Maintaining a critical approach to collaborative art and youth work practice in neoliberal times

Author(s):  
Fiona Whelan ◽  
Jim Lawlor
2019 ◽  
Vol 16 (2) ◽  
Author(s):  
Cleopatra Monique Parkins

Even though youth work has played a critical role in fostering the holistic development of today’s youth, much controversy has surrounded the practice. Nevertheless, youth workers are slowly being accorded professional status, and a code of ethics has been developed in some jurisdictions. Some states are still to adopt this code; consequently the credibility of youth workers and the sector in general sway with the wind. This article presents a comparative analysis of ethical practices of youth work in Jamaica, Australia, New Zealand and the United Kingdom, examining current trends in observing ethics and addressing ethical issues. In the case of Jamaica, the researcher used the non-probability convenience sampling technique and collected primary data from a questionnaire administered to a sample of youth workers. The perspective of the ministerial arm responsible for youth work in Jamaica was also captured through an interview. In the case of Australia, New Zealand and the United Kingdom, the framework of the profession and specifically matters pertaining to ethical practices were examined through the use of secondary data sources, which included reports on youth work practices in the selected countries. A mixed methodology was employed in analysing the data collected. The major findings of this study confirmed that advancing youth work as a profession is dependent on the acceptance and integration of a formal code of ethics, that youth workers must receive training on ethics and that a national youth work policy is important to guide youth work practice. In accordance with the findings, the researcher makes a number of recommendations and highlights notable best practices that may help with the overall professionalisation of the sector.


2018 ◽  
Author(s):  
Pam Alldred ◽  
Fin Cullen ◽  
Kathy Edwards ◽  
Dana Fusco
Keyword(s):  

2020 ◽  
Vol 13 (1) ◽  
pp. 108-120
Author(s):  
Irena Dychawy Rosner

The coronavirus pandemic affects the whole world. This situation is a very challenging time for all humanity and social services no less. The present article explores how care and different forms of support can or should be offered to young people in the post-COVID-19 youth work. The objective of this paper is to reflect on how social work practitioners can adapt their daily clinical practice by focusing their interventions on the social pedagogical dimensions of social work. The article presents a generalised discussion of practice logics in social work and social pedagogy. Because of the meanings derived from knowledge on the importance of relationships between the helper and the help receiver, social practices in the post-COVID-19 world need to consider social pedagogical expertise in social work practice and the development of preventive assistance for young populations. This effort has been prepared as a part of the project “Social Professionals for Youth Education in the context of European Solidarity".


2021 ◽  
Vol 12 (3-4) ◽  
pp. 104-128
Author(s):  
Bobbi Ali Zaman ◽  
Ben Anderson-Nathe

Arguably, from the invention of adolescence at the beginning of the 20th century, developmental theory has served as the foundation of disciplinary study and professional practice with children and youth across the global West. Despite their founders’ assertions that development is culturally constructed, in educational and youth work practice contexts stage-based trajectories of normative human growth are largely erroneously accepted as ahistorical, apolitical, naturally occurring, and universally applicable. This paper presents critiques of developmentalism from historical, reconceptualist, and queer perspectives, calling into question the underlying principles of normalcy and abnormality that run through the developmental project. We pay particular attention to the potential of queer theory as an analytic to deconstruct developmentalism in the context of child and youth care, opening new possibilities for critical engagement with children and youth outside the context of development.


Author(s):  
Susana Jiménez Carmona

With this article we want to offer a critical approach to participatory practices within sound art. To this end, we will analyse the work of two groups of sound artists who have placed participation and collaboration at the centre of their work and of their definition of sound art itself, using two very different approaches: Ultra-red and Escuchatorio. Both groups understand listening as a political action which always implies a relationship with others and with the environment. However, their very different ways of activating the collective listening may encourage us to consider how collaborative art is understood and practised at a time when the interest in participation from different artistic and cultural institutions (also political) keeps growing.By considering Escuchatorio and Ultra-red, we want to ask ourselves how it can be decisive who proposes to perform the sound action: whether it is a community in struggle or a group of artists, or a gallery/institution. Different proposers generate different receptors/participants and also different ways of understanding which values are at stake and how they are distributed. Who is able to participate and how it can be done entail different degrees of involvement, impact and barriers. For a specific group that meets in a specific place participatory art can foreground the differences between people who are close to each other (Ultra-red), whereas the participation of anyone who can use any type of recording device and upload recordings to the network emphasises the similarities between people who are otherwise strangers (the expanded radio of Escuchatorio).


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