Paradigm Change in Tourist Preferences Towards Evolving New Normal Tourism and Travel Trends

Tourism has been recognized as a delight for attraction, accommodation, culture, recreation, and more. The tourism industry has become a major source of revenue for many businesses and for nations as a whole as part of the service sector. The unusual outbreak of the COVID-19 pandemic is the sole disruptive circumstance for the last several months. Due to the unprecedented situation, there is a chance for new travel trends to emerge in the nation. This chapter describes the emerging new normal tourism and travel trends like a staycation, wellness and spa tourism, virtual tourism, sustainable travel, eco-tourism, vaccine tourism, and also aims at finding tourist preferences of destinations from the new travel trends post pandemic. Travellers today would like to visit destinations consisting of nature protected regions, which are termed sustainable travel, to satisfy their ecotravel, money value, private space, social distance, security, accessibility, and cleanliness needs.

Travelling Europe, Travelling through Crisis: Disintegrated Journeys in Dorota Masłowska’s A Couple of Poor, Polish-Speaking Romanians and Zinnie Harris’s How To Hold Your Breath

The article reflects on the issues of European social, political and ethical disintegration by looking at two plays which represent both geographic and mental migration of European citizens. Zinnie Harris’s play dramatizes a journey by an energetic businesswoman from the state of seeming success to the condition of collapse of the entire continent. Masłowska’s drama tells the story of a couple who have lost their geographic but also existential bearings after a prolonged bout of drug abuse and partying. The article aims at presenting the European continent as a space of alienated social and personal experience, as a community of people in permanent exile from both the private space and the public ideologies. The two plays offer a reflection on the condition of pre-Brexit Europe with the power of capturing representative lives of those individuals who have lost the sense of the common cause.

El refugio cultural festival, graffiti and urban art in the historic centre of puebla in Mexico

The city of Puebla was put on the UNESCO list of Cultural Heritage of Humanity in 1987; its history dates back to the sixteenth century allowing for the preservation of various important buildings, such as churches with baroque and neoclassical facades, buildings from the period known as Novo Hispanics, when some of its historic neighbourhoods were founded, including the Barrio el Refugio, hereinafter referred to as BR, where indigenous people employed in the lime manufacture used to live. Since those times, however, the neighbourhood has become a place with bad reputation, “a den of thieves” (Leicht). The traditional, religious commemoration, the “Fiesta Patronal de la Virgen del Refugio,” is the most important celebration in the neighbourhood. In the Church of La Virgen del Refugio, built in the seventeenth century after an inhabitant painted a mural with the image of the virgin, the “mañanitas” are sung with the Mariachi. During the patronal feast, the “El Refugio Cultural Festival” is held with more than a hundred artists taking part and creating about a thousand murals according to the organiser’s estimation. This happens in the city where a project “Puebla Ciudad Mural” was started, as an initiative of the “Colectivo Tomate,” which sought to regenerate the neighbourhood through art, in alliance with the government and private companies. However, these policies are more tourist oriented rather than benefit the neighbourhood. For this reason, the graffiti movement “Festival Cultural el Refugio” is becoming a meeting point for urban artists from Mexico and Puebla, accustomed to taking up public or private space, as they demand space where they can live and express themselves. For ten years the festival has realised more than one thousand pieces of urban art, including Wild Style graffiti, bombs, stickers, stencil, and murals. All this is done under the patronage of the artists themselves, as three hundred of them come from all over the country to take part in every edition of the festival that does not receive any government support or other form of sponsorship.

Sharing Private Space with Strangers: The Phenomenon of Couchsurfing App User

Couchsurfing is an application that connects persons who need lodging, with individuals who offer their house as a free place to stay. Persons who need lodging are called surfers and individuals who provide their house are called hosts. When hosts and surfers are just getting acquainted through the Couchsurfing app, they hold some uncertainty with each other. This study describes the experiences of both parties in their efforts to reduce uncertainty and build close relationships, even though they only met through digital applications and never face to face. This study uses a phenomenological approach with data search techniques in the form of in-depth interviews, direct observation, and data observation through the Couchsurfing application. The number of interviewees was 14 from various cities in Indonesia. To reduce uncertainty and build close relationships, hosts and surfers go through five stages; first, understanding and believing technology; second, pre-conversation; third, online conversation-1; fourth, face-to-face conversation; and fifth, online conversation-2. The description of these stages is summarized in the findings of this study. This finding also proves that the presence of technology may modify the previously known theories of interpersonal communication. Interpersonal communication not only takes place between two people directly but also involves technology as an intermediary.

Curating the Living Room: A Queer Feminist Decolonial Intervention in Public and Private Spaces

Many scholars and institutional critique artists have made the role of the museum in the formation of national/state ideologies clear. However, interventions that extend this critique to the private space of the home and its domestic cultures and practices remain few and far between. This article considers the decolonial and queer feminist curatorial methodologies that framed the creation and development of the exhibition Unpacking the Living Room (MSVU University, Kjipuktuk/Halifax, Nova Scotia, 2018). This exhibition was posited as not only an intervention into the settler colonial taxonomies and display practices of Western museum systems and modernist white cube galleries, but also an invitation for guests visiting the Living Room to reflect on their own living room as sites where power and meaning and identity are constantly negotiated. This article outlines the process of curating Unpacking the Living Room and shares it methodological growth and research outcomes.

Questions of Citizenship and the Nature of "The Public"

This essay is taken from a talk given at a symposium discussing Professor Ken Stahl’s book, Local Citizenship in a Global Age.1 It is not a traditional book review, but rather a series of musings inspired by the ideas in the book. Professor Stahl’s new book, Local Citizenship in a Global Age, addresses a number of important issues, many of which have been the focus of my prior work: the existence of boundaries, borders, and the spaces in between; who we include in those boundaries and who we exclude; public space, private space, and the lines between them; spaces of production versus those of consumption; and questions of place and authenticity. Thus, I was excited to participate in a discussion of the book. This essay focuses specifically on Part III of Stahl’s book, which addresses “Race, Space, Place, and Urban Citizenship.” In addition to the topics I mentioned above, Professor Stahl’s book is about citizenship. Indeed, it is primarily about citizenship. But, as Professor Stahl describes various conceptions of citizenship, it is clear that the reader has to grapple with all of the other issues I noted—boundaries, place, exclusion—in order to fully understand citizenship. This essay provides no broad critiques or sweeping analysis. Rather, it will discuss the concepts that struck me in the book and the ideas it made me think about. Thus, what follows are some thoughts, organized generally in the order in which they came to me as I was reading Part III of the book.

Plainly Audible

This article tells the story of the Amplified Noise Act of 2018, a bill introduced through Washington, DC’s council to discourage street musicians in DC’s Chinatown neighborhood from disturbing local residents and office workers in the area. The punitive measures proposed in the bill included a $300 fine, up to ten days in jail, and/or the seizing of the offending equipment by the Metropolitan Police Department (MPD). The public hearing, protests, and legislative maneuvering that followed encapsulate the racialized and sonic dimensions of gentrification in Washington, DC. I introduce these events through a theoretical framework that I call “intersectional listening.” Drawing on the work of Kimberlé Crenshaw and intellectual genealogies of Black feminist thought, intersectional listening attends to the sonically articulated expressions of identity that are present in processes of gentrification, producing an analysis that attends to the complexities of sound, power, and race in a changing city. Processes of gentrification amplify tensions surrounding sound, music, and noise in both public and private space, and these tensions are deeply racialized because of the ways in which Black people have long been deemed sonically unruly and unmanageable. Ultimately, this article works to decriminalize Black sound and amplify those striving to do the same.

Can Satellite Mega-constellations Justify Their Impact on Astronomy?

Near-earth space is being increasingly commercialised by private space companies. This has many consequences for science, particularly, astronomy. Some estimates show that more than 100,000 satellites may orbit the Earth by 2030. Satellite mega-constellations for satellite Internet connectivity are one of the main drivers behind the explosion in the number of satellites. Here, we briefly note whether such satellite mega-constellations can justify their impact on astronomy.

A SOCIOLOGICAL ASSESSMENT ON WOMEN, HONOR AND DIVORCE

In this study, in which the effect and consequences of gender roles and patriarchy on women's marriage and divorce experiences were tried to be understood, face-to-face interviews were conducted with twelve divorced women and a semi-structured interview from specially created for the study was used in the interviews. In line with masculine ideology and gender roles; It is possible to say that it is perceived and evaluated within the framework of private space, motherhood, body and honor. Accordingly, it is seen that women’s life is tried to be organized and disciplined on the basis of these ideological foundations in all processes before marriage, after marriage and after divorce. It is inevitable that women, who are not given equal opportunities and opportunities in access to education and working life as much as men, face much more severe situations in marriage and divorce processes. Depending on gender, it is understood that divorce creates different problems and grievances for women than man. In this study, the problems experienced by the divorced women before, during and after the divorce were evaluated only through the data of the interviews with the women included in the interview group and tried to be interpreted from a sociological point of view.

The new intrusion tort: The news media exposed?

<p>In C v Holland, Whata J recognised that the tort of intrusion upon seclusion formed part of New Zealand’s common law. The tort protects against intentional intrusions into a person’s private space. This decision potentially exposes the news media to tortious liability when it engages in intrusive newsgathering practices. However, Whata J’s decision provides little guidance as to how the tort should be applied in later cases. In order to ascertain the meaning of the tort’s formulation, this essay draws upon the methods used, both in New Zealand and internationally, to prevent the news media from breaching individual privacy rights. It then suggests that the courts should replace the formulation with a one-step reasonable expectation of privacy test. It also argues that the legitimate public concern defence should be better tailored to the intrusion context. Finally, it briefly assesses how the intrusion tort should interact with the tort in Hosking v Runting. Ultimately, it concludes that, in future, the courts should reflect more carefully on the precise wording of the intrusion tort’s formulation so that it best vindicates the interests that it was designed to protect.</p>