Painting, Politics, and Post-Historical Art

2021 ◽  
pp. 135-151
Keyword(s):  
2016 ◽  
Vol 11 (7) ◽  
pp. 1934578X1601100
Author(s):  
Simona Casiglia ◽  
Maurizio Bruno ◽  
Sergio Rosselli ◽  
Felice Senatore

The chemical composition of the essential oil from flowers of Eringium triquetrum Vahl. collected in Sicily was evaluated by GC and GC-MS. The main components were pulegone (50.6%), piperitenone (30.5%) and menthone (7.0%). Comparison of this oil with other studied oils of Eringium species is discussed. The oil showed good antibacterial and antifungal activities against some microorganisms that infest historical art works.


2022 ◽  
Vol 41 ◽  
pp. 103322
Author(s):  
Guy M. Kirwan ◽  
Richard K. Broughton ◽  
Alexander C. Lees ◽  
Jente Ottenburghs ◽  
Joseph A. Tobias
Keyword(s):  

2017 ◽  
Vol 12 (8) ◽  
pp. 1934578X1701200
Author(s):  
Simona Casiglia ◽  
Maurizio Bruno ◽  
Gianfranco Fontana ◽  
Felice Senatore

The chemical composition of the essential oil from aerial parts of Mentha pulegium L. (Linné) collected in Sicily was evaluated by GC and GC-MS. The main components were pulegone (50.6%), piperitenone (27.8%) and menthone (6.9%). Comparison of this oil with other studied oils of different populations is discussed. The oil showed good antibacterial and antifungal activities against some microorganisms that infest historical art works.


2019 ◽  
Vol 73 (1) ◽  
pp. 33-41
Author(s):  
J. M. Tyree

This essay discusses Richard Billingham's debut feature film, Ray & Liz (2018), through the lens of miserabilism as both an historical art movement and as an endemic feature of British film culture. The film provides both continuity and innovation in Billingham's work, connecting with his 1990s photographs of his family (originally displayed alongside the work of other Young British Artists [YBAs] at the London Sensation exhibition in 1997), and introducing new formal aspects of narrative cinema into his career in the visual arts. Called a “cine-memoir” by Billingham, Ray & Liz portrays incidents from the artist's family's life and his own upbringing near Birmingham, focusing on his father's alcoholism and his parents' loss of custody of Billingham's brother. The film questions many of the assumptions about how poverty is represented in contemporary cinema and challenges the tendencies of miserabilism towards apolitical nihilism on one hand and simplistic message-making on the other.


2021 ◽  
Vol 5 (1) ◽  
Author(s):  
Isabel Casteels ◽  
Louise Deschryver ◽  
Violet Soen

This special issue examines the multifaceted phenomenon of death in the early modern Low Countries. When war, revolt, and disease ravaged the Netherlands, the experience of death came to be increasingly materialised in vanitas art, funeral sermons, ars moriendi prints, mourning poetry, deathbed psalms, memento mori pendants, grave monuments, épitaphiers, and commemoration masses. This collection of interdisciplinary essays brings historical, art historical, and literary perspectives to bear on the complex cultural and anthropological dimensions of death in past societies. It argues that the sensing and staging of mortality reconfigured confessional and political repertoires, alternately making and breaking communities in the delta of Rhine, Meuse, and Scheldt. As such, death’s ‘omnipresence’ within the context of ongoing war and religious polarization contributed to the confessional and political reconfiguration of the early modern Low Countries.


2019 ◽  
Vol 15 (1) ◽  
pp. 21-35
Author(s):  
Rimantė Baratinskienė

Summary This article’s aim is to demonstrate the secession décor’s implementation in manor house interiors throughout Lithuania. Secession style is very different from historicist styles and was popular for a short period of time, which is why it did not gain popularity in all Europe. This organic style is usually closely related to urban culture, but, in the past, the main cultural life in Lithuania developed in manors. Nevertheless, secession style décor and interior design was not as popular in manor houses as in city buildings. Because of that, all details and elements of secession style are very important for Lithuania’s cultural heritage. Several examples from Renavas, Rokiškis, Gelgaudiškis, Paežeriai, Burbiškis, and Šešuolėliai manor residences’ interiors show how secession style was created in Lithuanian countryside. The new style brought changes, such as asymmetric facades, new floor plans and perception of private space, and new interior décor. Iconographic material of secession style décor elements in interiors of Lithuania is rare, but, by combining it with historical, art, and polychromic research, it is possible to describe the details of secession style in the interiors of Lithuanian manor houses.


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