scholarly journals Assessing skin tone heterogeneity under various light sources

2020 ◽  
Vol 2020 (1) ◽  
pp. 5-9
Author(s):  
Ruili He ◽  
Kaida Xiao ◽  
Michael Pointer ◽  
Stephen Westland

In this paper, skin tone heterogeneity in five facial areas (forehead, right cheekbone, left cheekbone, nose tip and chin) was investigated under six light sources with correlated color temperature (CCT) of 2850 K, 3500 K, 5000 K, 5500 K, 6500 K and 9000 K. Firstly, a facial image capturing protocol was developed and applied to five female participants, and their facial skin tone was analyzed based on the captured images. Through color characterization of the camera, XYZ values in each facial area were converted by a matrix from the extracted RGB data and then transformed to CAM02-UCS color space. MCDM with CAM02-UCS color difference was used to quantify skin tone heterogeneity in each facial area. The results under different light sources indicated that larger heterogeneity exists under the light source with lower CCT, and when the CCT of the light source ranges from 5000 K to 9000 K, there was smaller skin tone heterogeneity in each facial area.

2019 ◽  
Vol 23 (4) ◽  
pp. 371-378
Author(s):  
Xin Pan ◽  
Ying Guo ◽  
Ziyuan Liu ◽  
Zikai Zhang ◽  
Yuxiang Shi

The purpose of this paper is to investigate the standard light source for grading and displaying the color of red jadeite and to classify the color. With Raman spectrometer, ultraviolet-visible spectrophotometer and X-ray fluorescence spectrometer, the results show that, the Fe 3+ is the main chromogenic mineral of red jadeite, which negatively correlates with the tonal angle, while the color of red jadeite has a positive correlation with the hematite content. The color of 120 red jadeite samples was examined by collecting the reflective signaled from the sample surface using an integrating sphere with the portable X-Rite SP62 spectrophotometer based on CIE 1976 L*a*b* uniform color space. The color parameters of jadeite samples under D65, A and CWF standard light sources were analyzed. The light spectrum of D65 light source is continuous, relatively smoothed with high color temperature, which makes the sample color close to that under the natural light and can be used as the best evaluation light source. A light source contributes to improve the red tone of jadeite, which is the best light source for commercial display of red jadeite. CWF light source can be used as the auxiliary lighting for color evaluation. The color of red jadeite is divided into five levels from best to worst using K-Means cluster analysis and Fisher discriminant analysis under D65 light source: Fancy Vivid, Fancy Deep, Fancy Intense, Fancy dark and Fancy.


Energies ◽  
2018 ◽  
Vol 11 (10) ◽  
pp. 2545 ◽  
Author(s):  
Ignacio Acosta ◽  
Jesús León ◽  
Pedro Bustamante

The current scenario of colorimetry shows a wide variety of different metrics which do not converge in the assessment of the color rendering of light sources. The limitations of the Color Rendering Index have promoted the emergence of new metrics, such as the Color Quality Scale. As in the case of the previous metric, these new concepts are based on the analysis of the deviation of different color samples in a color space, contrasting the results with those obtained with a light source reference, which can vary depending on the color temperature. Within this context, the Daylight Spectrum Index is proposed. This new concept aims to determine the affinity with daylighting of electric light sources, comparing the resulting spectral power distributions of the lamps studied and that observed under natural light. The affinity of an electric light source with daylighting allows for lower energy consumption due to the better performance of human vision. The new metric proposed is evaluated following the results obtained from 80 surveys, demonstrating the usefulness of this new concept in the quantification of color rendering of LED lamps and the affinity of electric light sources with daylighting.


2015 ◽  
Vol 731 ◽  
pp. 124-128
Author(s):  
Min Huang ◽  
Zhen Zheng ◽  
Huan Jiang ◽  
Hao Xue Liu

In order to investigate the influence of the light source with different illuminance and color temperature on the observers’ visual performance, five kinds of light sources were selected, named LED1, LED2, LED3, LED4 and Fluorescent, which have different illuminance or color temperature. 3 series of visual experiments, such as the ‘find out’ experiment, compared experiment, dose experiment were designed.13 observers were organized to carry out the experiment in the given time in turn. The reading rate, accuracy , index of mental capacity (IMC) and visual comfortable level score were analyzed, the results indicated that the light source with the lower color temperature and medium illuminance has the best visual performance and comfortable visual feel.


2021 ◽  
Author(s):  
Lingyuan Qiao ◽  
Huanyue Zhang ◽  
Jingjie Yu ◽  
Fan Cao ◽  
Yingming Gao

Abstract Color-adjustable light sources facilitate both mood lighting and daylight harvesting. A single duty cycle can be used by a bi-color LED to adjust the correlated color temperature by associating it with the duty cycle of the pulse width modulation dimming signal of the cold and warm light sources. The one-to-one mapping relationship between the single duty cycle and the correlated color temperature is based on the color mixing theory of bi-color LEDs. A method to correlate the dimming signals for cold and warm LEDs is presented. The influence of the time characteristics of the two basic signals on dimming and color temperature adjustment is analyzed. The dimming system of bi-color LEDs is designed, and the method used to adjust the correlated color temperature with a single duty cycle is verified. The experiment showed that the correlated color temperature can be accurately adjusted by the proposed method.


2006 ◽  
Vol 23 (3-4) ◽  
pp. 669-674 ◽  
Author(s):  
PAULO D. PINTO ◽  
JOÃO M.M. LINHARES ◽  
JOÃO A. CARVALHAL ◽  
SÉRGIO M.C. NASCIMENTO

A variety of light sources are used in museum environments where the main concern is to prevent damaging effects of the light on paintings. Yet, the visual impression of an artistic painting is strongly influenced by the intensity and spectral profile of the illumination. The aim of this work was to determine psychophysically the spectral profile of the illumination preferred by observers when seeing paintings dated from the Renaissance époque and to investigate how their preferences correlate with the color temperature of the illumination and with the chromatic diversity of the paintings. Hyperspectral images of five oil paintings on wood were collected at the museum and the appearance of the paintings under five representative illuminants computed. Chromatic diversity was estimated by computing the representation of the paintings in the CIELAB color space and by counting the number of nonempty unit cubes occupied by the corresponding color volume. A paired-comparison experiment using precise cathode ray tube (CRT) reproductions of the paintings rendered with several illuminant pairs with different color temperatures was carried out to determine observers' preference. The illuminant with higher color temperature was always preferred except for one pair where no clear preference was expressed. The preferred illuminant produced the larger chromatic diversity, and for the condition where no specific illuminant was preferred the number of colors produced by the illuminant pair was very similar, a result suggesting that preference could have been influenced by chromatic diversity.


2015 ◽  
Vol 731 ◽  
pp. 92-96
Author(s):  
Yu Liu ◽  
Hong Tao Miao ◽  
Min Huang ◽  
Ai Ping Liu ◽  
Xian Yao Wu

In order to study the LED light source illumination and the correlated color temperature effect on the human eye visual performance and physiological changes, through the comparative experiments of visual task performances under the different color temperature (3000K low color temperature, 4000K intermediate color temperature) and the different illumination (1145lux high intensity, 500lux middle intensity, 288lux low illumination), study the relationship between the biological effect and visual performance from two aspects of the visual perception performance and the physical efficiency such as blood pressure and pulse. Research indicates that color temperature 3000K or 4000K, intensity of illumination in about 500lux LED light source is suitable to visual task.


2017 ◽  
Vol 4 (1.) ◽  
Author(s):  
Krisztián Samu ◽  
Bálint Thamó

The goal of this project was to implement a device, which can measure the illuminance and the correlated color temperature (CCT) of a light source and also works as a webserver. The analyzation of light sources is very important in our everyday life. With the use of a webserver the measured values are easily accessible and the calculation methods can be changed without any changes on the hardware. It also provides a solution to store and analyze the results without further human interaction. Therefore the device is capable of collecting and analyzing a large amount of data. For these criterions we chose a PIC microcontroller, an Ethernet chip and two different sensors. One of the sensors is an RGB sensor and the other one is a LUX sensor. Both of the sensors are using photodiodes to sense the different attributions of a light source. Through this article we show the basic theory behind the project, the implementation and calibration of the device; then the results of the measurements and finally we mention some possibilities for future improvements.


2020 ◽  
pp. 37-44
Author(s):  
L. A. Nazarenko ◽  
O. M. Didenko ◽  
D. O. Usichenko

Color is not a physical properly of object, but rather a human perception enabled by light. Never­theless the color of light sources is described by the industry primarily in terms of two metrics, correlated color temperature (CCT) and color rendering index (CRI), that are only indirectly related to human perception. CCT is intended to characterize the appearance of the illumination generated by source, and CRI is intended to characterize the appearance of objects illuminated be the source. There two color metrics developed nearly of half-century ago, are increasingly being challenged because new source are being developed with increasingly exotic spectral power distribution. The new color metric applicable to the color appearance of the light emitted by at light source and quantified by the CCT and D. The chromaticity is one of the critical parameters for light sources for general lighting and normally specified with chromaticity coordinates CIE (x, y) or (', '). However these two numbers do not provide the color information intuitively. For practical purposes, collated color temperature (CCT) is commonly used to provide the chromaticity information of general illumination source CCT, however, provides only one dimension of the chromaticity and there is ano­ther dimension, which is the position of chromati­city with respect to Plancian locus. For this purpose «D» or similar terms as distance from Plancian locus have been need used in some part at the industry but these had not beer officially defined is any standard. Color rendering is general term for describing the ability of a light source to provide color information to human observer when objects are illuminated by that source like CCT color rendering index (CRI), the most accepted measure of color rendering. CRI was developed, through the system of colori­metry, simply to be an indication of how «natural» or «undistorted» the light source makes the color of objects appear when illuminated by the source when used as the sole measure of color rendering for a light source, CRI simply cannot meet expectations. With the advent of SSL, these limitations have become more widely recognized. It was proposed a two-metric system combi­ning CRI, a measure of color consistency with respect to a reference source, with gamut area index (GAI), a measure of color saturation. When used to ga­ther, the two metrics appear to optimize the color appeara­nce of natural objects like fruits and vegetable enhancing their vividness with making them appear unnatural. CCT is shown in commercial instruments but D is often avai­lable. D needs to be calculated using the method of triangular solution: Create a table CCT is distance di to Plancian locus on () coordinate; Find the closest point in the table; Solve the triangle for the neighboring 2 points. Gamut area of light source is commonly calculated as the area of the polygon defined by the chromaticities in CIE 1977 (', ') color space of the light CIE TCSs. Gamut area of EES is sealed to 100 and defined as gamut area index. The gamut area of any other light source is scaled accondingle.


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