scholarly journals Mellem to verdener - Krigsrepræsentationer hos Walter Flex, Ernst Jünger og Erich Maria Remarque

2018 ◽  
pp. 65-84
Author(s):  
Adam Paulsen
Keyword(s):  
World War I ◽  
World War ◽  
Western Front ◽  
Major Shift ◽  
The Difference ◽  
To Come ◽  
The Wanderer

This article compares representations of war in Walter Flex’ The Wanderer between Two Worlds (1916), Ernst Jünger’s Storm of Steel (1920), and Erich Maria Remarque’s All Quiet on the Western Front (1929). It shows the extent to which these representations are shaped by political and ideological convictions. The difference between the romantic idealism of Flex and Jünger’s “soldierly nationalism”,which he proposed as a model for the time to come, reflects a major shift during World War I itself. By contrast, neither past nor future seem to be of any use in Remarque’s famous antiwar novel, in which the war generation surprisingly is described as having nothing else to live for beyond the present, i.e. beyond war. Finally, the article suggests how these different representations of war each, in their own way, contributed to the aesthetics and ideology of fascism.

From the Great War to White Christmas

2019 ◽  
pp. 97-114
Author(s):  
Jeffrey Magee
Keyword(s):  
World War Ii ◽  
World War I ◽  
Great War ◽  
World War ◽  
To Come ◽  
The Great War

Irving Berlin’s all-soldier World War I revue, Yip Yip Yaphank, made a unique impact on Broadway in 1918 and in Berlin’s work for decades to come. The show forged a compelling and comic connection between theatrical conventions and military protocols, using elements from minstrelsy, the Ziegfeld Follies, and Berlin’s distinctive songs. Featuring such Berlin standards as “Sterling Silver Moon” (later revised as “Mandy”) and “Oh! How I Hate to Get Up in the Morning,” it was revised for World War II as This Is the Army, and scenes from it reappear, transformed, in Berlin’s films Alexander’s Ragtime Band and White Christmas.

Profitable Patriotism

2019 ◽  
pp. 73-96
Author(s):  
Patrick Warfield
Keyword(s):  
World War I ◽  
Great Lakes ◽  
World War ◽  
The Public ◽  
To Come ◽  
Public Imagination ◽  
Training Station

World War I gave John Philip Sousa, always an astute businessman, several opportunities to reshape his image and rebuild his career. Sousa embraced first neutrality, and then preparedness, notably in championing “Wake Up, America” during his residency at New York’s Hippodrome. When the country entered the war, Sousa was acclaimed for his quintessential patriotism, and he enlisted in the Naval Reserve to train bandsmen at the Great Lakes Training Station. He even changed his appearance, shaving off his celebrated beard; and he joined in anti-German jingoism, writing a wedding march as a substitute for Wagner and Mendelssohn. By war’s end, he had recaptured the public imagination and rebuilt his legend for the years to come.

The Myth of the Innocent Nation

2018 ◽  
pp. 198-238
Author(s):  
Richard T. Hughes
Keyword(s):  
World War Ii ◽  
World War I ◽  
Golden Age ◽  
War On Terror ◽  
James Baldwin ◽  
American People ◽  
World War ◽  
Black Soldiers ◽  
American Myths ◽  
To Come

While the myth of the Innocent Nation weaves a tale that is objectively false with no redemptive qualities, it is one of the strongest of the American myths in terms of its hold over the American people. That myth, like the nation itself, hangs suspended between the golden age of an innocent past (Nature’s Nation) and a golden age of innocence yet to come (Millennial Nation). Suspended in that vacuous state, Americans imagine that history is irrelevant. How could it be otherwise? Nothing destroys a sense of innocence like the terrors of history taken seriously. Anchored by the pillars that stand at the beginning and end of time, the myth of the Innocent Nation flourished during every modern conflict beginning with World War I, but especially when the nation faced enemies like Nazi Germany in World War II or Isis during the War on Terror. The irony was obvious, for even as the nation proclaimed its innocence, black soldiers, for example, returned from World War II only to face brutality and segregation in their own nation. Countless blacks from Muhammed Ali to Toni Morrison to James Baldwin to Ta-Nehisi Coates have protested that irony in the American myth of Innocence.

Remarque, Erich Maria (1898–1970)

2018 ◽  
Author(s):  
Irene Gammel
Keyword(s):  
World War I ◽  
World Wide ◽  
Great War ◽  
World War ◽  
Advertising Campaign ◽  
Western Front ◽  
Wide Readership ◽  
National Boundaries ◽  
The Great War ◽  
Quiet Day

Born Erich Paul Remark in Osnabrück, Germany, Erich Maria Remarque is best known for his influential anti-war novel Im Westen nichts Neues (1929, All Quiet on the Western Front). First serialized in the Vossische Zeitung in 1928, All Quiet was launched with an unprecedented advertising campaign. Hailed as ‘the great war novel’, the book spawned a world-wide readership with translations into over twenty-five languages, and a film (directed by Lewis Milestone) in 1930. Written within just a few months in 1927, All Quiet on the Western Front toys with autobiographical references. The protagonist Paul Bäumer is a nineteen-year old war veteran whose seemingly non-consequential death in October 1918, on a ‘quiet’ day on the Western front, stands for the shared fate of millions of soldiers obscured by the unprecedented violence and horror of World War I. Remarque changed his name after the war, dropping his middle name Paul, and adopting his mother’s name, Maria, while also Gallicizing the spelling of his last name, thereby blurring national boundaries.

Stimmungen, Spannungen, Visionen

2019 ◽  
Vol 60 (1) ◽  
pp. 339-371
Author(s):  
Max Graff
Keyword(s):  
World War I ◽  
Human Body ◽  
Great War ◽  
World War ◽  
Literary Magazines ◽  
Western Front ◽  
Military Surgeon ◽  
The Great War ◽  
Poetic Visions

Wilhelm Klemm, Expressionist poet and military surgeon on the Western front during World War I, published approximately 60 war poems, both in his collection Gloria! (1915) and in several literary magazines such as Franz Pfemfert’s Aktion. Some of them were soon hailed as eminently critical of common, glorifying poetic visions of war. This is certainly adequate; a closer scrutiny of the entire corpus of Klemm’s war poems, however, reveals a peculiar diversity which requires an awareness for their ambivalences. The article therefore considers three fields of inquiry: the poems’ depiction of the human body, their relation to lyrical paradigms focussed on nature and Stimmung, and ways of transcending both these paradigms and naturalistic representations of war and its effects. It thus identifies Klemm’s different modes of perceiving, interpreting and processing the experience of the Great War.

Colors of the Past: Archive, Art, and Amnesia in a Digital Age

2019 ◽  
Vol 124 (5) ◽  
pp. 1771-1781
Author(s):  
Santanu Das
Keyword(s):  
World War I ◽  
Documentary Film ◽  
Digital Age ◽  
Historical Documents ◽  
World War ◽  
The Past ◽  
Western Front ◽  
Gains And Losses

Abstract This roundtable offers four diverse perspectives on Peter Jackson’s innovative and controversial World War I documentary film They Shall Not Grow Old (2018). Jackson’s film breaks the mold of the documentary genre in its manipulation and montage of the visual and audio archives held at the Imperial War Museum in London. Yet he puts his technical virtuosity and resources at the service of a very traditional interpretation of the war, focusing almost entirely on the experience of young Englishmen on the Western Front. Scholars Santanu Das, Susan R. Grayzel, Jessica Meyer, and Catherine Robson offer their reflections on both the gains and losses of Jackson’s paradoxical original use of historical documents and old-fashioned rendering of the war’s experiential elements. They consider, respectively, the experience of colonial troops, the place of women in the war, and Jackson’s creative, if controversial, interpretation of the visual and aural archive.

WAR AND PEACE: ARTHUR CECIL PIGOU AS A PUBLIC INTELLECTUAL DURING WORLD WAR I

2020 ◽  
pp. 1-18
Author(s):  
Rogério Arthmar ◽  
Michael McLure
Keyword(s):  
World War I ◽  
First World War ◽  
Public Intellectual ◽  
Peace Treaty ◽  
War And Peace ◽  
World War ◽  
Full Circle ◽  
The First World War ◽  
To Come ◽  
First World

This study reflects on Arthur Cecil Pigou’s role in public debate during the initial phase of the First World War over whether Britain should negotiate a peace treaty with Germany. Its main goal is to provide evidence that the “Cambridge Professor” framed his approach to this highly controversial issue from theoretical propositions on trade, industrial peace, and welfare that he had developed in previous works. After reviewing his contributions on these subjects, Pigou’s letter to The Nation in early 1915, suggesting an open move by the Allies towards an honorable peace with Germany, is presented along with his more elaborate thoughts on this same theme put down in a private manuscript. The negative reactions to Pigou’s letter are then scrutinized, particularly the fierce editorial published by The Morning Post. A subsequent version of Pigou’s plea for peace, delivered in his London speech late in 1915, is detailed, listing the essential conditions for a successful conclusion of the conflict. To come full circle, the paper recapitulates Pigou’s postwar considerations on diplomacy, free trade, and colonialism. The concluding remarks bring together the theoretical and applied branches of Pigou’s thoughts on war and peace.

The Battle for a Dry America

2021 ◽  
pp. 487-526
Author(s):  
Mark Lawrence Schrad
Keyword(s):  
World War I ◽  
Third Party ◽  
World War ◽  
Theodore Roosevelt ◽  
Woodrow Wilson ◽  
The World ◽  
To Come ◽  
One Year

Chapter 17 examines the Anti-Saloon League’s pivot to pressing for the Eighteenth (Prohibition) Amendment. In 1912 former president Theodore Roosevelt ran as a third-party Progressive against his handpicked Republican successor, William Howard Taft, as Taft had undermined Roosevelt’s signature Pure Food and Drug Act, which included purity standards on alcohol. The electoral split gave the presidency to Democrat Woodrow Wilson, who was agnostic toward prohibition. World War I and the accompanying “cult of military sobriety” strengthened prohibitionist sentiment, while the election of 1916 secured the legislative supermajorities needed for a prohibition amendment. Once passed in December 1917, the amendment was ratified with unprecedented speed by January 1919, to come into effect one year later. In the meantime, drys pushed for a “wartime prohibition” until demobilization was complete. With prohibition in America secured, activists looked abroad through the World League Against Alcoholism (WLAA) and its chief emissary, Pussyfoot Johnson.

Henry Krehbiel: German American, Music Critic

2009 ◽  
Vol 8 (2) ◽  
pp. 165-187
Author(s):  
Joseph Horowitz
Keyword(s):  
World War I ◽  
American Music ◽  
Immigrant Parents ◽  
World War ◽  
Intellectual Community ◽  
Postwar America ◽  
Ann Arbor ◽  
German Immigrant ◽  
To Come ◽  
Genteel Culture

The “dean” of New York's music critics a century ago, Henry Krehbiel–born in Ann Arbor to German immigrant parents—was emblematic of a vibrant intellectual community that blended Germanic and American traits. As a dominant propagator of a distinctively wholesome American Wagnerism, he embodied both German Kunst and American meliorism. As a self-made critic, he combined weighty scholarly learning and prose with a nose for news and a popularizing bent. During World War I, the German enemy incited no more patriotic response than his. But Krehbiel was increasingly stranded in postwar America. A bearer of genteel culture, he retained his iron criterion of uplift; no such aesthetic anchor would stabilize art in times to come.

scholarly journals Trnova pot razvoja narodne ideje v 20. stoletju: problemi oblikovanja naroda na Slovenskem in v Ukrajini skozi oči ukrajinskega zgodovinarja

2016 ◽  
Vol 56 (1) ◽  
pp. 126-144
Author(s):  
Katerina Malšina ◽  
Jevgen Sinkevič
Keyword(s):  
World War Ii ◽  
World War I ◽  
20Th Century ◽  
Social Processes ◽  
The Political ◽  
World War ◽  
Independence Movement ◽  
European Nation ◽  
Related Idea ◽  
The Difference

DIFFICULT PATH TO DEVELOPING THE IDEA OF A NATION IN THE 20TH CENTURY: PROBLEMS IN FORMING A NATION IN SLOVENIA AND UKRAINE AS SEEN BY AN UKRAINIAN HISTORIANThe article presents the development of the idea of a nation by comparing constitutional and social processes in Slovenia and Ukraine from the second half of the 19thcentury to the end of the 20thcentury. Upon examining the documentary and narrative sources on the formation of the Ukrainian and Slovenian nations, the authors point out that both Slovenians and Ukrainians co-existed within one country – the Austro-Hungarian Empire – as well as to the chronological and thematic similarity of historical independence movement processes in both countries, focusing on the period of Austria-Hungary, as well as on the time after World War I and World War II. The emphasis is on defining the following terms: What is a “national idea” compared to the political and state-related idea? What is the difference between the Slovenian and Ukrainian national idea? How should we define the “Slovenian nation” and the “European nation” today?

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