antique Mediterranean. I explore the dynamic of this triumphalist rhetoric and architectural strategy, showing that Christian writers meant something very specific by the term “conversion,” and that they invented the paradigm of synagogue conversion in order to interpret the changing landscape to their readers. The architectural program of replacement as a strategy for converting subject populations to Christianity emerged in the sixth century. By characterizing changes made to building structures and changes in religious belief as “conversion,” imperial policy concretized the association of sacred space transformation with the victory of Christianity over Judaism and paganism.


Author(s):  
Jonathan D. Teubner

The ‘Historiographical Interlude’ presents a brief overview of the cultural, social, and political changes that occur between Augustine’s death in 430 CE and Boethius’ earliest theological writings (c.501 CE). When Augustine, Boethius, and Benedict are treated together in one unified analysis, several historiographical challenges emerge. This Interlude addresses several of these challenges and argues that trends within late nineteenth- and early twentieth-century scholarship established some unfounded interpretive biases. In particular, this section will discuss the contributions of Adolf von Harnack and Henri Irénée Marrou, focusing on how they contributed, in diverse ways, to the neglect of sixth-century Italy as a significant geographical site in the development of the Augustinian tradition.


Author(s):  
Jason Scully

The first chapter demonstrates that even though Isaac quotes Evagrius throughout much of his writing, Isaac does not adopt Evagrius’s eschatological framework. In order to reach this conclusion, this chapter conducts a detailed comparison of two Syriac translations of the Gnostic Chapters, which is the Evagrian text that Isaac quotes most often. While the sixth-century Syriac version of the Gnostic Chapters includes a detailed eschatological consideration of the human soul in the future world, the fifth-century Syriac version is void of any distinctive eschatological framework. Since Isaac only used the fifth-century Syriac version of the Gnostic Chapters, he cannot have derived his eschatological framework from Evagrius. Rather, following Babai the Great, who established a framework for interpreting the fifth-century Syriac version of the Gnostic Chapters, Isaac interprets Evagrius’s Gnostic Chapters as a work describing the journey of asceticism.


Author(s):  
Ildar Garipzanov

This chapter examines the use of monograms as graphic signs of imperial authority in the late Roman and early Byzantine empire, from its appropriation on imperial coinage in the mid-fifth century to its employment in other material media in the following centuries. It also overviews the use of monograms by imperial officials and aristocrats as visible signs of social power and noble identity on mass-produced objects, dress accessories, and luxury items. The concluding section discusses a new social function for late antique monograms as visible tokens of a new Christian paideia and of elevated social status, related to ennobling calligraphic skills. This transformation of monograms into an attribute of visual Christian culture became especially apparent in sixth-century Byzantium, with the cruciform monograms appearing in the second quarter of the sixth century and becoming a default monogrammatic form from the seventh century onwards.


Sign in / Sign up

Export Citation Format

Share Document