Together Towards Life in the Context of Liquid Modernity:

2021 ◽  
pp. 89-109
Author(s):  
Kenneth R. Ross
Keyword(s):  
2021 ◽  
Vol 13 (2) ◽  
pp. 65-89
Author(s):  
Geir Sigurdsson

Our late modernity has been characterized by Zygmunt Bauman and Hartmut Rosa as, respectively, “liquid” and “accelerated”. These are demanding aspects of reality that have elicited both adaptive and resisting responses. While the drive to adapt has generally been favoured, especially by the corporate sector, a certain resistance to the tendency is also notable among ordinary citizens. It will be argued in this paper, first, that while adaptation evokes Daoist insights, such an association is misleading and an unqualified kind of adaptation is not a viable option; secondly, while many ritualistic and ceremonial practices are being revived as a part of the resistance, many of these are undesirable; thirdly, that an introduction of ritual inspired by the ancient Confucian understanding of li 禮 is a beneficial way to alleviate the harmful effects of late modernity; and fourthly, that this understanding of li can be strengthened and clarified through Neo-Daoist interpretations.


2018 ◽  
Vol 3 (1) ◽  
pp. 56
Author(s):  
Jim Garrison ◽  
Stefan Neubert

This chapter combines perspectives of Deweyan philosophy and education with Zygmunt Bauman’s sociological approach. It addresses the present deep crisis of democracy represented by renascent nationalism and right-wing populism in many places around the globe. Among other things, we explore Bauman’s account of liquid modernity with a special eye on his critical views on the ambivalence of communities in contemporary life. First, we argue that inclusive education in a Deweyan sense must be base on civil and hospitable communities. Second, we use Bauman to explain some important characteristics of exclusive as opposed to democratic communities. Third, we discuss some of the main strategies of exclusion that lead, according to Bauman, to a loss of civil spaces in liquid modernity. We interpret them as challenges and risks that Deweyan democracy has to face in the world of today. Fourth, we adopt Bauman’s idea of explosive communitites and use it to analyse some of the more dramatic and violent dangers to democracy that are involved by contemporary extreme nationalist and right-wing populist policies. Fifth, we draw implications for democracy and education by identifying some strategies to counter these dangers and to enable and facilitate new ways of liquid learning in liquid times. We discuss six necessary aspects and qualities of learning communities that seem appropriate to this end. Throughout the essay, we show, from a Deweyan perspective, that the development from solid to liquid modernity, as depicted by Bauman, has taken a new and unexpected turn, again, in the course of the very last years.


2021 ◽  
Vol 12 ◽  
pp. 94-124
Author(s):  
Michael Hviid Jacobsen

This article critically addresses the contemporary study of what is called 'defensive emotions' such as fear and nostalgia among a number of social theorists. While it may be true that the collective emotions of fear and nostalgia (here framed by the phrase of 'retrotopia') may indeed be on the rise in Western liberal democracies, it is also important to be wary of taking the literature on the matter as a sign that fear and nostalgia actually permeate all levels of culture and everyday life. The article starts out with some reflections on the sociology of emotions and shows how the early interest in emotions (theoretical and empirical) among a small group of sociologists is today supplemented with the rise of a critical social theory using collective emotions as a lens for conducting a critical analysis of the times. Then the article in turn deals with the contemporary interest within varuious quarters of the social sciences with describing, analysing and diagnosing the rise of what is here called 'defensive emotions' – emotions that express and symbolize a society under attack and emotions that are mostly interpreted as negative signs of the times. This is followed by some reflections on the collective emotions of fear and nostalgia/retrotopia respectively. The article is concluded with a discussion of how we may understand and assess this relatively new interest in defensive emotions.


Author(s):  
Irena Lagator Pejović

This paper addresses the deconstructive questioning of the international economic expression of the LLC/Limited Liabilty Company and its role in global capitalism. Through an analysis of its constitutive notions in the context of post-Fordist production and the relationship to the issue of creativity, my goal is to demonstrate the opposite of the confirmation that such an expression emphasizes in the language and enables in reality. My thesis is to prove that today the multitude is acting within the limitless potential of human, social and cultural creativity. My intent in this paper is to prove that the tone of the meaning of the term LLC/Limited Liability Company is imposed by capitalist society and that may be aimed at subversive action on the capacity of the multitude. In this process, Derridan deconstruction serves to analyze the LLC through the concepts of sociability, responsibility, and limitation. Areas of interest are the strategy of Hannah Arendt’s entry into the essence of bios politicos and the way in which life is organized; Zygmunt Bauman’s concept of the identity of today’s liquid modernity and the concept of identity as such in it; and Paolo Virno’s implementation of the notion of a creative multitude as well as his evidence for the consequences of the paradoxical post-Fordist economy. In methodological terms, a critical examination of the relationship between creativity, capital and society is offered that focuses on understanding the crossings and paradoxes in permanent becoming. Article received: March 28, 2018; Article accepted: April 10, 2018; Published online: September 15, 2018; Preliminary report – Short CommunicationsHow to cite this article: Lagator Pejović, Irena. "Doxa and the Paradox of the Limited Liability Company (Society)." AM Journal of Art and Media Studies 16 (2018): 147−158. doi: 10.25038/am.v0i16.260


Author(s):  
Denise Varney ◽  
Peter Eckersall ◽  
Chris Hudson ◽  
Barbara Hatley
Keyword(s):  

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