Re Reading the Encyclopedia: Architectural Theory and the Formation of the Public in Late-Eighteenth-Century France

1994 ◽  
Vol 53 (2) ◽  
pp. 184-192 ◽  
Author(s):  
Sylvia Lavin
Keyword(s):  
Eighteenth Century ◽  
Public Sphere ◽  
Publishing Industry ◽  
Architectural Theory ◽  
Reading Practices ◽  
The Public ◽  
Leading Role ◽  
The Arts ◽  
The Public Sphere ◽  
Modern Form

Architecture is commonly considered the most public of the arts, as if inherently, even though the concept of the public only began to acquire its modern form in the course of the eighteenth century. Paradoxically, architecture itself promoted this assumption by helping to construct the public sphere during the same period. Architectural theory played a leading role in this negotiation-as a material product embedded in the publishing industry and in particular reading practices, and as a conceptual apparatus circulating in a new discursive realm. In the following essay, a text by Quatremère de Quincy that explicitly addressed the needs of a public in-the-making will serve as a vehicle for the examination of these larger issues.

Sex in the City that Peter Built: The Demimonde and Sociability in Mid-Eighteenth Century St. Petersburg

Slavic Review ◽  
2017 ◽  
Vol 76 (4) ◽  
pp. 907-930
Author(s):  
Igor Fedyukin
Keyword(s):  
Eighteenth Century ◽  
Public Sphere ◽  
Large Scale ◽  
Historical Context ◽  
Reading Public ◽  
Associational Life ◽  
The Public ◽  
The World ◽  
The Public Sphere ◽  
The City

This article uses the materials of the Drezdensha affair, a large-scale investigation of “indecency” in St. Petersburg in 1750, to explore unofficial sociability among the Imperial elite, and to map out the institutional, social, and economic dimensions of the post-Petrine “sexual underworld.” Sociability and, ultimately, the public sphere in eighteenth century Russia are usually associated with loftier practices, with joining the ranks of the reading public, reflecting on the public good, and generally, becoming more civil and polite. Yet, it is the privately-run, commercially-oriented, and sexually-charged “parties” at the focus of this article that arguably served as a “training ground” for developing the habits of sociability. The world of these “parties” provides a missing link between the debauchery and carousing of Peter I's era and the more polite formats of associational life in the late eighteenth century, as well as the historical context for reflections on morality, sexual licentiousness, foppery, and the excesses of “westernization.”

Deconstructing female conventions

2006 ◽  
Vol 33 (1-2) ◽  
pp. 11-38 ◽  
Author(s):  
Maria E. Rodríguez-Gil
Keyword(s):  
Eighteenth Century ◽  
Public Sphere ◽  
Mother Tongue ◽  
New Approach ◽  
The Public ◽  
English Grammar ◽  
The Public Sphere ◽  
At Home

Summary This paper examines Ann Fisher’s (1719–1778) most important and influential work, A New Grammar (1745?). In this grammar, the author did not follow the trend of making English grammar fit the Latin pattern, a common practice still in the eighteenth century. Instead, she wrote an English grammar based on the nature and observation of her mother tongue. Besides, she scattered throughout her grammar a wide set of teaching devices, the ‘examples of bad English’ being her most important contribution. Her innovations and her new approach to the description of English grammar were indeed welcomed by contemporary readers, since her grammar saw almost forty editions and reprints, it influenced other grammarians, for instance Thomas Spence (1750–1814), and it reached other markets, such as London. In order to understand more clearly the value of this grammar and of its author, this grammar has to be seen in the context of her life. For this reason, we will also discuss some details of her unconventional lifestyle: unconventional in the sense that she led her life in the public sphere, not happy with the prevailing idea that women should be educated for a life at home.

Weimar Bodies

2021 ◽  
Author(s):  
Ute Planert
Keyword(s):  
Public Sphere ◽  
Weimar Republic ◽  
Modern Society ◽  
Human Reproduction ◽  
Gainful Employment ◽  
The Public ◽  
Political Conflicts ◽  
The Arts ◽  
Gendered Bodies ◽  
The Public Sphere

Like the arts and politics, sexuality, bodies, and the gender order in the Weimar Republic were sites of experimentation in and with modernity. The First World War and the revolution had accelerated the breakthrough of women into arenas such as politics, the public sphere, and professional gainful employment. Big cities provided space for sexual libertinage, in which the transgression of heterosexual norms was possible. A rationalization of sexuality took place, which combined increased freedoms and liberties with attempts at regulation. Sports became an important transmission belt for ideas of discipline, efficiency, and self-optimization. The Weimar welfare state combined the entitlement to live a healthy life with the duty to actively retain the health of one’s body. The latter included considering future generations via eugenicist ideas. A far-reaching consensus on the value of eugenics emerged, yet only under the pressure of the world economic crisis did it materialize in concrete proposals to recalibrate social policy. The final years of the Weimar Republic were marked by a remasculinization of the public sphere and a partial return to more traditional views on gender roles. Overall, gender and gendered bodies, sexuality and human reproduction, were inherent elements of the political conflicts that shaped modern society. At the end of the Weimar Republic, they were more contested than ever.

In Search of “Fellow Pilgrims”: Radical Protestants and Transconfessional Exchanges in Europe and the British Atlantic, c. 1670–1730

2014 ◽  
Vol 83 (3) ◽  
pp. 590-617 ◽  
Author(s):  
Elizabeth Bouldin
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
North America ◽  
Public Sphere ◽  
Great Awakening ◽  
British Isles ◽  
British Atlantic ◽  
The Public ◽  
Geographic Boundaries ◽  
The Public Sphere

The mobility and literacy of many seventeenth- and eighteenth-century dissenters allowed for the circulation of people and ideas throughout Europe, the British Isles, and colonial North America. This article focuses on the interactions of dissenting groups who flourished in the half century between the Restoration and the Great Awakening, such as English Philadelphians, French Prophets, radical German Pietists, Quakers, Bourignonians, and Labadists. It considers how a push for further reforms, particularly those arising from the context of late seventeenth-century millenarianism, served as a catalyst for radical Protestants to seek out other dissenters with the goal of uniting communities of reformers across linguistic, confessional, and geographic boundaries. Dissenters facilitated their endeavors through the development of new sites of sociability, a reliance on implicit codes of expected behavior, and the circulation of manuscript and printed texts. By relying on mechanisms of the public sphere, they carried out esoteric conversations and critical debates about radical Protestantism.

scholarly journals Feminism and the Public Sphere in Anne Brontë's The Tenant of Wildfell Hall

1998 ◽  
Vol 53 (1) ◽  
pp. 1-24 ◽  
Author(s):  
Rachel K. Carnell
Keyword(s):  
Eighteenth Century ◽  
Public Sphere ◽  
Historical Context ◽  
Narrative Structure ◽  
Century Model ◽  
Separate Spheres ◽  
The Public ◽  
Cultural Power ◽  
The Public Sphere ◽  
Different Levels

The bipartite narrative structure of Anne Brontë's The Tenant of Wildfell Hall (1848) has been interpreted recently as an attempt to subvert the traditional Victorian rubric of separate spheres. Reconsidering this novel in terms of Jürgen Habermas's concept of the eighteenth-century public sphere broadens the historical context for the way we understand the separate spheres. Within Brontë's critique of Victorian gender roles, we may identify a reluctance to address the Chartist-influenced class challenges to an older version of the public good. In hearkening back to an eighteenth-century model of the public sphere, Brontë espouses not so much a twentieth-century-style challenge to the Victorian model of separate spheres as a nineteenth-century-style nostalgia for the classical liberal model of bourgeois public debate. At the same time, the awkward rupture in Brontë's narrative represents the inherent contradictions between the different levels of discourse-literary, political, and scientific-within the public sphere itself and the complex ways in which these contradictions are both accorded and denied cultural power.

Speaking Objects: The Circulation of Stories in Eighteenth-Century Prose Fiction

PMLA ◽  
1998 ◽  
Vol 113 (2) ◽  
pp. 212-226 ◽  
Author(s):  
Christopher Flint
Keyword(s):  
Eighteenth Century ◽  
Public Sphere ◽  
Print Culture ◽  
Prose Fiction ◽  
The Public ◽  
Popular Narrative ◽  
Narrative Device ◽  
British Fiction ◽  
Private And Public ◽  
The Public Sphere

An enormously popular narrative device, speaking objects were used frequently in eighteenth-century British fiction to express authorial concerns about the circulation of books in the public sphere. Relating the speaking object to the author's status in a print culture, works featuring such narrators characteristically align authorship, commodification, and national acculturation. The objects celebrate their capacity to exploit both private and public systems of circulation, such as libraries, banks, booksellers' shops, highways, and taverns. Linking storytelling to commodities and capital, they convey an implicit theory of culture in which literary dissemination, economic exchange, and public use appear homologous. But as object narratives dramatize, such circulation estranges modern authors from their work. Far from mediating between private and public experience or synthesizing national and cosmopolitan values, these narratives record the indiscriminate consumption that characterizes the public sphere in a print culture.

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