scholarly journals REVIEW: Opening shot over the parapet

2014 ◽  
Vol 20 (1) ◽  
pp. 239
Author(s):  
Peter Hoar
Keyword(s):  
New Zealand ◽  
World War I ◽  
General Public ◽  
Graphic Novels ◽  
World War ◽  
Early Publication ◽  
Western Front ◽  
Big Push ◽  
The Great War

Book review of: The great adventure ends: New Zealand and France on the Western Front, edited by Nathalie Phillippe, Chris Puglsey, John Crawford & Matthias Strohn, Christchurch: John Douglas Publishing, 2013. 424 pp. ISBN 9780987666581This volume is another shot in the bombardment of books about the Great War that marks the 2014 centenary of the start of the ‘war to end all wars’. This literary big push includes novels, graphic novels, histories, biographies, memoirs and diaries written for specialists and the general public. An early publication to pop over the parapet, this collection offers a diverse set of articles that highlight some not so well-known aspects of New Zealand’s involvement on the Western Front during the 1914-18 war. The varied articles in The Great Adventure Ends reflect both the book’s origins in a conference and the variety of ways in which World War I is written about.

Remarque, Erich Maria (1898–1970)

2018 ◽  
Author(s):  
Irene Gammel
Keyword(s):  
World War I ◽  
World Wide ◽  
Great War ◽  
World War ◽  
Advertising Campaign ◽  
Western Front ◽  
Wide Readership ◽  
National Boundaries ◽  
The Great War ◽  
Quiet Day

Born Erich Paul Remark in Osnabrück, Germany, Erich Maria Remarque is best known for his influential anti-war novel Im Westen nichts Neues (1929, All Quiet on the Western Front). First serialized in the Vossische Zeitung in 1928, All Quiet was launched with an unprecedented advertising campaign. Hailed as ‘the great war novel’, the book spawned a world-wide readership with translations into over twenty-five languages, and a film (directed by Lewis Milestone) in 1930. Written within just a few months in 1927, All Quiet on the Western Front toys with autobiographical references. The protagonist Paul Bäumer is a nineteen-year old war veteran whose seemingly non-consequential death in October 1918, on a ‘quiet’ day on the Western front, stands for the shared fate of millions of soldiers obscured by the unprecedented violence and horror of World War I. Remarque changed his name after the war, dropping his middle name Paul, and adopting his mother’s name, Maria, while also Gallicizing the spelling of his last name, thereby blurring national boundaries.

Stimmungen, Spannungen, Visionen

2019 ◽  
Vol 60 (1) ◽  
pp. 339-371
Author(s):  
Max Graff
Keyword(s):  
World War I ◽  
Human Body ◽  
Great War ◽  
World War ◽  
Literary Magazines ◽  
Western Front ◽  
Military Surgeon ◽  
The Great War ◽  
Poetic Visions

Wilhelm Klemm, Expressionist poet and military surgeon on the Western front during World War I, published approximately 60 war poems, both in his collection Gloria! (1915) and in several literary magazines such as Franz Pfemfert’s Aktion. Some of them were soon hailed as eminently critical of common, glorifying poetic visions of war. This is certainly adequate; a closer scrutiny of the entire corpus of Klemm’s war poems, however, reveals a peculiar diversity which requires an awareness for their ambivalences. The article therefore considers three fields of inquiry: the poems’ depiction of the human body, their relation to lyrical paradigms focussed on nature and Stimmung, and ways of transcending both these paradigms and naturalistic representations of war and its effects. It thus identifies Klemm’s different modes of perceiving, interpreting and processing the experience of the Great War.

scholarly journals The Portrayal of the First World War and the Development of a National Mythology in New Zealand

2014 ◽  
Author(s):  
Arthur J. Pomeroy
Keyword(s):  
New Zealand ◽  
First World War ◽  
Religious Conflict ◽  
Great War ◽  
World War ◽  
Western Front ◽  
The First World War ◽  
The Great War ◽  
First World ◽  
National Mythology

The Memorial Window in the Hunter Building at Victoria University offers interesting insights into the commemoration of the Great War in New Zealand. The Frederick Ellis design shows  strong Anglican Christian iconography, in line with dominant traditions at the College up to the war. The Gallipoli campaign also features much more prominently than the Western Front, since it could be portrayed as a holy crusade against the Turk. As time passes, the ANZAC experience becomes part of the wider New Zealand mythology, but the religious conflict is expunged.

Touring behind the lines: British soldiers in French towns and cities during the Great War

Urban History ◽  
2013 ◽  
Vol 41 (1) ◽  
pp. 105-123 ◽  
Author(s):  
KRISTA COWMAN
Keyword(s):  
World War I ◽  
Foreign Country ◽  
Urban Life ◽  
Great War ◽  
World War ◽  
Civilian Life ◽  
Western Front ◽  
The Great War

ABSTRACT:This article explores the importance that accessing urban life assumed for British soldiers stationed in France during World War I. Many who fought on the Western Front had never visited a foreign country before sailing to France. Drawing on contemporary letters and diaries and later memoirs, it considers how men responded to the new experiences they found in French towns and cities behind the lines. Through exploring activities from shopping and dining to cinema and prostitution, it argues that urban outings became critical to sustaining morale by offering opportunities to engage with civilian life on a reasonably regular basis.

The Great War of the Postcards

2021 ◽  
Vol 88 (3) ◽  
pp. 525-568
Author(s):  
Johann Strauss
Keyword(s):  
Middle East ◽  
World War I ◽  
Great War ◽  
World War ◽  
The Balkans ◽  
Book Illustrations ◽  
Characteristic Features ◽  
The Impact ◽  
The Great War

This article examines the functions and the significance of picture postcards during World War I, with particular reference to the war in the Ottoman Lands and the Balkans, or involving the Turkish Army in Galicia. After the principal types of Kriegspostkarten – sentimental, humorous, propaganda, and artistic postcards (Künstlerpostkarten) – have been presented, the different theatres of war (Balkans, Galicia, Middle East) and their characteristic features as they are reflected on postcards are dealt with. The piece also includes aspects such as the influence of Orientalism, the problem of fake views, and the significance and the impact of photographic postcards, portraits, and photo cards. The role of postcards in book illustrations is demonstrated using a typical example (F. C. Endres, Die Türkei (1916)). The specific features of a collection of postcards left by a German soldier who served in Turkey, Syria, and Iraq during World War I will be presented at the end of this article.

Comrades Betrayed

2020 ◽  
Author(s):  
Michael Geheran
Keyword(s):  
World War I ◽  
Military Service ◽  
Third Reich ◽  
World War ◽  
National Belonging ◽  
Social Death ◽  
The Holocaust ◽  
Nazi Persecution ◽  
The Third Reich ◽  
The Great War

At the end of 1941, six weeks after the mass deportations of Jews from Nazi Germany had begun, Gestapo offices across the Reich received an urgent telex from Adolf Eichmann, decreeing that all war-wounded and decorated Jewish veterans of World War I be exempted from upcoming “evacuations.” Why this was so, and how Jewish veterans at least initially were able to avoid the fate of ordinary Jews under the Nazis, is the subject of this book. The same values that compelled Jewish soldiers to demonstrate bravery in the front lines in World War I made it impossible for them to accept passively, persecution under Hitler. They upheld the ideal of the German fighting man, embraced the fatherland, and cherished the bonds that had developed in military service. Through their diaries and private letters, as well as interviews with eyewitnesses and surviving family members and records from the police, Gestapo, and military, this book challenges the prevailing view that Jewish veterans were left isolated, neighborless, and having suffered a social death by 1938. Tracing the path from the trenches of the Great War to the extermination camps of the Third Reich, the book exposes a painful dichotomy: while many Jewish former combatants believed that Germany would never betray them, the Holocaust was nonetheless a horrific reality. In chronicling Jewish veterans' appeal to older, traditional notions of comradeship and national belonging, the book forces reflection on how this group made use of scant opportunities to defy Nazi persecution and, for some, to evade becoming victims of the Final Solution.

scholarly journals The Politics of Russian Memory: The Great War in the European Context

2021 ◽  
Vol 20 (2) ◽  
pp. 216-235
Author(s):  
Olga S. Porshneva
Keyword(s):  
World War I ◽  
Historical Memory ◽  
Central Committee ◽  
Great War ◽  
World War ◽  
Politics Of Memory ◽  
Red Army ◽  
The Government ◽  
The Masses ◽  
The Great War

This article examines how the historical memory of World War I emerged and developed in Russia, and also compares it to how Europeans have thought about the conflict. The author argues that the politics of memory differed during the Soviet and post-Soviet periods. In the wake of the 1917 Revolution, Bolshevik efforts to re-format the memory of the Great War were part of its attempt to create a new society and new man. At the same time, the regime used it to mobilize society for the impending conflict with the 'imperialist' powers. The key actors that sought to inculcate the notion of the war with imperialism into Soviet mass consciousness were the Central Committee of the Bolshevik Communist Party, the Department of Agitation and Propaganda, and, in particular, the Red Army and Comintern. The latter two worked together to organize the major campaigns dedicated to war anniversaries, which were important both to reinforce the concept of imperialist war as well as to involve the masses in public commemorations, rituals and practices. The Soviet state also relied on organizations of war veterans to promote such commemorative practices while suppressing any alternative narratives. The article goes on to explain how, under Stalin, the government began to change the way it portrayed the Great War in the mid-1930s. And after the Second World War, Soviet politics of memory differed greatly from those in the West. In the USSR the Great Patriotic War was sacralized, while the earlier conflict remained a symbol of unjust imperialist wars.

scholarly journals Mellem to verdener - Krigsrepræsentationer hos Walter Flex, Ernst Jünger og Erich Maria Remarque

2018 ◽  
pp. 65-84
Author(s):  
Adam Paulsen
Keyword(s):  
World War I ◽  
World War ◽  
Western Front ◽  
Major Shift ◽  
The Difference ◽  
To Come ◽  
The Wanderer

This article compares representations of war in Walter Flex’ The Wanderer between Two Worlds (1916), Ernst Jünger’s Storm of Steel (1920), and Erich Maria Remarque’s All Quiet on the Western Front (1929). It shows the extent to which these representations are shaped by political and ideological convictions. The difference between the romantic idealism of Flex and Jünger’s “soldierly nationalism”,which he proposed as a model for the time to come, reflects a major shift during World War I itself. By contrast, neither past nor future seem to be of any use in Remarque’s famous antiwar novel, in which the war generation surprisingly is described as having nothing else to live for beyond the present, i.e. beyond war. Finally, the article suggests how these different representations of war each, in their own way, contributed to the aesthetics and ideology of fascism.

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