River and Ocean

Author(s):  
Anthony Ossa-Richardson

This chapter looks at Scriptures, whose ambiguity is seen both as a difficulty to shake people out of exegetical complacency and as an inspired involution of multiple meanings on the page. These meanings are not only allegorical, mystical, or typological, but also literal, according to a widespread Catholic idea neglected by previous historians of biblical scholarship. The doctrine of multiple literal senses marked yet another battleground between the company of two armies, Protestant and Catholic—barring two or three defections—in the early seventeenth century. It encapsulated a profound distinction between two views of Scripture: the one a river to be cleansed and traced to the source, the other an ocean in which to swim, even to abandon oneself. Why, then, has this controversy been entirely ignored by scholarship? As modernity encroached, the doctrine became an embarrassment to Catholics, and in 1845 a professor of theology at Louvain, Jan-Theodor Beelen, wrote a treatise against it. But there are deeper reasons for the neglect. The history of biblical hermeneutics as written to date is more than usually Whiggish, seeking the precursors to Schleiermacher and Gadamer; the German and Lutheran backstory has therefore seemed inevitable, and from this perspective Catholic hermeneutics since Luther and Erasmus has been an irrelevance. Subsequently, the occlusion of the Catholic voice was attended by a narrowing of the possibilities of what biblical interpretation could be.

2001 ◽  
Vol 22 (2) ◽  
pp. 352-365
Author(s):  
A. Negrov

for an understanding of biblical interpretation within the Russian Orthodox Church. Its purpose is not to advocate pro or contra Russian biblical scholarship, but to place the emphasis on the history of biblical interpretation in the Russian Orthodox Church and on Orthodox biblical hermeneutics. Two considerations are specifically pertinent to the study of this topic. First, the history of biblical interpretation is surveyed from a sole and specific perspective - from within a· historico-dogmatic development of the Russian Orthodox Church from the Kiev period of its history (9_13th century) till the Synodal period (1721-1917). Second, it is true that once originated, the Biblical Study in Russian Orthodoxy went its own way and developed its own fundamental principles of interpretation. Although many principles correlated and corresponded with general principles of biblical interpretation, in essence they form "Russian Orthodox Hermeneutics". This paper seeks to establish an outline of the essential elements of Orthodox biblical hermeneutics as they developed in the history of interpretation.


Author(s):  
Gavin Flood

On the one hand, we have the development of science from the seventeenth to nineteenth century, while on the other, we have a focus on life in philosophy at the dawn of the nineteenth century. Here, life is understood in terms of nature as a dynamic process linked to impulse or drive. Partly stemming from a mystical discourse in the seventeenth century, the concern for life comes to be disseminated through the history of both Romantic poetry and Romantic philosophy. This vitalist spirit can be traced through to the twentieth century. Life itself comes to be articulated through a mystical theological discourse that ends in Romantic poetry and through a philosophical discourse that ends in phenomenology.


2020 ◽  
Vol 5 (2) ◽  
pp. 190-222
Author(s):  
Christopher D. Bahl

Abstract Persian narrative sources provide a colorful picture of Mughal courtly life, but in order to zoom in on cultural practices one has to turn to the artefacts of cultural pursuits. This article studies one specimen of the empirical treasure trove of Arabic manuscripts in South Asia in order to approach a lacuna in Mughal scholarship: the role of Arabic at the Mughal court. In the following, I will analyze the different paratextual layers of a manuscript of the thirteenth century Arabic grammar commentary Sharḥ al-Radī by Radī al-Dīn al-Astarābādhī to study its reading and transmission. The manuscript version represents a written artefact, which emerged out of a series of intellectual engagements. On the one hand, these textual engagements offer a perspective on the manuscript’s initial owner, Saʿd Allāh Khān (d. 1656), and his intellectual pursuits, as well as the scholarly framework in which he was brought up and worked in. On the other hand, the history of this manuscript’s circulation highlights the treatment of Arabic written artefacts at Shāh Jahān’s court. In an exemplary manner, the manuscript’s history of circulation demonstrates how courtly elites engaged with Arabic during the seventeenth century.


2008 ◽  
Vol 5 (2) ◽  
pp. 165-177 ◽  
Author(s):  
KEITH CHAPIN

ABSTRACTIt is as a classicist that Johann Adolph Scheibe has entered the annals of music history, either as a propagator of the principles of French literary classicism, or as a champion of a ‘galant’ style that later critics would view as a foundation for a German musical classicism. But if Scheibe insisted on a quality of striking simplicity, using words clearly indebted to those of Nicolas Boileau, the doyen of seventeenth-century French critics, he was no classicist according to the French model. While all classicists depend to a certain degree on the regulation of their material – for such regulation aids them in their quest for the perfect fit between parts and whole – they will differ in how they choose to balance the codification of technique and the regulation of style, on the one hand, with the evocation of emphatic or ‘sublime’ experiences, on the other. If Boileau sought the ‘marvellous’ quality that strikes like lightening, Scheibe wished for clarity. Drawing on scholarship in the history of literature, this article first examines the origins and point of French classicist literary aesthetics, then traces the fate of these aesthetics as they were transferred from France to Germany and from literature to music.


2012 ◽  
Vol 67 (03) ◽  
pp. 391-399
Author(s):  
Didier Lett

The concept of gender has become such an important subject in international historiography over the last two decades that it might appear odd to devote an entire dossier of the Annales to the topic. However, the relative success of this field of research may also conceal ambiguities in both the intellectual project underlying the term as well as its reception in the social sciences. For certain authors, undertaking a history of gender has meant writing a history of women. Though this form of history now enjoys proper recognition, it is still depreciated in two ways: on the one hand, it is qualified as a militant—and therefore unscholarly—history; and, on the other, it is criticized according to some vague argument claiming that no matter how it is labeled—“gender” or “women”—the inquiry is already dated. Without a doubt, the now canonical expression “history of women and gender” has generated real confusion among those scholars who are not particularly engaged with the field.1


Nuncius ◽  
2003 ◽  
Vol 18 (1) ◽  
pp. 249-268
Author(s):  
CARLA BINO

Abstracttitle SUMMARY /title This article discusses the working method of Bernardo Buontalenti, the court engineer of the Medici family under Cosimo I and his son Francesco I. Buontalenti is a crucial figure for the history of theatre, because he was able to consolidate and rivitalise a tradition, in so far as he used the pre-existing technical knowledge and, at the same time, reinterpreted it in an original way; moreover he "invented" a new profession. By analysing the Memoriale of Girolamo Seriacopi, Proweditore di Castello, which records the works made in Uffizi theatre for the wedding of Ferdinando I de' Medici and Cristina di Lorena (1589), I trace the dynamics of Buontalenti's building site in order to infer some knowledge about the stage machines from the work practice. This method of analysis enables me to make two hypotheses: on the one hand, Buontalenti's machinery was built according to the rules of Florentine tradition (which was in part different from the one from Pesaro which is the basis of Sabbatini's treaty and is usually considered the primary tool for understanding Buontalenti); on the other hand, the use of craft knowledge begins a specialization process that will develop along the seventeenth century.


2016 ◽  
Vol 16 (1) ◽  
pp. 87-105
Author(s):  
Ruth Whelan

The boom in printed sermons in French in the latter half of the seventeenth-century is usually attributed, on the one hand, to the popularity of pulpit eloquence and, on the other, to the piety of both preacher and faithful. However, this study of the rhetorical organisation, imagery, and printing history of the sermons of Jacques Abbadie points to a more ambiguous explanation for the boom. Although the French Reformed Churches counselled their pastors against the pursuit of eloquence in their preaching, Abbadie made a display of it, and engaged in theoretical reflection to justify his practice. According to him, pulpit eloquence promotes receptivity in the faithful; but, with hindsight, it is clear that it also promotes the preacher. Publishing eloquent sermons publicised the hermeneutical and oratorical gifts of the preacher; the epistle dedicatory advertised his social connections; thus the printed sermon was also a strategy for advancing the career of the preacher.


2015 ◽  
Vol 16 (2) ◽  
Author(s):  
Andrew Fitzmaurice

AbstractThis Article examines the concept of sovereign trusteeship in the context of the history of empire. Many accounts of sovereign trusteeship and the responsibility to protect explain the development of those concepts in terms of seventeenth century natural law theories, which argued that the origins of the social contract were in subjects seeking self-preservation. The state, accordingly, was based upon its duty to protect its subjects, while also having a secondary responsibility for subjects beyond its borders arising from human interdependence. I shall show that the concepts underlying sovereign trusteeship - human fellowship, self-preservation and the protection of others’ interests - were as entangled with the expansion of early modern states as they were with the justification of those states themselves. The legacy of that history is that arguments employed to justify sovereign trusteeship and the responsibility to protect remain highly ambiguous and subject to rhetorical manipulation. On the one hand, they can be represented as underpinning a new liberal international order in which states and international organizations are accountable to the human community, not only to their own subjects. On the other, these same terms can be deployed to justify expansionism in the name of humanitarianism, as they have done for hundreds of years. Only by paying careful attention to the contexts in which these claims are made can we discriminate the intentions behind the rhetoric.


Author(s):  
Colby Dickinson

In his somewhat controversial book Remnants of Auschwitz, Agamben makes brief reference to Theodor Adorno’s apparently contradictory remarks on perceptions of death post-Auschwitz, positions that Adorno had taken concerning Nazi genocidal actions that had seemed also to reflect something horribly errant in the history of thought itself. There was within such murderous acts, he had claimed, a particular degradation of death itself, a perpetration of our humanity bound in some way to affect our perception of reason itself. The contradictions regarding Auschwitz that Agamben senses to be latent within Adorno’s remarks involve the intuition ‘on the one hand, of having realized the unconditional triumph of death against life; on the other, of having degraded and debased death. Neither of these charges – perhaps like every charge, which is always a genuinely legal gesture – succeed in exhausting Auschwitz’s offense, in defining its case in point’ (RA 81). And this is the stance that Agamben wishes to hammer home quite emphatically vis-à-vis Adorno’s limitations, ones that, I would only add, seem to linger within Agamben’s own formulations in ways that he has still not come to reckon with entirely: ‘This oscillation’, he affirms, ‘betrays reason’s incapacity to identify the specific crime of Auschwitz with certainty’ (RA 81).


1995 ◽  
Vol 31 (8) ◽  
pp. 301-309 ◽  
Author(s):  
Govert D. Geldof

In integrated water management, the issues are often complex by nature, they are capable of subjective interpretation, are difficult to express in standards and exhibit many uncertainties. For such issues, an equilibrium approach is not appropriate. A non-equilibrium approach has to be applied. This implies that the processes to which the integrated issue pertains, are regarded as “alive”’. Instead of applying a control system as the model for tackling the issue, a network is used as the model. In this network, several “agents”’ are involved in the modification, revision and rearrangement of structures. It is therefore an on-going renewal process (perpetual novelty). In the planning process for the development of a groundwater policy for the municipality of Amsterdam, a non-equilibrium approach was adopted. In order to do justice to the integrated character of groundwater management, an approach was taken, containing the following features: (1) working from global to detailed, (2) taking account of the history of the system, (3) giving attention to communication, (4) building flexibility into the establishing of standards, and (5) combining reason and emotions. A middle course was sought, between static, rigid but reliable on the one hand; dynamic, flexible but vague on the other hand.


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